Siberia is significant to Jane Eyre because its bleak, cold, isolated nature sets the tone for the rest of the novel and immerses Jane Eyre within the Gothic genre. This information comes from a blog on The Word Press. Siberia illustrates Gothic conventions because of its vast, desolate nature. Siberia appears in the first chapter of Jane Eyre, before the reader is introduced to Jane herself. Jane is reading a book about the history of British Birds, in which she describes the places they inhabit: “the bleak shores of Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with ‘the vast sweep of the Arctic Zone, and those forlorn regions of dreary space’” (Brontë 64). This immediate description of Siberia and other Arctic zones establishes the Gothic tone and acts as a preamble for Jane's isolation within Gateshead. Mapping Siberia on COVE reveals how the novel's description of a real, vast, and desolate geographical location can symbolize and establish a feeling of loneliness and isolation for the entirety of the novel. 

Bibliography:
Research: https://onceuponawrittenword.wordpress.com/2021/08/31/connections-and-character-landscape-in-jane-eyre/https://onceuponawrittenword.wordpress.com/2021/08/31/connections-and-character-landscape-in-jane-eyre/ 

Photo: https://www.grunge.com/1018437/the-russian-family-that-spent-four-decades-alone-in-the-siberian-wilderness/ 





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