Editorial Introduction
Why Clough? Why COVE?
By Alex Anderson, Dino Franco Felluga, Alyssa Fernandez, Gwénaël Jouin, Matt Morgenstern, Allyn Pearson, Emily Pearson, Marybeth Perdomo, Stacey Smythe, Ayla Wilder, and Monica Wolfe
This can include any number of documents, such as editorial introductions, critical essays, bibliographies, etc.
Robert Turnball MacPherson: Maker of Photos, Maker of Myth
Robert Turnball MacPherson: Maker of Photos, Maker of Myth
S. Alleyn Smythe
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Arthur Clough’s Amours de Voyage and the Revolutions of 1848
Arthur Clough’s Amours de Voyage and the Revolutions of 1848
Gwénaël Jouin
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Oscar Wilde and the Evolution of the Gothic in an Age of Epistemological Upheaval
Oscar Wilde and the Evolution of the Gothic in an Age of Epistemological Upheaval
A Life Lived as Art
A Life Lived as Art
“Lord Arthur Savile’s Crime”; Or, an Anti-Morality Tale about Murder and Public Image
“Lord Arthur Savile’s Crime”; Or, an Anti-Morality Tale about Murder and Public Image
Wilde Meant that Letterally: An Analysis of the Correspondence of Oscar Wilde
Wilde Meant that Letterally: An Analysis of the Correspondence of Oscar Wilde
Killing the New Woman – Defining “Self” in Wilde’s “The Sphinx Without a Secret”
Killing the New Woman – Defining “Self” in Wilde’s “The Sphinx Without a Secret”
Editorial Introduction to Lord Arthur Savile’s Crime and Other Stories (1891)
Editorial Introduction to Lord Arthur Savile’s Crime and Other Stories (1891) by Oscar Wilde
[Because brief biographies of Oscar Wilde are so readily available—including in the COVE edition of Wilde’s poem “The Harlot’s House—this introduction will forgo discussion of Wilde’s life beyond those elements specifically pertinent to this COVE edition.]