A Note on the Text

Literary Cartography and Arthur Hugh Clough’s Amours de Voyage

Alyssa Fernandez and Ayla Wilder

Why Clough? Why COVE?

By Alex Anderson, Dino Franco Felluga, Alyssa Fernandez, Gwénaël Jouin, Matt Morgenstern, Allyn Pearson, Emily Pearson, Marybeth Perdomo, Stacey Smythe, Ayla Wilder, and Monica Wolfe

Robert Turnball MacPherson: Maker of Photos, Maker of Myth

S. Alleyn Smythe

Arthur Clough’s Amours de Voyage and the Revolutions of 1848

Gwénaël Jouin

Oscar Wilde and the Evolution of the Gothic in an Age of Epistemological Upheaval

A Life Lived as Art

“Lord Arthur Savile’s Crime”; Or, an Anti-Morality Tale about Murder and Public Image

Wilde Meant that Letterally: An Analysis of the Correspondence of Oscar Wilde

Killing the New Woman – Defining “Self” in Wilde’s “The Sphinx Without a Secret”