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SEX SELLS . . . SO, WHAT EXACTLY, ARE WE BUYING? -- SEXUALITY AND MODERN VISUAL CULTURE -- ENGL/WMNST 225N, SECTIONS 001 // SPRING 2024

COURSE DESCRIPTION Our world bombards us with images, and we contribute to that barrage each time we post a picture. This class will engage you in vital discussions about those images as well as those that came before us and continue to shape what we see and create today. At its core, this class will be driven by our discussion of visual presentations that use “sex” to “sell” us a story; that story might be about what family is or should be, about what political activism looks like, about how a society thinks about love, beauty, hate, even its future hopes or its present fears. To spur those discussions, we’ll offer you a rich, diverse historical background in visual representations that reflect how Western society, from the mid-19th-century to today, has viewed itself through the lens of sexuality, which always intersects with race, gender, gender identity, and class. For example, the terms “feminist” and “homosexual” were invented by the Victorians and reflect profound shifts in conceptions of identity. Another 19th-century invention was the idea of the literary and artistic “avant-garde” as a minority contingent with politically and/or aesthetically advanced views. These ideas of minority culture were deeply enmeshed with one another and still have effects on our world today. Discussions of these ideas then, hopefully, can help us all navigate the flood of images that today’s media presents as well as the self-images we cast into the world.

Because of this course’s interdisciplinary exploration of the relationship of art to the history of modern ideas of sexuality and gender—a study that engages us with complex social and ethical issues relevant to our current lives—it offers you the opportunity to heighten your critical, analytical, and integrative thinking skills in a space where all issues will be considered in thoughtful, mutually respectful ways. The assignments for the class will exercise those skills, asking you to communicate effectively, not only through writing, but also through speaking and incorporating visual materials into projects effectively.

Bosco, Sabrina. “Where The Flowers Bloom”. Comfortable Fields. 2018. https://comfortablefields.bigcartel.com/product/where-the-flowers-bloom-print Accessed 11 April 2023.Bosco, Sabrina. “Where The Flowers Bloom”. Comfortable Fields. 2018. https://comfortablefields.bigcartel.com/product/where-the-flowers-bloom-print Accessed 11 April 2023.Bosco, Sabrina. “Where The Flowers Bloom”. Comfortable Fields. 2018. https://comfortablefields.bigcartel.com/product/where-the-flowers-bloom-print Accessed 11 April 2023.

Bosco, Sabrina. “Where The Flowers Bloom”. Comfortable Fields. 2018. https://comfortablefields.bigcartel.com/product/where-the-flowers-bloom-print Accessed 11 April 2023.--FACE OF THE COURSE 2023

Timelines, Galleries, and Maps


Life Under Brandt's Scope | Timeline

This timeline provides a sociohistorical context for Bill Brandt's 1945 Hampstead London. 

 

Brandt, Bill. Hampstead, London. 1945.
https://www.artsy.net/artwork/bill-brandt-hampstead-london-2. Accessed
24 February. 2024.

Posted by Kylah Holmes on

It's Okay To Be Yourself | Timeline

This timeline provides a sociohistorical context for Dian Arbus's 1962 Two Female Impersonators Backstage

 

Arbus, Diane. Two Female Impersonators Backstage, N.Y.C.. 1962. https://www.artnet.com/artists/diane-arbus/two-female-impersonators-backstage-nyc-1962-a-QteiKplNmHSJ8IrlVh1gvQ2. Accessed March 28 20204. 

Posted by Karli Storm on

Reframing Faith | Timeline

This timeline provides a sociohistorical context for Diana Davies' 1970 The Homosexual

New York Public Library. "Portrait photograph of Walt Whitman." Digital Collections, New York Public Library, https://digitalcollections.nypl.org/items/0ab04690-1077-0137-baa9-0797a5541f61. Accessed April 1, 2024.

         
Posted by Kylie Bralczyk on

Frida Kahlo's Life Journey | Timeline

This timeline provides a sociohistorical context for Frida Kahlo's 1944 The Broken Column 


Kahlo, Frida. The Broken Column. 1944. https://www.fridakahlo.org/the-
broken-column.jsp. Accessed April 1, 2024.

Posted by Aneesa Estevez on

Normalization of LGBTQ people-work of Diane Arbus | Timeline

This timeline provides a sociohistorical context for Diane Arbus' 1968 A Naked Woman Being a Man.

Arbus, Diane. Photo of A naked man being a woman, N.Y.C. 1968.
https://www.metmuseum.org/art/collection/search/288914. Accessed 24
February 2024.

Posted by Long-Yang Li on

Unalienable Life | Timeline

This timeline provides a sophishistorical context for Bruce Davidson's "Images from East 100th Street".

Davidson, Bruce. Images from East 100th Street. 1960.

 

Posted by Kai Deline on

Haring in a Bathtub: The Crossover We Didn't Know We Needed | Timeline

This timeline provides a sociohistorical context for Don Herron's 1982 Photo of Keith Haring. 

Herron, Don. Photo of Keith Haring, 1982. https://www.danielcooneyfineart.com/artists/don-herron/featured-works. Accessed 31 March 2024.

Posted by Kate Yoder on

The Sexual Liberation of Women | Timeline

This timeline provides a sociohistorical context for Tom Wesselmann's 1967 The Great American Nude #92. This piece offers a strong message on women's sexuality. More specifcally, it creates a statement on women's seuxal freedom in America. To understand the context behind this piece, we will dive into the education of Wesselmann, the political climate at the time of his creation, and…

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Posted by Adrianna Walker on

A journey through Richard Avedon and Lauren Hutton. | Timeline

This timeline provides a sociohistorical context for Richard Avedon's 1968 Photo of Lauren Hutton  

 

Avedon, Richard. Photo of Lauren Hutton. 1968.
https://www.avedonfoundation.org/the-work. Accessed 23 Feb. 2023.
   
Posted by Maddie Meckley on

Of Women and Angels | Timeline

 

This timeline provides a sociohistorical context for Arlene Gottfried's 1976 Angel and Woman on Boardwalk, Brighton Beach. 

Gottfried, Arlene. Angel and Woman on Boardwalk, Brighton Beach. 1976. https://slate.com/culture/2014/11/arlene-gottfried-sometimes-outrageous-looks-at-the-vibrancy-of-new-york-city-in-the-1980s-photos…

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Posted by Anna Mae O'Brien on

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