Wood-Engraving as an Art and a Trade
Wood Engraving as an Art and a Trade
1890s Print Revival and the Book Beautiful
The 1890s Print Revival and the Book Beautiful
Representing the Fin-de-Siècle New Woman and Aesthete
Representing the Fin-de-Siècle New Woman and Aesthete
Clemence Housman and Feminism in the 1890s
Clemence Housman and Feminism in the 1890s
Clemence Housman's Works
Brief Biographies of Clemence and Laurence Housman
Brief Biographies of Clemence and Laurence Housman
Clemence Annie Housman (1861-1955)
Textual History and Contemporary Reception of Clemence Housman’s "The Were-Wolf"
Textual History and Contemporary Reception of Clemence Housman’s The Were-Wolf
Editorial Introduction to The Were-Wolf
Editorial Introduction to The Were-Wolf
“…the mode of existence of a literary work of art is fundamentally social.”
(McGann, A Critique of Modern Textual Criticism, 8)
Bibliography of Resources for Clemence Housman's The Were-Wolf
WORKS CITED in the Annotations and Essays for the COVE Were-Wolf Edition
“Atalanta.” Victorian Poetry, Poetics and Contexts. Edited by Alison Chapman, 2018.
Avis, Paul D. L. The Anglican Understanding of the Church: An Introduction. SPCK, 2013.
Barney, Stephen A, et.al. The Etymologies of Isidore of Seville. Cambridge UP, 2006, p. 225.
Teaching Time
Although I am a Victorianist, I started my graduate studies as a student of the Renaissance, working under A. C.