My case study in COVE-engaged pedagogy showcases the “Drawn to Books” Gallery, an open-access repository of images from the books and artworks in an exhibition collaboratively produced by students in my “Pre-Raphaelite Circle” module (“course,” in North American parlance) in 2017.
Please click the thumbnail below to open this essay as a PDF.
Figure 1. Detail from "The Race," by Laurence Housman; wood engraved by Clemence Housman, for The Were-Wolf (1896)
Charlotte Riddell’s The Race for Wealth, first serialized in Once a Week and published in book form in 1866, revolves around two themes: adulteration and adultery. It is both a business novel, exploring the ambiguities of commerce and trade, and a sensational novel, pushing the boundaries of conventionality. Set in eastern London, the novel is replete with topical references to popular culture, contemporaneous urban developments, financial legislation, the history of the City of London and the adulteration debate that was raging at the time.
