Goblin Market

The title poem of Christina Rossetti’s first commercially published collection of poetry, Goblin Market and Other Poems (Macmillan, 1862), “Goblin Market” has always delighted, perplexed, and inspired readers. A poetic fairytale expressed in deceptively simple form, and imbued with Pre-Raphaelite sensuality and spiritual symbolism, “Goblin Market” met its first public with two... more

The Harlot's House

Oscar Wilde

"The Harlot's House" (1885; 1904) suggests why Oscar Wilde came to embody Victorian decadence and aestheticism, not just for his time and place but globally and ever since. This relatively early poem contains many of the aesthetic, political, and philosophical complexities that have come to characterize Wilde and the fin de siècle. This edition of "The Harlot's House" brings together some of the... more

The Sonnet

Dante Gabriel Rossetti

Dante Gabriel Rossetti’s poem, “The Sonnet,” is the first poem in the sonnet sequence House of Life. This COVE edition will bring together a handful of editors to explore the prosodic brilliance of the poem.

Heart of Darkness

Joseph Conrad

Joseph Conrad’s Heart of Darkness, first published serially in 1899 and then in book form in 1902, explores with unparalleled intensity the enormity of European imperialism in Africa. A prescient instance of what would become the literary movement known as modernism, the novella also experiments with frame narration and features a complex, highly figurative style.

Strange Event in the Life of Schalken the Painter

Joseph Sheridan Le Fanu

The short story originally published as “Strange Adventure in the Life of Schalken the Painter. Being a Seventh Extract from the Legacy of the Late Francis Purcell, P.P. of Drumcoolagh” in Dublin University Magazine (May 1839) is widely recognized as the earliest masterpiece by the Irish novelist, short story writer, and journalist Joseph Sheridan Le Fanu (1814-1873).

About COVE

COVE is The Central Online Victorian Educator, a scholar-driven open-access platform that publishes peer-reviewed Victorian material. It is maintained and supported by NAVSA, BAVSA, AVSA and a number of independent institutions. Although all peer-reviewed material is open access, we charge a modest amount for use of our tools and the creation of non-peer-reviewed material. If you are interested in getting involved or in supporting the project financially, please contact General Editor Dino Franco Felluga.