Electronic Editions

COVE Electronic Editions offers a searchable archive of texts of the Victorian era, enhanced by technology made possible in an online environment. Each edition is based on the highest scholarly standards and is peer-reviewed.

Peer-Reviewed Editions

Goblin Market 1862 by Christina Rossetti
Christina Rossetti, Goblin Market
The title poem of Christina Rossetti’s first commercially published collection of poetry, Goblin Market and Other Poems (Macmillan, 1862), “Goblin Market” has always delighted, perplexed, and inspired readers. A poetic fairytale expressed in deceptively simple form, and imbued with Pre-Raphaelite sensuality and spiritual symbolism, “Goblin Market” met its first public with two introductory illustrations designed by Rossetti’s brother, the artist Dante Gabriel. This edition of “Goblin Market” aims to present the poem in all the layered complexities of its production and reception and to illuminate the interpretive cruxes of the poem as these have been addressed by scholars and critics from the Victorian to the digital age. Led by co-editors Lorraine Janzen Kooistra (Ryerson U) and Antony Harrison (North Carolina State U), the team includes Mary Arseneau (U Ottawa), Alison Chapman (U Victoria), Margaret Linley (Simon Fraser U), Emma Mason (U Warwick), and Richard Menke (U Georgia).
The Harlot's House 1885, 1904 by Oscar Wilde
Oscar Wilde, The Harlot's House
"The Harlot's House" (1885; 1904) suggests why Oscar Wilde came to embody Victorian decadence and aestheticism, not just for his time and place but globally and ever since. This relatively early poem contains many of the aesthetic, political, and philosophical complexities that have come to characterize Wilde and the fin de siècle. This edition of "The Harlot's House" brings together some of the most influential Wilde scholars of the day, offering a rich current annotation of the work and the evolution of scholarship that has accrued to it. In addition to lead editors Regenia Gagnier (U Exeter) and Dennis Denisoff (Ryerson U), the team includes Stefano Evangelista (U Oxford), Natalie Houston (U Massachusetts Lowell), Diana Maltz (Southern Oregon U), Jamil Mustafa (Lewis U), and Mark Turner (King's College London).
The Sonnet 1880 by Dante Gabriel Rossetti
The Sonnet
Dante Gabriel Rossetti’s poem, “The Sonnet,” is the first poem in the sonnet sequence House of Life. This COVE edition will bring together a handful of editors to explore the prosodic brilliance of the poem.
Heart of Darkness 1899, 1902 by Joseph Conrad

Joseph Conrad’s Heart of Darkness, first published serially in 1899 and then in book form in 1902, explores with unparalleled intensity the enormity of European imperialism in Africa. A prescient instance of what would become the literary movement known as modernism, the novella also experiments with frame narration and features a complex, highly figurative style.

In an Artist's Studio 1856, 1896 by Christina Rossetti
In an Artist's Studio

This COVE edition of Christina Rossetti’s “In an Artist’s Studio" will attempt what Dino Franco Felluga, the lead editor, is calling—inspired by Dante Gabriel Rossetti’s “The Sonnet"—a “momentous edition.” The original annotations were assembled during an otherwise ephemeral close-reading session: at the NAVSA/AVSA NYU/Purdue conference at La Pietra in Florence, Italy (May 2017). The collective annotation project was then augmented over the year following the conference. 

On a Portrait of Wordsworth by B.R. Haydon 1842 by Elizabeth Barrett Browning
On a Portrait of Wordsworth

This edition of EBB’s sonnet, most widely known under the title of “On a Portrait of Wordsworth, by R. B. Haydon,” is the first effort to create what we are calling an “omnibus edition” of a literary work.  The edition brings together three tools that have been created for The COVE: an annotation tool, a timeline-builder, and a geospatial map-builder.

The Were-Wolf 1896 by Clemence Housman

Clemence Housman invented her gothic story to entertain the women in her wood-engraving class in London in 1884. She first published "The Were-Wolf" in the 1890 Christmas number of Atalanta, where it was illustrated by Everard Hopkins. In 1896 she collaborated with her brother, Laurence Housman, to produce an illustrated edition of The Were-Wolf for John Lane at The Bodley Head. In addition to authoring the text, Clemence Housman wood-engraved the 6 illustrations, decorated title page, and illuminated initial designed by her brother, Laurence Housman.


Completed Prototype Editions

A Mystery in Scarlet 1866 by James Malcolm Rymer
A Mystery in Scarlet

Robert Louis Stevenson cherished the 1866 penny dreadful A Mystery in Scarlet, written by his "genuine influence" Malcolm J. Errym, the pseudonym of "Sweeney Todd" creator James Malcolm Rymer (1814-84) and illustrated by the celebrated "Phiz" (Hablot K. Browne, 1815-82).

Concerning Geffray Teste Noire 1858 by William Morris
Geffray Teste Noire Banner

The first volume of poetry to be identified as Pre-Raphaelite, William Morris’s Defence of Guenevere was published when its author was only 24.

Sartor Resartus
1833 to 1834
by Carlyle, Thomas
Sartor Resartus
Thomas Carlyle once described Sartor Resartus as “a Satirical Extravaganza on Things in General,” and the book has both inspired and confounded readers since its initial publication in 1833-34.  Engaging with philosophy, theology, political economy, aesthetics, history, and science, Sartor Resartus in many ways defies classification.
Strange Event in the Life of Schalken the Painter 1839, 1851, 1880 by Joseph Sheridan Le Fanu
Strange Event in the Life of Schalken the Painter

The short story originally published as “Strange Adventure in the Life of Schalken the Painter. Being a Seventh Extract from the Legacy of the Late Francis Purcell, P.P. of Drumcoolagh” in Dublin University Magazine (May 1839) is widely recognized as the earliest masterpiece by the Irish novelist, short story writer, and journalist Joseph Sheridan Le Fanu (1814-1873).


Prototype Editions Under Construction

A Curse For a Nation 1860 by Elizabeth Barrett Browning
Elizabeth Barrett Browning’s “A Curse for a Nation” is among the most politically charged works written by Victorian England’s most internationally influential woman poet. First published in 1855 in America, it engaged with the conflicts over slavery that precipitated the Civil War. Republished in 1860, in Poems before Congress, the poem simultaneously addressed American slavery and British refusal to intervene in the liberation and unification of Italy. Alison Chapman (U Victoria), Denae Dyck (U Victoria), Naomi Levine (Rutgers U), and Caroline Levine (U Wisconsin) join Marjorie Stone (Dalhousie U) and Beverly Taylor (U North Carolina, Chapel Hill) to annotate the shifting transnational contexts, strategic textual revisions, layered allusions, performative rhetoric, and incantatory prosody of a poetic curse that provoked intense debates and diverse responses in England, America, and Italy.
Manfred 1817 by Lord Byron
Lord Byron, Manfred
Manfred (1817) was Nietzsche’s philosophic point of departure – in his view, the decisive investigation of the central myth of Modernity: Faust.  So far as Byron is concerned, it is the pivot around which his poetical work turns.  Manfred is a critical assessment of the meanings—i.e., the illusions—that gave focus to his first tormented poems, shaped as they are by that epochal invention, The Byronic Hero.  Paradoxically, it is also the forecast of his serio-comic masterpiece Don Juan which dominated the final seven years of his work.
The Eagle 1851 by Alfred Lord Tennyson
This often anthologized vignette, the shortest of Tennyson’s several contributions to the avian lyric subgenre, is one part ornithology and one part mythology. The poem thus straddles a natural/supernatural rift that mid-Victorian decades placed under great imaginative pressure.
The Lady of Shalott 1842 by Alfred Lord Tennyson
Tennyson's Arthurian fable of love and death enjoyed such wide currency during the Victorian decades that it became, for all its evident medievalism, a minor but recognizable modern myth.  The poem mediated crises in art's relation to mimetic and expressive representation for an increasingly diverse and distant audience, through a firmly gendered and eroticized narrative, the virtuoso handling of an obsessive stanzaic form, and imagery drawn from essential technologies of Victorian industry (weaving) and empire (navigation).
"The Phonograph’s Salutation" 1888, 1891 by Horatio Nelson Powers
The Phonograph’s Salutation

“The Phonograph’s Salutation” (1888, 1891), a poem written and recited onto record by Horatio Nelson Powers, was first “published” as an audio recording onto a wax cylinder in 1888, with the print text of the poem included on a pamphlet that was made to accompany the cylinder. The cylinder and accompanying print version were then sent across the Atlantic Ocean from Orange, New Jersey, where the recording was made, to London, England, where it was used to promote the capacities of Edison’s new perfected phonograph as a means of creating audible correspondence, or, phonograms. 

The Race for Wealth 1866 by Charlotte Ridell
The Race for Wealth

Charlotte Riddell’s The Race for Wealth, first serialized in Once a Week and published in book form in 1866, revolves around two themes: adulteration and adultery. It is both a business novel, exploring the ambiguities of commerce and trade, and a sensational novel, pushing the boundaries of conventionality. Set in eastern London, the novel is replete with topical references to popular culture, contemporaneous urban developments, financial legislation, the history of the City of London and the adulteration debate that was raging at the time. The COVE edition of The Race for Wealth aims to orient readers in this web of allusions, and to provide a nuanced understanding of Riddell’s somewhat eccentric novelistic interests. In addition to lead editors Silvana Colella (University of Macerata) and Frederik Van Dam (Radboud University), the team includes..

Trooper Peter Halket at Mashonaland 1897 by Olive Schreiner

Olive Schreiner's Trooper Peter Halket at Mashonaland (1897) gives voice to one of the most powerful and uncompromising denunciations of imperial violence published in the nineteenth century, and yet the work stands largely unread by students of Victorian literature. The novella, set in Rhodesia under Company Rule, depicts an encounter between a young British soldier lost in the veld and a mysterious Christ-like stranger who transforms his views on colonialism.

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