The Experiences of Loveday Brooke, Lady Detective
Editorial Apparatus
- Conflicting Views on Transnational Femininity in “The Black Bag Left on a Doorstep," by Christopher Steene | Citation, Criticism
- Deception and Assumptions in “The Redhill Sisterhood," by Ben Morris | Citation, Criticism
- Femininity as a Disguise in The Experiences of Loveday Brooke, Lady Detective, by Katherine Bruns | Citation, Criticism
- Loveday Brooke and Neo-Victorian Depictions of Women Detectives, by Elena Bolstad | Citation, Criticism
- Bernard Higham’s Illustrations for The Experiences of Loveday Brooke, Lady Detective, by Spencer Adelman | Criticism
- Detecting Feminism: Loveday Brooke and the Redefinition of Professions for Women, by Rebekah Krotzer | Criticism
- General Introduction | Criticism
- Quiet Power: An Introduction to Catherine Louisa Pirkis’s “Drawn Daggers," by Pacifico Lobianco | Criticism
- The Experiences of C. L. Pirkis, Lady Author, by Cheniqua Morrison | Criticism
- Untrue Women and Pioneer Feminists in The Experiences of Loveday Brooke, Lady Detective, by Jessica S. Trombley | Criticism
- Embodied Rationality in The Experiences of Loveday Brooke, Lady Detective, by Delaney Sacia | Criticism
- The Critical Reception of Catherine Pirkis’s The Experiences of Loveday Brooke through a Feminist Lens, by Ellie Lange | Criticism
- The Ludgate Magazine and The Experiences of Loveday Brooke, Lady Detective, by Bridget Schmid | Criticism
- Spiritualism and Detection: Debunking a Catching Fad in “The Ghost of Fountain Lane," by Cecelia Schneeman | Criticism
- The “MISSING!” and the Murdered: Women of Victorian London and the Rise of Popular Crime, by Maddie Schutte | Criticism
- “Wild eulogies on the beloved pastor”: Clerical Portrayals in C. L. Pirkis’s Loveday Brooke, by Kari Akre | Criticism
- The Female Detective and the Domestic Worker in C. L. Pirkis’s “The Black Bag Left on a Doorstep,” by Abby Dorland | Criticism
- Bibliography | Criticism
Catherine Louisa Pirkis’s The Experiences of Loveday Brooke, Lady Detective (1893-4) was one of the first detective series to feature female sleuth. Loveday Brooke is a single and fiercely independent professional woman who regularly out-thinks her male rivals. The seven stories in the series were first published in the Ludgate Magazine with illustrations by Bernard Higham. This e-edition includes a general introduction, sixteen critical essays, a timeline, and a bibliography.
General Editor: Alexis Easley, Professor of English, University of St. Thomas
Assistant Editors: Kari Aakre, Katherine Bruns, and Katherine Oswald
Annotators: Kari Aakre, Spencer Adelmann, Elena Bolstad, Katherine Bruns, Ellie Lange, Pacifico Lobianco, Ben Morris, Cheniqua Morrison, Mike Omalanga, Katherine Oswald, Riley Rose, Delaney Sacia, Bridget Schmid, Maddie Schutte, Jessica S. Trombley.
Essay Contributors: Kari Aakre, Spencer Adelmann, Elena Bolstad, Katherine Bruns, Abby Dorland, Ellie Lange, Pacifico Lobianco, Ben Morris, Cheniqua Morrison, Katherine Oswald, Rebekah Krotzer, Delaney Sacia, Bridget Schmid, Cecelia Schneeman, Maddie Schutte, Christopher Steene, Jessica S. Trombley
Table of Contents:
1. Alexis Easley, General Introduction
2. Cheniqua Morrison, The Experiences of C. L. Pirkis, Lady Author
3. Kari Aakre, Biographical and Historical Timeline
4. Spencer Adelmann, Bernard Higham’s Illustrations for The Experiences of Loveday Brooke, Lady Detective
5. Bridget Schmid, The Ludgate Magazine and The Experiences of Loveday Brooke, Lady Detective
6. Katherine Bruns, Femininity as a Disguise in The Experiences of Loveday Brooke, Lady Detective
7. Rebekah Krotzer, Detecting Feminism: Loveday Brooke and the Redefinition of Professions for Women
8. Jessica S. Trombley, Untrue Women and Pioneer Feminists in The Experiences of Loveday Brooke, Lady Detective
9. Elena Bolstad, Loveday Brooke and Neo-Victorian Depictions of Women Detectives
10. Ellie Lange, The Critical Reception of Catherine Pirkis’s The Experiences of Loveday Brooke through a Feminist Lens
11. Maddie Schutte, The “MISSING!” and the Murdered: Women of Victorian London and the Rise of Popular Crime Culture
12. Pacifico Lobianco, Quiet Power: An Introduction to Catherine Louisa Pirkis’s “Drawn Daggers”
13. Ben Morris, Deception and Assumptions in “The Redhill Sisterhood”
14. Katherine Oswald, Detective Fiction and Scientific Advancements of the Victorian Era
15. Cecelia Schneeman, Spiritualism and Detection: Debunking a Catching Fad in “The Ghost of Fountain Lane”
16. Delaney Sacia, Embodied Rationality in The Experiences of Loveday Brooke, Lady Detective
17. Kari Aakre, “Wild eulogies on the beloved pastor”: Clerical Portrayals in C. L. Pirkis’s Loveday Brooke
18. Abby Dorland, The Female Detective and the Domestic Worker in C. L. Pirkis’s “The Black Bag Left on a Doorstep”
19. Christopher Steene, Conflicting Views on Transnational Femininity in “The Black Bag Left on a Doorstep”
20. Bibliography