Firstly, I want to say that I am excited to begin the course and look forward to reading the course texts. I have been interested in art and literature for as long as I can recall. When I was five, my brother gave me an anthology of folk and fairy tales with a section of various illustrations and I credit this book with spurring my interest in literature.
I am looking forward to analyzing "Goblin Market" again as I haven't studied the text in years and when I did, we did not focus on illustrations. I am also intrigued by The Were-Wolf in how it may subvert traditional notions of the myth. Were-wolves are a popular legend in my region, reflecting our cultural identity. My family has roots in the French culture of River Canard and the legend of the loup-garou of Detroit has always been in the periphery. This past term, I studied Gothic literature and I anticipate some of those themes will cross over into the Housman text given the transgression of the trope of the male were-wolf driven by bestial sexuality, vulgarity, and violence.
I am glad to see The Annancy Stories in the course schedule, as I came across the myth of the Anansi earlier this summer while I was researching myths for worldbuilding. Mythology fascinates me because every region has a unique approach to expressing cultural and moral values.
Comments
Myths and Fairy Tales
Submitted by Lorraine Janzen... on
If you are interested in art, literature, myth, and fairy tales, you've come to the right place. Check out the Were-Wolf Timeline in COVE Editions if you're interested to see how this trope was used in Victorian literature, and beyond. Laurence Housman's original fairy tales for adults, The House of Joy, are queer, feminist, and ecological, and fascinating. The Annancy Stories allow us to bring Jamacian folklore into Victorian literature--something new and interesting to me.