The term ‘decadent’ was first coined to describe the new movement by a celebrated French poet Charles Baudelaire in his 1857 volume of poetry, Les Fleurs du Mal (‘The Flowers of Evil’).

Les Fleurs du mal, (French: “The Flowers of Evil”) collection of poems published in 1857 by Charles Baudelaire. A second edition, published in 1861, was greatly enlarged and enhanced but omitted six poems that had been banned. (These were first republished in 1866 in Belgium in the collection Les Épaves, but they remained banned in France until 1949.) The otherwise definitive edition of Les Fleurs du mal was published posthumously in 1868. Contemporary scholars consider the work to be the fullest expression of French Romantic poetry. Les Fleurs du mal is composed of six sections, each with a theme—a structure that was new to French poetry. The sections are “Spleen et idéal,” “Tableaux parisiens,” “Le Vin,” “Fleurs du mal,” “Révolte,” and “La Mort.” Shifting in style from the rhetorical to the impressionistic, from the abstract to the intensely physical, Baudelaire balances banality and originality, the prosaic and the melodic, to emphasize the eternal interdependence of opposites.

The attached picture is the first edition of Les Fleurs du mal with author's notes.

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