“The Council of War held at Lord Raglan’s Headquarters on the Morning of the Successful Attack on the Mamelon"
. “The Council of War," Crimean War Photograph by Roger Fenton

Description: 

That image is Number 270, or “The Council of War held at Lord Raglan’s Headquarters on the Morning of the Successful Attack on the Mamelon” in Roger Fenton's collection of Crimean War photographs. The official Catalogue noted that this and the other images were “intended to illustrate faithfully the Scenery of the Camps; to display prominent incidents of Military Life, as well as to perpetuate the Portraits of those distinguished Officers” (3). The immediate context was “the ever Memorable Siege of Sebastopol” and the figures included English, French and Ottoman Turkish commanders. Were the images “a truthful representation,” or, as with other forms, were they a representational fiction, or at least only truthful from one particular perspective? “Truthful” did not include the carnage of Crimea, the mangled and dead humans and animals. But why should it? Answers include censorship, the demands of patriotism during war-time and others considered by contemporaries and later scholars, most notably historians of photography and journalism.

Figures: Ömer Lûtfi Paşa (1806-1871); Raglan, FitzRoy James Henry Somerset, Baron (1788-1855); Pélissier, Aimable-Jean-Jacques, duc de Malakoff (1794-1864)

Medium: photographic print : salted paper ; 19 x 16 cm.

Call Number/Physical Location: PH - Fenton (R.), no. 13a (A size) [P&P], Library of Congress

Source Collection: Fenton, Roger, 1819-1869. Roger Fenton Crimean War photograph collection

Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

Digital Id: cph 3g09127 //hdl.loc.gov/loc.pnp/cph.3g09127cph 3a06132 //hdl.loc.gov/loc.pnp/cph.3a06132

Library of Congress Control Number: 2001697658

Reproduction Number: LC-USZC4-9127 (color film copy transparency) LC-USZ62-2450 (b&w film copy neg.)

Rights Advisory: No known restrictions on publication.

LCCN Permalinkhttps://lccn.loc.gov/2001697658

Rights & Access: The contents of the Library of Congress Fenton Crimean War Photographs are in the public domain and are free to use and reuse. Credit Line: Library of Congress, Manuscript Division, Fenton Crimean War Photographs.

Works Cited

Exhibition of the Photographic Pictures taken in The Crimea, By Roger Fenton, Esq. During the Spring and Summer of the Present Year, at the Gallery of the Water Colour Society, No. 5, Pall Mall East. London: Messrs. Thomas Agnew and Sons, 1855.

Associated Place(s)

Layers

Timeline of Events Associated with “The Council of War held at Lord Raglan’s Headquarters on the Morning of the Successful Attack on the Mamelon"

Crimean War

2 Oct 1853 to 30 Mar 1856

Image from Crimean WarThe Crimean War was a conflict fought between the Russian Empire and an alliance of the French Empire, the British Empire, the Ottoman Empire, and the Kingdom of Sardinia. Britain enters the conflict on 28 March 1854. Image: Photograph of Cornet Henry John Wilkin, by Roger Fenton (1855). Wilkin survived the Charge of the Light Brigade. This image is available from the United States Library of Congress's Prints and Photographs division under the digital ID cph.3g09124. The image is in the public domain in the United States because its copyright has expired.

Articles

Stefanie Markovits, "On the Crimean War and the Charge of the Light Brigade"

Britain declares war against Russia

28 Mar 1854

Illustration of the Crimean War

On 28 March 1854, Britain declares war against Russia, thus entering the Crimean War. Image: Russo-British skirmish during Crimean War (anonymous plate). This image is in the public domain in the United States because its copyright has expired.

In 1854, in defense of the Turks and of British access to eastern trade routes, Britain entered into war in the Crimea. The two-year campaign represented the nation’s first major military engagement since the end of the Napoleonic wars. It thus sheds light on mid-Victorian attitudes towards national identity, offering a counter-narrative to views of the 1850s dominated by responses to the Great Exhibition of 1851. As literary and visual representations of the war reveal, reactions to this conflict were both more nuanced and more ambivalent than our preconceptions about Victorian jingoism might anticipate.

Articles

Stefanie Markovits, "On the Crimean War and the Charge of the Light Brigade"

The Battle of Balaclava

25 Oct 1854

[caption id="attachment_3385" align="alignright" width="100"]"Charge of the Light Brigade" On October 10, 1854, Russian forces met with British forces at the Battle of Balaclava in Sevastopol, Russia. This engagement saw neither side garner a clear victory, with both Russians and British taking heavy losses. Ultimately, the British came out on top. The English poet Alfred, Lord Tennyson, commemorated this engagement with "The Charge of the Light Brigade" written on 9 December 1854.

Related Articles

Stefanie Markovits, "On the Crimean War and the Charge of the Light Brigade"

Charge of the Light Brigade

25 Oct 1854

Illustration of the Crimean War

On 25 October 1854, British forces undertook the charge of the Light Brigade at the Battle of Balaklava. Image: Tinted lithograph showing the embarkation of sick persons at the harbor in Balaklava" (William Simpson, artist; Paul & Dominic Colnaghi & Co., publishers, 24 April 24 1855). This image is available from the United States Library of Congress's Prints and Photographs division under the digital ID ppmsca.05686. The image is in the public domain in the United States because its copyright has expired.

No other engagement of the war has stuck so vividly in the popular consciousness, aided by Tennyson's poem of the same name, by far the best-remembered cultural product of the war. On the morning of October 25th, 1854, over six hundred British men rode the wrong way down a “valley of death” (so christened first by The Times and later by Tennyson) as enemy guns attacked from all sides. Not two hundred made it out alive. The charge resulted from a series of miscommunications between Lord Raglan, the Commander-in-Chief of the British Forces, and Lord Lucan, the Commander of the Cavalry. Both Tennyson’s poem and many other contemporary responses to the charge suggest that reactions to this event were deeply conflicted, expressing real bewilderment about how to integrate it into preexisting models of patriotic feeling. Moreover, a new form of heroism grew out of the bewildering experience of the Light Brigade’s defeat—and a new sense of a national identity that was based in part on this new heroism.

Articles

Stefanie Markovits, "On the Crimean War and the Charge of the Light Brigade"

"The Charge of the Light Brigade"

9 Dec 1854

On 9 December 1854, Alfred, Lord Tennyson, published "The Charge of the Light Brigade" depicting the British and Russian confrontation at the Battle of Balaclava in Sevastopol, Russia on 25 October 1854.

Related Articles

Jo Briggs, "1848 and 1851: A Reconsideration of the Historical Narrative"

Stefanie Markovits, "On the Crimean War and the Charge of the Light Brigade"

Treaty of Paris

30 Mar 1856

Illustration of the Treaty of Paris

On 30 March 1856, signing of the Treaty of Paris, ending the Crimean War. Image: Treaty of Paris, the participants (Contemporary woodcut, published in Magazin Istoric, 1856). This image is in the public domain in the United States because its copyright has expired.

Articles

Stefanie Markovits, "On the Crimean War and the Charge of the Light Brigade"

Crimean War

Britain declares war against Russia

The Battle of Balaclava

Charge of the Light Brigade

"The Charge of the Light Brigade"

Treaty of Paris

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Artist: 

  • Roger Fenton

Image Date: 

circa. 1855