Development in the Harlem Renaissance
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Description: 

By the 1920s, the American lifestyle was changing for people of numerous backgrounds. A noteworthy example of this kind of change was the Harlem Renaissance, which all started as the result of numerous African Americans moving up to the area and creating a new community all their own. This was considered a “Great Migration,” and helped to allow Black artists to “reclaim their identity and racial pride in defiance of widespread prejudice and discrimination” (Poetry Foundation). Black culture was able to develop and thrive on its own to the point where Harlem (pictured above) eventually became known as the “Negro capitol of the world.”

Such a big development came with its own developments in expression, particularly in authorship. Many influential figures, such as Langston Hughes, were able to express Black concerns at the time. A major concern that was addressed in these works was the idea of striving for equality, which Hughes aptly does in his poem, “I Too”: To-morrow/I’ll sit at the table/When company comes/Nobody’ll dare/Say to me, /’Eat in the kitchen’/Then.” These particular lines from the poem allude to the issue of segregation on the basis of prejudice, and insist that equality will come soon. This was a more political message of resistance, particularly against Jim Crow laws (Poetry Foundation).

Another major subject of the Harlem Renaissance was Black culture; particularly, bringing black cultural elements such as jazz or blues rhythms into the mainstream culture of the time. Hughes’ works often touch on these notions, as readers can see in his poem, “The Negro Speaks of Rivers.” A major theme of the work is acknowledging the past, which Hughes achieves by mentioning the links between different peoples in history and the rivers they relied on: “I bathed in the Euphrates when dawns were young. / I built my hut near the Congo, and it lulled me to sleep. / I looked upon the Nile and raised the pyra-mids above it. / I heard the singing of the Mississippi when / Abe Lincoln went down to New Orleans, / and I’ve seen its muddy bosom turn all / golden in the sunset.” These comparisons add beauty to life and the human connection to water, allowing readers to fondly look back upon some major moments in history. Overall, through the works of artists and writers such as Langston Hughes, the Harlem Renaissance saw numerous developments for both the African American community and the arts as a whole.

 

Works Cited

Hughes, Langston. “I Too.” The New Negro: An Interpretation, 1925.

Hughes, Langston. “The Negro Speaks of Rivers.” The Crisis, Volume 21, June 1921.

 

Poetry Foundation. “An Introduction to the Harlem Renaissance.” Poetry Foundation, poetry foundation, 2019, www.poetryfoundation.org/collections/145704/an-introduction-to-the-harlem-renaissance. Accessed 18 April 2024.

Associated Place(s)

Layers

Timeline of Events Associated with Development in the Harlem Renaissance

Harlem Renaissance

circa. 1918 to circa. 1937 As the Harlem Renaissance is a movement, rather than a specific event or series of events, its exact chronology cannot be pinpointed.

Birthed from the unique Black culture growing in Harlem mixed with the unique creative and financial freedom flourishing in the 1920s, which, in turn, came from the Great Migration of African Americans northward, the Harlem Renaissance was the "social and artistic explosion" (History.com) that came about from the cultural growth present in the small, three square mile neighborhood.

Harlem thrived as a creative epicenter, to say the very least. The neighborhood "teemed with black artists, intellectuals, writers, and musicians. Black-owned businesses, from newspapers, publishing houses, and music companies to nightclubs, cabarets, and theaters, helped fuel the neighborhood’s thriving scene" (Poetry Foundation).

Critic Alan Locke described the period as "a spiritual coming of age" for the Black creatives in Harlem, noting the opportunities they had for "group expression and self-determination" (Poetry Foundation). The period saw the aesthetic separation of "the Negro" from their white counterparts, embracing the Black identity and exploring it through literature, music, and visual arts. Furthermore, "they also sought to break free of Victorian moral values and bourgeois shame about aspects of their lives that might, as seen by whites, reinforce racist beliefs" (Hutcheson). In other words, the Harlem Renaissance saw the unabashed embrace of being Black within the African American community.

Countless famed creatives across a variety of arts grew from the Harlem Renaissance scene, such as Cab Calloway and Duke Ellington for music, Archibald Motley for the visual arts, and within literary arts, poets such as Claude McKay and Langston Hughes. These artists - among countless others who could be named - "explored the beauty and pain of black life and sought to define themselves and their community outside of white stereotypes" (Poetry Foundation).

In summary, the financial boom of the Roaring Twenties gave way to the blossoming of Black culture within a neighborhood brimming with some of the most ambitious creatives within the African American community. The movement had profound repercussions on African American history, paving the way for Black literature and shifts in the cultural consciousness, both within the African American community and the outside perspective. In many ways, the Harlem Renaissance helped to prepare for the oncoming Civil Rights movement.

Works Cited:

Editors, History.com. "Harlem Renaissance." History, A&E Television Networks, LLC, 14 Feb. 2024, www.history.com/topics/roaring…. Accessed 10 Apr. 2024.

Hutchinson, George. "Harlem Renaissance". Encyclopedia Britannica, 21 Mar. 2024, www.britannica.com/event/Harle….... Accessed 10 April 2024.

Poetry Foundation, Editors. "The Harlem Renaissance." Poetry Foundationwww.poetryfoundation.org/colle….... Accessed 10 Apr. 2024.

Schomburg Center for Research in Black Culture, Photographs and Prints Division, The New York Public Library. "Lindy Hop showcase at the Renaissance Ballroom" The New York Public Library Digital Collections. 1959. digitalcollections.nypl.org/it…...

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Artist: 

  • E. Simms Campbell

Image Date: 

circa. 1933