Hiram Powers's "Greek Slave" (1846)

Created by Emily Crider on Thu, 04/10/2025 - 09:44

Download full-size image

Description: 

Based on the original 1841-1843 model, this particular iteration of the statue was carved by Powers in 1846. Though the woman's figure and form would remain essentially the same in each successive version, this statue includes the smaller chain connecting the shackles around her wrists that would later be replaced by longer, thicker links that, in Powers's view, took less time and effort to carve.

 Image Source: The National Gallery of Art

Copyright: 

©

Associated Place(s)

Layers

Timeline of Events Associated with Hiram Powers's "Greek Slave" (1846)

Hiram Powers Sculpts "The Greek Slave"

1841 to 1843

Though American sculptor and artist Hiram Powers created the Greek Slave as a representation of Turkish atrocities committed during the Greek War of Independence (1821-1829) from the Ottoman Empire, it quickly came to represent commentary on slavery in the United States. In the late 1840s and early 1850s, the statue was shown in London (including the Great Exhibition of 1851) and various U.S. cities to mixed reactions, largely resulting from his depiction of the woman's nude form.

Elizabeth Barrett Browning Publishes "Hiram Powers' Greek Slave"

26 Oct 1850

Elizabeth Barrett Browning originally published "Hiram Powers' Greek Slave" (perhaps misspelled as "Hiram Power's Greek Slave") in the second volume of Charles Dickens's Household Words. The poem considers The Greek Slave, a statue sculpted by American artist Hiram Powers, with whom she and Robert Browning were acquainted and near-neighbors in Florence. Because the statue was, at the time of the poem's inception, being displayed across the U.S. and Britain, it is likely that EBB saw the statue (or a model cast) for herself at Powers's studio prior to its journey. "Hiram Powers' Greek Slave" is the fourth of the five poems EBB wrote about slavery and is primarily responsible for shifting the statue's popular context away from that of the Greek War of Independence that had initially inspired Powers' work and towards broader questions of morality surrounding slavery abroad in the United States.

Great Exhibition

1 May 1851 to 15 Oct 1851

Interior of the Crystal PalaceHeld from May to October of 1851, “The Great Exhibition of the Works of Industry of All Nations” was opened by Queen Victoria in the structure built to house it, the Crystal Palace, in Hyde Park, London. Image: Interior view of the Crystal Palace in Hyde Park, London during the Great Exhibition of 1851. This image is in the public domain in the United States because its copyright has expired.

The Great Exhibition of 1851 was an event in the history of: exhibitions; world’s fairs; consumerism; imperialism; architecture; collections; things; glass and material culture in general; visual culture; attention and inattention; distraction. Its ostensible purposes, as stated by the organizing commission and various promoters, most notably Prince Albert, were chiefly to celebrate the industry and ingeniousness of various world cultures, primarily the British, and to inform and educate the public about the achievement, workmanship, science and industry that produced the numerous and multifarious objects and technologies on display. Designed by Joseph Paxton, the Crystal Palace (pictured above) was a structure of iron and glass conceptually derived from greenhouses and railway stations, but also resembling the shopping arcades of Paris and London. The Great Exhibition of the Works of Industry of All Nations became a model for World’s Fairs, by which invited nations showcased the best in manufacturing, design, and art, well into the twentieth century.

Articles

Audrey Jaffe, "On the Great Exhibition"

Related Articles

Aviva Briefel, "On the 1886 Colonial and Indian Exhibition"

Anne Helmreich, “On the Opening of the Crystal Palace at Sydenham, 1854″

Anne Clendinning, “On The British Empire Exhibition, 1924-25″

Barbara Leckie, “Prince Albert’s Exhibition Model Dwellings”

Carol Senf, “‘The Fiddler of the Reels’: Hardy’s Reflection on the Past”

Hiram Powers Sculpts "The Greek Slave"

Elizabeth Barrett Browning Publishes "Hiram Powers' Greek Slave"

Great Exhibition

1809
1810
1811
1812
1813
1814
1815
1816
1817
1818
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
June
July
Aug.
Sept.
Oct.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
Aug.
Sept.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
Aug.
Sept.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
Aug.
Sept.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
Aug.
Sept.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
Aug.
Sept.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
July
Aug.
Sept.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
Aug.
Sept.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
Aug.
Sept.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
Aug.
Sept.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
Aug.
Sept.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
Aug.
Sept.
Oct.
Nov.
Dec.
March
April
May
May
June
July
Aug.
Sept.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
Aug.
Sept.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
Aug.
Sept.
Oct.
Nov.
Dec.
Feb.
March
April
May
June
July
Aug.
Sept.
Oct.
Nov.
TimelineJS

Part of Group:

Slavery in the Poetry of Elizabeth Barrett Browning

Featured in Exhibit: 

Hiram Powers's Greek Slave and Related Images

Artist: 

  • Hiram Powers

Image Date: 

1846