Models, Sex, and Photography: Playboy's January 1955 Centerfold

This timeline provides a sociohistorical context for Bunny Yeager's photograph of Bettie Page for the January 1955 issue of Playboy magazine. 

Yeager, Bunny. Photograph of Bettie Page. Playboy. 1955.
https://gorightly.files.wordpress.com/2009/12/180_rom_pff_bettie
_page_5501.jpg. Accessed Apr 6, 2025.

Timeline

When creating the first issue of his new gentleman’s magazine, Hugh Heffner needed a hit. And by the end of 1953, there was no bigger hit than Marilyn Monroe. Monroe had been in numerous photo shoots, pageants, and films that highlighted her physical beauty and her talent as an actress. Hefner then sought out and bought the rights to a series of nude photographs taken by photographer Tom Kelley in 1949. The cover featured Monroe from a separate event; her in the Miss America Pageant Parade from 1952. After purchasing these rights for $500, Hugh used Monroe as the centerfold for the first issue of Playboy in December 1953. Despite the main draw of the magazine being cobbled together from previous work, it was an immediate success and sold an estimated 50,000 copies. Playboy quickly grew at a time where sexuality as a market to be explored likewise was becoming larger and more public. The contrast between the story of the first issue and January 1955 is evident. In just barely over a year, Playboy had grown to feature work from multiple respected and popular artists, and could commission the work of those artists and models directly without needing to purchase the rights secondhand. It was now hard to find a brand name that had become more synonymous with sexuality, one associated with as much sleaziness as it was with class and a promised image of sexual prowess, than Playboy.

 


Associated Places

No places have been associated with this event

by Nathan Colyer

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Bunny Yeager is most famous for her work in photography. However, before working behind the camera, Yeager spent years working as a model in Miami. She won numerous awards and beauty pageants, and was one of the most photographed models during her early career. She studied at a school for modeling where she studied the various poses, angles, and other features of pinup calendar art to better understand and perfect her career. Yeager realized, however, that she wouldn’t always be able to continue modeling the way she had been. So, after taking a course on photography, she began taking photographs herself. This quickly took off. After her enrollment in 1953, her photograph of model Maria Stinger became the front cover for Eye magazine in March of 1954. It would be later that same year she met Bettie Page and began photographing her, leading to one of her pictures being the centerfold for the January 1955 issue of Playboy. Bunny Yeager’s experience and education working as a model helped her not only how to shine in front of the camera, but how to create visually exciting and stimulating art that contributed to a meteoric rise in her success in both modeling and camera work.

 


Associated Places

No places have been associated with this event

by Nathan Colyer

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Bettie Page is sometimes referred to as “the Queen of Pinups”. Working professionally from 1950 to 1957, Bettie became a sexual icon across the United States. Much of her early career had begun in New York, but it was meeting Bunny Yeager in Miami that lead to one of her most famous and celebrated series of photographs in 1954: “Jungle Bettie”. This series featured Page in a leopard-skin Bikini created by the model herself in a variety of tropical and exotic appearing locations. These photographs were immensely popular and inspired many later depictions of women in primitive or ‘jungle’ clothing. Artistic renditions of “Amazonian” women, in this case meaning strong and primitive warriors fending off beasts in the wild, can trace much of their inspiration to Page and Yeager’s work. Page was also known for her involvement in various photographs and short films depicting bondage and other BDSM related acts earlier in her career. These various series and their popularity gave Page massive recognition, much of it centering around and encouraging the idea of what was the taboo of a raw, primal female sexuality not to be discussed in society. Even before her centerfold appearance in Playboy, Page was found in numerous other magazines and photo collections that continued to spread her image as a modeling icon.

 


Associated Places

No places have been associated with this event

by Nathan Colyer

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Docent's Analysis

1955 to The start of the month Apr 2025

I have offered this background information on the artist, subject, and platform of this portrait of Bettie Page used for the 1955 January issue of Playboy to illustrate how rapidly the modeling and sex industries were growing during the early-to-mid 1950s and why these examples specifically were so successful in what they did. This is evident by analyzing the centerfold image itself. In this photograph; Bettie Page is completely nude save for a single Santa Claus hat on her head. While her posture is not provocative in of itself, the positioning of objects and her limbs are done purposefully to excite the imagination of those who look at it. Her right arm extends up and away from the body, extending her torso and thus giving prominence to her chest, waist, and abdomen. Her left hand holds a single ornament of a Christmas tree positioned directly in front of where her vagina would be otherwise visible. Coupled with the hat on her head, Page is presented in a tastefully intimate fashion that suggests a woman who is fun, playful, and sexy. Bunny Yeager knows exactly how to make her model’s shine on the camera. With her personal expertise and study, she is able to create this image with techniques not just based around the model’s posing, but the lighting and framework as well. Fit for the Christmas season; green, white, and red are the three most predominant colors in this image. Page kneels on a white carpet with a dark green backdrop that seems to glow around her. The bright red and white of the Santa hat, along with her red lipstick, contrasts with the dark background and her signature black hair. This draws the viewers’ attention from the head and face down to her chest, prominently highlighted, and then down to the reflective silver-green ornament in her hand. The model takes up most of the visual space of the image from top to bottom, with a spindly tree beside her filling up the empty space without taking attention away from the image’s subject. With the vastness of talent behind going into this artwork, coupled with the backing and exposure provided by a distributor as large as Playboy, this photograph is a simply masterful and iconic example of sexuality’s growing publicity and prominence as a market for both artistic and economic success in the latter half of the 20th century.

Works Cited:

“Bunny Yeager.” Bizarre Magazine UK, Archive.org, 24 Sept. 2008, web.archive.org/web/20140705181941/www.bizarremag.com/film-and-music/interviews/7407/bunny_yeager.html. Accessed Mar 21, 2025.

Yeager, Bunny. Self Portrait, Untitled. 1960. www.sandiegouniontribune.com/2…. Accessed Apr 26, 2025.

“About Bettie Page: Biography.” Bettie Page, www.bettiepage.com/about/. Accessed Mar 21, 2025.

Yeager, Bunny. Jungle Bettie with Beach Driftwood. 1954. grapefruitmoongallery.com/8613…. Accessed Apr 6, 2025.

Santiago, Amanda. “The Strange Story of How Marilyn Monroe Appeared Nude in the First Issue of Playboy.” Yahoo! Finance, Yahoo!, 28 Sept. 2017, finance.yahoo.com/news/strange-story-marilyn-monroe-appeared-145526337.html. Accessed Mar 23, 2025.

Playboy. First Issue Cover, 1953. www.nytimes.com/interactive/20…. Accessed Apr 6, 2025.


Associated Places

No places have been associated with this event

by Nathan Colyer

Playboy, Monroe, and the Beginning of a Media Empire

Bunny Yeager and her Career as both Model and Photographer

Bettie Page and the Face of Sexuality

Docent's Analysis

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Chronological table

Displaying 1 - 4 of 4
Date Event Created by Associated Places
1949 to 1955

Bunny Yeager and her Career as both Model and Photographer

Yeager, Bunny. Self Portrait, Untitled. 1960.
Yeager, Bunny. Self Portrait, Untitled. 1960.

Bunny Yeager is most famous for her work in photography. However, before working behind the camera, Yeager spent years working as a model in Miami. She won numerous awards and beauty pageants, and was one of the most photographed models during her early career. She studied at a school for modeling where she studied the various poses, angles, and other features of pinup calendar art to better understand and perfect her career. Yeager realized, however, that she wouldn’t always be able to continue modeling the way she had been. So, after taking a course on photography, she began taking photographs herself. This quickly took off. After her enrollment in 1953, her photograph of model Maria Stinger became the front cover for Eye magazine in March of 1954. It would be later that same year she met Bettie Page and began photographing her, leading to one of her pictures being the centerfold for the January 1955 issue of Playboy. Bunny Yeager’s experience and education working as a model helped her not only how to shine in front of the camera, but how to create visually exciting and stimulating art that contributed to a meteoric rise in her success in both modeling and camera work.

 

Nathan Colyer
1949 to Dec 1953

Playboy, Monroe, and the Beginning of a Media Empire

First Issue Cover of Playboy featuring Marilyn Monroe, 1953
First Issue Cover of Playboy featuring Marilyn Monroe, 1953

When creating the first issue of his new gentleman’s magazine, Hugh Heffner needed a hit. And by the end of 1953, there was no bigger hit than Marilyn Monroe. Monroe had been in numerous photo shoots, pageants, and films that highlighted her physical beauty and her talent as an actress. Hefner then sought out and bought the rights to a series of nude photographs taken by photographer Tom Kelley in 1949. The cover featured Monroe from a separate event; her in the Miss America Pageant Parade from 1952. After purchasing these rights for $500, Hugh used Monroe as the centerfold for the first issue of Playboy in December 1953. Despite the main draw of the magazine being cobbled together from previous work, it was an immediate success and sold an estimated 50,000 copies. Playboy quickly grew at a time where sexuality as a market to be explored likewise was becoming larger and more public. The contrast between the story of the first issue and January 1955 is evident. In just barely over a year, Playboy had grown to feature work from multiple respected and popular artists, and could commission the work of those artists and models directly without needing to purchase the rights secondhand. It was now hard to find a brand name that had become more synonymous with sexuality, one associated with as much sleaziness as it was with class and a promised image of sexual prowess, than Playboy.

 

Nathan Colyer
1950 to 1957

Bettie Page and the Face of Sexuality

Jungle Bettie with Beach Driftwood. 1954
Jungle Bettie with Beach Driftwood. 1954

Bettie Page is sometimes referred to as “the Queen of Pinups”. Working professionally from 1950 to 1957, Bettie became a sexual icon across the United States. Much of her early career had begun in New York, but it was meeting Bunny Yeager in Miami that lead to one of her most famous and celebrated series of photographs in 1954: “Jungle Bettie”. This series featured Page in a leopard-skin Bikini created by the model herself in a variety of tropical and exotic appearing locations. These photographs were immensely popular and inspired many later depictions of women in primitive or ‘jungle’ clothing. Artistic renditions of “Amazonian” women, in this case meaning strong and primitive warriors fending off beasts in the wild, can trace much of their inspiration to Page and Yeager’s work. Page was also known for her involvement in various photographs and short films depicting bondage and other BDSM related acts earlier in her career. These various series and their popularity gave Page massive recognition, much of it centering around and encouraging the idea of what was the taboo of a raw, primal female sexuality not to be discussed in society. Even before her centerfold appearance in Playboy, Page was found in numerous other magazines and photo collections that continued to spread her image as a modeling icon.

 

Nathan Colyer
1955 to The start of the month Apr 2025

Docent's Analysis

I have offered this background information on the artist, subject, and platform of this portrait of Bettie Page used for the 1955 January issue of Playboy to illustrate how rapidly the modeling and sex industries were growing during the early-to-mid 1950s and why these examples specifically were so successful in what they did. This is evident by analyzing the centerfold image itself. In this photograph; Bettie Page is completely nude save for a single Santa Claus hat on her head. While her posture is not provocative in of itself, the positioning of objects and her limbs are done purposefully to excite the imagination of those who look at it. Her right arm extends up and away from the body, extending her torso and thus giving prominence to her chest, waist, and abdomen. Her left hand holds a single ornament of a Christmas tree positioned directly in front of where her vagina would be otherwise visible. Coupled with the hat on her head, Page is presented in a tastefully intimate fashion that suggests a woman who is fun, playful, and sexy. Bunny Yeager knows exactly how to make her model’s shine on the camera. With her personal expertise and study, she is able to create this image with techniques not just based around the model’s posing, but the lighting and framework as well. Fit for the Christmas season; green, white, and red are the three most predominant colors in this image. Page kneels on a white carpet with a dark green backdrop that seems to glow around her. The bright red and white of the Santa hat, along with her red lipstick, contrasts with the dark background and her signature black hair. This draws the viewers’ attention from the head and face down to her chest, prominently highlighted, and then down to the reflective silver-green ornament in her hand. The model takes up most of the visual space of the image from top to bottom, with a spindly tree beside her filling up the empty space without taking attention away from the image’s subject. With the vastness of talent behind going into this artwork, coupled with the backing and exposure provided by a distributor as large as Playboy, this photograph is a simply masterful and iconic example of sexuality’s growing publicity and prominence as a market for both artistic and economic success in the latter half of the 20th century.

Works Cited:

“Bunny Yeager.” Bizarre Magazine UK, Archive.org, 24 Sept. 2008, web.archive.org/web/20140705181941/www.bizarremag.com/film-and-music/interviews/7407/bunny_yeager.html. Accessed Mar 21, 2025.

Yeager, Bunny. Self Portrait, Untitled. 1960. https://www.sandiegouniontribune.com/2014/05/25/pin-up-photographer-bunny-yeager-dies-at-85/. Accessed Apr 26, 2025.

“About Bettie Page: Biography.” Bettie Page, www.bettiepage.com/about/. Accessed Mar 21, 2025.

Yeager, Bunny. Jungle Bettie with Beach Driftwood. 1954. https://grapefruitmoongallery.com/86139. Accessed Apr 6, 2025.

Santiago, Amanda. “The Strange Story of How Marilyn Monroe Appeared Nude in the First Issue of Playboy.” Yahoo! Finance, Yahoo!, 28 Sept. 2017, finance.yahoo.com/news/strange-story-marilyn-monroe-appeared-145526337.html. Accessed Mar 23, 2025.

Playboy. First Issue Cover, 1953. https://www.nytimes.com/interactive/2017/09/28/business/media/playboy-hugh-hefner.html. Accessed Apr 6, 2025.

Nathan Colyer