Samuel Taylor Coleridge (1772-1834) was an English Romantic poet, essayist, and critic best known for his early poems written during his association with William Wordsworth. He collaborated with Wordsworth on the volume Lyrical Ballads (1798), which included his most famous single poem, “The Rime of the Ancient Mariner.” Coleridge called “Kubla Khan” (1816) a fragment, saying that the poem came to him in a dream (earlier in 1797), but that he was interrupted by a visitor while writing it down and so could not recover the rest of it.

Coleridge wrote the poem under the influence of opium. The poet creates a fantastic world and explores " the depths of dreams and creates landscapes that could not exist in reality". The “sunny pleasure-dome with caves of ice” represents the fantastic world which fascinates the speaker about the legendary place where the king Kubla Khan lives.

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by Firat Pehlivan

Confessions of an English Opium-Eater, Suspiria de Profundis, and 'The English Mail-Coach' are De Quincey's finest essays in autobiography, published here with three appendices containing a wealth of related manuscript material and a comprehensive introduction and notes.

I took it: – and in an hour, oh! Heavens! what a revulsion! what an upheaving, from its lowest depths, of the inner spirit! what an apocalypse of the world within me!' Thomas De Quincey's Confessions of an English Opium-Eater (1821) launched a fascination with drug use and abuse that has continued from his day to ours. In the Confessions De Quincey invents recreational drug taking, but he also details both the lurid nightmares that beset him in the depths of his addiction as well as his humiliatingly futile attempts to renounce the drug. Suspiria de Profundis centres on the deep afflictions of De Quincey's childhood, and examines the powerful and often paradoxical relationship between drugs and human creativity. In 'The English Mail-Coach', the tragedies of De Quincey's past are played out with horrifying repetitiveness against a backdrop of Britain as a Protestant and an imperial power. This edition presents De Quincey's finest essays in impassioned autobiography, together with three appendices that are highlighted by a wealth of manuscript material related to the three main texts.

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by Firat Pehlivan

Before his 1959 breakthrough, Naked Lunch, an unknown William S. Burroughs wrote Junky, his first novel. It is a candid eye-witness account of times and places that are now long gone, an unvarnished field report from the American post-war underground. Unafraid to portray himself in 1953 as a confirmed member of two socially-despised under classes (a narcotics addict and a homosexual), Burroughs was writing as a trained anthropologist when he unapologetically described a way of life - in New York, New Orleans, and Mexico City - that by the 1940's was already demonized by the artificial anti-drug hysteria of an opportunistic bureaucracy and a cynical, prostrate media. For this fiftieth-anniversary edition, eminent Burroughs scholar Oliver Harris has painstakingly recreated the author's original text, word by word, from archival typescripts and places the book's contents against a lively historical background in a comprehensive introduction. Here as well, for the first time, are Burroughs' own unpublished introduction and an entire omitted chapter, along with many "lost" passages, as well as auxiliary texts by Allen Ginsberg and others.

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by Firat Pehlivan

It takes the form of a collection of short stories, written in either Scots, Scottish English or British English, revolving around various residents of Leith, Edinburgh who either use heroin, are friends of the core group of heroin users, or engage in destructive activities that are effectively addictions.

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by Firat Pehlivan