Jacqueline Banerjee in “Frail Treasures: Child Death and the Victorian Novel” (2007) describes the Victorian novelists’ obsession with death as a means of resolve. Victorian writers would situate an innocent child who slowly accrues self-awareness after a death. This sacrificial death would then create an impetus for character development. Banerjee describes this as a meeting between the Romantic ideal of the innocent child and the Evangelical ‘saved’ [dead] child who then serves as a spiritual guide, as an angel. While the process of the death and dying is a quite chaotic, there are subtle transformations that the innocent child goes through that indicates that they, too, are near the liminal space between life and death in ways that disorient the character, causing confusion and identity crises.
We see this working with Charlotte Brontë’s Jane Eyre (2016), where at first when she is separated from her best friend Helen Burns she,...
more