COVE Gallery | COVE

Displaying 651 - 700 of 3308 images

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The Snide

1923

Sidney Sime's "Hish, Lord of Silence"

1905

Sidney Sime, How Nuth would have Practised his Art upon the Gnoles

How Nuth would have Practised his Art upon the Gnoles

1912

Aubrey Beardsley, Venus Between Terminal Gods

Venus Between Terminal Gods

1895

Siegfried, Act II

1893

La Beale Isoud at Joyous Gard

The Lady with the Monkey

1898

The Great God Pan

1906

Aubrey Beardsley's "For the Third Tableau of Das Rheingold"

Apr 1896

Sidney Sime's "Mung and the Beast of Mung"

1905

Aubrey Beardsley's "The Black Cat"

1894

"He distinctly saw within himself the drug he had chewed"

An oil painting of sunlight streaming into a forested space with what appears to be a waterfall in the background. There is a rainbow behind one of the trees reflecting light towards the viewer. Within the sunbeams is an angelic figure, around top middle of the painting. Bottom right, hidden in foliage, is a darker, more demonic figure, and bottom right, a regular, nude human woman amidst flowers.

The Impassible Gulf

20th century

An illustration of a room full of people, with objects blending into people's forms. All but two of the faces look upset, and one of the faces who doesn't is the handle of a pot of some kind. Very crowded scene filled with opulent detail.

The Cave of Spleen

1897

Fountain

The Moonijim

8 Mar 1905

The Mysterious Rose Garden

Jan 1895

Gracias A La Vida

Gracias A La Vida

Multilingualism

Adaptation and Multilingualism

The Lady of the Lake Telleth Arthur of the Sword Excalibur

circa. 19th century

Political

Political and Social Advocacy

Revitalization of Neighborhoods

Inclusion in Workforce

The Quest of the Oof-Bird

1897

Educational Achievments

Population Growth and Demographic Shifts

First Submarine Innovation

New Jersey Entrepreneurship and Innovations

Italian Festival

Cultural Celebrations and Culinary Contributions Across New Jersey

Immigrant Taxes & Spending Power

Immigrants as Economic Drivers in New Jersey

circa. 2022

A Young Woman Surrounded by Briars, Lightning, and Roses

19th century

The Light of Ong Zwarba

How a Devil in Woman's Likeness Would Have Tempted Sir Bors

The Blood Meridian

circa. 21st century

The Glanton Gang

circa. 19th century

John Joel Glanton

circa. 19th century

Warhol’s depiction of Chairman Mao comments on political propaganda and the global tension of the Cold War. Though not explicitly anti-war, the series reflects the political consciousness of the time.

"Mao" by Andy Warhol (1972)

1972

A vibrant, bold image that reflects the counterculture movement of the late 1960s and early 1970s. The artwork features a large, bold peace symbol at its center, surrounded by swirling, vivid colors like neon pinks, blues, greens, and yellows. The swirling patterns and bright colors emphasize the peace symbol, which became synonymous with anti-war and civil rights activism. Blending elements of Pop Art and psychedelic art, Max captures the optimism, rebellion, and creative spirit of the youth’s movement. It

"Peace Sign" by Peter Max (1970)

1970

Visually bold and colorful serigraph, employing bright, graphic design techniques in the style of Pop Art. This piece displays large, expressive letters and vibrant colors, surrounded by vivid patterns that express optimism and energy. The central message of "LOVE" symbolizes not just romantic love but societal love advocating for social change, unity, and compassion. Created during the turbulent 1960s, with the Vietnam War and civil rights struggles, Kent's art strongly speaks to the time period’s politi

"love at the end" by Corita Kent (1969)

1969

This textile-based work, incorporating the American flag with imagery and text, critiques U.S. militarism and racial injustice during the Vietnam War era.

"The American People Series #18: The Flag is Bleeding" by Faith Ringgold (1967)

1967

"Love" by Robert Indiana (1966)

"Love" by Robert Indiana (1966)

1966

Part of Motherwell’s series mourning the Spanish Civil War, this painting features bold, black forms juxtaposed against white and color fields

"Elegy to the Spanish Republic No. 34" by Robert Motherwell (1949)

1949

One of Pollock's first iconic drip paintings, created by pouring and splattering paint onto the canvas. The piece has no central focus, inviting viewers to explore the entire surface.

"Number 1A, 1948" by Jackson Pollock (1948)

1948

A biomorphic abstraction filled with flowing, organic shapes and vivid colors, inspired by Gorky's personal memories and emotions.

"The Liver is the Cock’s Comb" by Arshile Gorky (1944)

1944

"Woman I" mixes aggressive brushstrokes with abstract and figurative elements, representing the tension between abstraction and representation.

"Woman I" by Willem de Kooning (1950)

circa. 1950

A massive, energetic work commissioned by Peggy Guggenheim, it marked Pollock's shift toward his iconic drip-painting style. The piece is a dynamic blend of swirling forms and colors, suggesting movement and chaos.

"Mural" by Jackson Pollock (1943)

1943

The Tales of Mother Goose: Timeless Tales

Beyond the Yellow Brick Road: Recovering the History of the Wonderful Wizard of Oz

17 May 1900

Charles Darwin

Charles Darwin

The Role of Chaperones

circa. 1810

Strict Gender Roles and Its Effects

1824