Textual History and Contemporary Reception of Clemence Housman’s "The Were-Wolf"
Textual History and Contemporary Reception of Clemence Housman’s The Were-Wolf
Editorial Introduction to The Were-Wolf
Editorial Introduction to The Were-Wolf
“…the mode of existence of a literary work of art is fundamentally social.”
(McGann, A Critique of Modern Textual Criticism, 8)
Bibliography of Resources for Clemence Housman's The Were-Wolf
WORKS CITED in the Annotations and Essays for the COVE Were-Wolf Edition
“Atalanta.” Victorian Poetry, Poetics and Contexts. Edited by Alison Chapman, 2018.
Avis, Paul D. L. The Anglican Understanding of the Church: An Introduction. SPCK, 2013.
Barney, Stephen A, et.al. The Etymologies of Isidore of Seville. Cambridge UP, 2006, p. 225.
Teaching Time
Although I am a Victorianist, I started my graduate studies as a student of the Renaissance, working under A. C.
Editorial Introduction to the COVE Goblin Market Edition
Editorial Introduction to Goblin Market
Goblin Market
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The Harlot's House
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Sartor Resartus
Thomas Carlyle once described Sartor Resartus as “a Satirical Extravaganza on Things in General,” and the book has both inspired and confounded readers since its initial publication in 1833-34. Engaging with philosophy, theology, political economy, aesthetics, history, and science, Sartor Resartus in many ways defies classification.