Yousef Farhang's blog

Last Blog Post!

Today’s class was truly rewarding as we were all able to share our findings and how we were going to incorporate them in our text. I found it really interesting to listen to all the different and even similar routes my classmates took in analyzing their chosen text. Listening to presentations about the works we have covered in the semester was rewarding as it opened up a window into a scholarly conversation based on the works we have been reading this year, and such was rewarding as I was able to learn a lot more historical context based on the texts I did not write my essay on.

Week 10 discussion

This week we discussed Pamela Colman Smith’s Annancy Stories which I had slight knowledge on based on our presentations in the early weeks of this class. However, after today's presentation and discussion on the text, I gained a much more clear perspective on the text as a whole including its illustrations. Specifically, I enjoyed Professor Kooistra's comments on the folklore tropes which are apparent in the text such as Toad's transformation illustrated through his change of clothing.

Module 9 blog

This week we discussed Clemence Housman’s wood-cut engraving illustrations of The Were-Wolf. This work initially caught my attention due to its gothic elements which I was interested in exploring especially because it was the only work which included a female were wolf as its main character. During today's presentation, I enjoyed the background information on both Clemence Housman and Laurence Housman's support for women's rights as it definitely shifts the meaning behind a lot of the illustrations.

Module 8 response

This week we discussed Laurence Housman’s The House of Joy published in 1895. Before reading the story, I was interested to see how Housman balanced the amount of authority he gives to both text and image in conveying the themes in the story as he himself is both the author and the illustrator. As discussed in the class, the proleptic nature of the image gives a circular experience to the reader as when I first took a look at the images before reading the story, I had a hard time fully grasping what was going on in the picture.

Week 7 blog

This week we looked at Oscar Wild's 1893 play Salomé which was illustrated by Aubrey Beardsley in the English edition. This text was definitely the most challenging text to analyze especially when it came to its illustrations as Beardsley strangely and most definitely deliberately avoided merely reflecting Wild's text. initially I had a hard time understanding the relationship between text and image due to the illustration's ambiguity's especially when I compared it to Sherlock Holmes and how easily it was to understand the relationship between text and image.

Week 6 blog

In today's class we discussed Sherlock Holmes, the iconic detective figure in the The Adventures of Sherlock Holmes. We specifically discussed Sidney Paget's illustration of the text in The Man with the Twisted Lip" and "The Adventures of the Speckled Band" and how it worked with both the Victorian context and the text itself to create meaning. The discussions were informative as they opened my eyes to a variety of visual cues that I had not noticed.

week 5 blog

This week's reading was truly shocking because of The Goblin Market's versatility in both interpretation, and in audience. While reading the poem initially, I immediately noticed the sexual connotations of the poem especially with the help of Professor Kooistra's annotations. However, I assumed because the poem was so sensual and sexual in both description and illustrations (the ones I had seen from previous readings of the poem) I never thought this poem could be targetted towards a young audience.

Weekly Blog #4

This week's class was once again focused on the text-image relationship but it was also very much focused on the weekly reading which gave great historical context on illustrators and how they went about illustrating their images. For example, as mentioned in class, the poem itself was published 25 years before its illustrations were released which not only shows how popular the poem was 2 decades after its releas, but also how the ilustrators grew up reading the poem since childhood.

Week 3 blog

This week we focused more on the image and text relationship in The Christmas Carol by Charles Dickens. What I found interesting was reading my classmate’s annotation on the text and how they interpreted it from their point of view. I was especially intrigued by the historical contexts that one must be aware of (the Victorian period in this case) in order to fully understand and appreciate this story. For example, prior to this week’s class, I had no idea what the “Poor Laws” were, and therefore, did not get the reference when it was used by the character Scrooge.

Blog #2 for week 2 of ENG910 Victorian Illustrations

Today’s class was a more in-depth analysis of Victorian illustration books which I enjoyed greatly. What was most captivating to me was the theoretical concepts we discussed in lecture. I often enjoy learning about such content because they allow me to bring my interpretation of the relationship between image/text to scholarly appropriate writing. In fact, this is something I often struggle with when analyzing text. As Professor Kooistra mentioned, although we have a visual vocabulary in which we use to understand illustrations, that vocabulary, at least for me, is very limited.

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