Ritratto di Luca Pacioli
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Description: 

This is a portrait of Luca Pacioli with geometry equipment and an unknown figure in the background. An important feature to note is the suspended rhombicuboctahedron in the top left corner. This is the first appearance of the polyhedron (which has eight triangular faces and eighteen square faces) in a painting; notice that this painting was done before the publication of da Vinci’s geometric sketches. Since the rhombicuboctahedron is a rather complicated polyhedron, Barbari’s attempt at portraying it is imperfect; it is difficult to make out the individual faces and get a sense of the overall shape of the polyhedron (especially its backside). This painting is evidence of the fact that da Vinci’s work was no small feat. Although geometric shapes are abstract and idealized, a great deal of artistic mastery is still required to depict such figures in two dimensions.   

The image source is Wikimedia Commons, and it is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1924.

Associated Place(s)

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Timeline of Events Associated with Ritratto di Luca Pacioli

Collaboration between Pacioli and da Vinci

1496 to 1499

After arriving in Milan in 1496, Pacioli formed a very close connection with da Vinci in which he tutored da Vinci in mathematics. The two men had a deep friendship that transcended their mathematical endeavors; their notebooks include comments to one another like “Well Leonardo, you can do more of this on your own” and “learn the multiplication of roots from Maestro Luca." They also shared the task of providing entertainment to the Court of Milan; their entertainments included brainteasers, magic tricks, and riddles. Mathematically speaking, the duo shared a deep interest in geometric shapes. Pacioli successfully taught da Vinci the works of Euclid’s Elements and less successfully taught him arithmetic techniques like multiplying squares and square roots.  During this time, da Vinci created several sketches of polyhedra that would be featured in Pacioli’s publication De Divina Proportione. In 1499 the French invaded Milan and the pair was forced to flee the city, eventually settling in Florence (where they lived together).

Sources

“Leonardo Da Vinci.” Leonardo Da Vinci (1452-1519), School of Mathematics and Statistics, University of St. Andrews, Scotland, www-history.mcs.st-and.ac.uk/Biographies/Leonardo.html.

Isaacson, Walter. Leonardo Da Vinci. Simon & Schuster Paperbacks, 2018.

“Luca Pacioli.” Luca Pacioli (1445-1517), School of Mathematics and Statistics, University of St. Andrews, Scotland, www-history.mcs.st-and.ac.uk/Biographies/Pacioli.html.

The image source is Wikimedia Commons, and it is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1924.

Collaboration between Pacioli and da Vinci

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Artist: 

  • Jaopo di Barbari

Image Date: 

1495