UVU Victorian Literature (Fall 2018) Dashboard

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This group is a collaborative effort of the members of Utah Valley University's "Victorian Literature" class. It will include a timeline, map, and blog posts related to our course materials. For our timeline, we will place a selection of key political, social, and historical events in conversation with our course texts. Timeline events will be chosen for their relevance to the content and context of our readings. These events will be complemented by a brief blog post/annotation exploring the relationship between literary and cultural history. Our map will help us visualize the spatial relation between our timeline events and course texts. 

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Individual Entries

Chronology Entry
Posted by Lydia Lords on Sunday, November 25, 2018 - 21:49
Blog entry
Posted by McKaley Clark on Sunday, November 25, 2018 - 19:41

This history on Wilde brought a lot of new ideas into my head as we are getting ready to read some of his work in class. I am interested to see if there are any hints of homosexuality inside of his work. Some claimed that his work is what damned him as a gay because it was so evident within his writings. Others claim that there is no trace of homosexuality inside of his work and that he was able to keep his personal feelings out of his writings. I also thought it was interesting to read more about the community inside London and their knowledge of homosexuality. While it was something that was new, it wasn’t completely unheard of. There were bars and meeting grounds for men to come and meet each other: parks, bars, train stations, etc. The close relationship between men brings to mind the friendship between Robert & George in Lady Audley’s Secret. Had it been placed and published just a little bit later in history, I wonder if it would have been read in a more...

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Blog entry
Posted by McKaley Clark on Thursday, November 22, 2018 - 01:16

The easy use of the railway is extremely evident in Mary Braddon’s, Lady Audley’s Secret. In this novel, Lucy is able to use the railway to move to a new city where no one knows her name or her past. She is able to use travel as a way to re-invent herself. The use of travel is also what helps her keep her secret. When needed to, she travels far to stay hidden from the character George. She also quickly runs to London to recover evidence from Robert’s apartment. She goes wherever she wants, usually alone, and no one thinks it weird or questions it. Ironically, the one thing that aids her lie, is also the one thing that helps Robert quickly uncover her secret. Through the use of the railway, Robert is able to travel everywhere needed: London, Audley Court, and the hometown of Lucy Audley. He also runs into Lucy in London, after she had recovered what she needed from his home. Because of the technology of the railway, Lucy is never able to fully out-run her past life.

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Blog entry
Posted by Celeste Acosta on Friday, November 16, 2018 - 20:08

Christina Rossetti’s poem “Goblin Market” is intriguing because of its endless ways of interpretation. One such take on the poem is how it reads as a cautionary tale for fallen women. For example, in “Goblin Market,” Laura ends up eating the goblin’s fruit and becomes a fallen woman. Eventually, this consumption of the fruit makes Laura deathly ill and Lizzie worries her sister will die if she doesn’t receive more fruit. To save her sister, Lizzie goes to the goblin men to pay for their fruit. However, the goblins don’t want her money. They, instead, ty to force Lizzie to eat the fruit herself, thus turning her into a fallen woman as well.

The way the goblin men try to force the fruit into Lizzie’s mouth is analogous to a rape scene. The goblin men do everything in their power to wear Lizzie out and persuade her to eat the fruit. They mock her, beat her, and literally try to force her to eat by pushing the fruit against her mouth. Eventually, they give up and leave Lizzie in...

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Blog entry
Posted by Kelsie Tylka on Thursday, November 8, 2018 - 22:52

Rise in popularity:

Dogs have always been a major part of English society, particularly for herding and hunting. However, it wasn’t until the Victorian Era that Dog Fancy, or having dogs as pets became an acceptable addition to Victorian homes. In 1862, the first dog show in London propelled dogs into a solid position in Victorian upper and middle-class society. Once dog shows reached London, dogs were added to the most elite circles. This popularity encouraged individuals to add dogs to their home and seek for the best breeding.

Dog Shows:

In 1859 the first “modern” dog show took place in a small town of Newcastle-upon-Tyne as an addition to an annual cattle show. This dog show mainly focused on traditional sporting breeds--setters and pointers---but the event grew in...

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Blog entry
Posted by Griffin Kerr on Tuesday, November 6, 2018 - 12:59

In the early half of the 19th century, the Church of England was the authoritative voice on scientific matters. However, discoveries and books such as Charles Darwin’s, On the Origins of Species, resulted in a burgeoning divide between theology and science. For many Victorians this challenged their faith as these new scientific discoveries conflicted with the authority and dogma of the church. Many of the literary works of the second half of the 19th century deal with the relationship of theology and nature, including Matthew Arnold’s “Dover Beach.”

The opening stanza in “Dover Beach” describes a calm sea and includes a beautiful description of the sound of waves crashing upon the shore. In the following two stanzas it transitions to describing “The Sea of Faith,” which, according to the narrator, was once “at the full” but is now “melancholy” and “retreating.” The parallels between the descriptions of a literal sea and a depleting Sea of Faith...

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Chronology Entry
Posted by Griffin Kerr on Tuesday, November 6, 2018 - 10:25
Blog entry
Posted by Celeste Acosta on Friday, November 2, 2018 - 19:54

Image result for vanity fotoprint av frank cadogan

This oil painting is called Vanity. It was painted by Frank Cadogan Cowper in the Pre-Raphaelite style in 1907. As a Pre-Raphaelite paining, the colors are quite bold, bright, dramatic. The painting itself looks highly realistic, another Pre-Raphaelite feature. Along with this, the painting is of a beautiful woman with pale skin, which was a common theme for Pre-Raphaelites to paint.

In this painting, the woman’s eyes are important to examine. For instance, the woman is shifting her eyes toward the hand mirror in her left hand. As she glances at her reflection in the mirror, she appears very well-pleased with herself and captivated by her own beauty. The sneaky aspect of her side-glance also insinuates how the woman can’t take her eyes off of herself, not even for a moment. She has to...

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Blog entry
Posted by Griffin Kerr on Thursday, November 1, 2018 - 21:23

The Illustrated Police News, alongside sensation fiction, are demonstrative of 1860's Victorian era pop culture. Such novels and newspapers were a product of the “cultural emergence of a ‘modern’ print culture in the mid-Victorian period, which saw a proliferation of printed material due to developments in technology and the abolition of taxes on knowledge. These changes meant that literature could be produced and consumed more easily and cheaply” (Palmer 86). The technological advancements that decreased the price of printing not only affected “print culture” but popular culture as well. Wilkie Collins, a popular sensationalist writer took up this issue in his 1858 article “The Unknown Public”. In the article he wrote, “Meanwhile, it is perhaps hardly too much to say that the future of English fiction may rest with this Unknown Public, which is now waiting to be taught the difference between a good book and a bad. It is probably a question of time only. The largest audience for...

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Chronology Entry
Posted by Griffin Kerr on Thursday, November 1, 2018 - 20:12

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