Women Writers in English: The Female Gothic, ENGL 353-901 & GSWS 353-901 Dashboard

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Description

This course will engage a broad array of texts by women-identified writers as we seek to collectively define the function, form, and relevance of the “Female Gothic” tradition.  Coined by Ellen Moers in the mid-1970s, Female Gothic is a term used to distinguish and describe a literary tradition--gothic writing by women-identified writers—but it is also code for a set of ideas used by second-wave feminist critics to critique masculinist systems and structures.  It is also a highly contested term that has been described as essentialist and limited in its imagintive scope. 

While together we will primarily work with texts but we will also look at film and digital media, ranging from 18th century through 21st with texts related to Mary Shelley’s Frankenstein.  Students will engage in building tools related to a course anthology using Cove editions (https://editions.covecollective.org/), allowing them to gain experience with the editorial decisions and questions that have historically informed publication of writing by women. 

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Posted by Taylor Hunter on Monday, December 13, 2021 - 14:07

https://www.independent.co.uk/arts-entertainment/books/news/loft-that-inspired-jane-eyre-s-madwoman-in-the-attic-open-for-public-tours-9661503.html 

This location inspired Novelist, Charlotte Brontë, in her contribution to the madwoman trope. Upon visiting the manor in 1839, Brontë encountered many elements that she incorporated into Jane Eyre eight years later. One of them being a legend of mad woman who had been confined in a remote attic room in the manor. This attic is known as “Mad Mary’s Room”, and is open to tourist today. Mad Mary constituted the creation of Bertha, and many features from Norton Conyers resemble the details of Mr Rochester’s house, “Thornfield Hall”. In 2004, a hidden staircase was discovered by staff that closely resembled the one Rochester uses to reach his wife’s attic.

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