Textual History and Contemporary Reception of Clemence Housman’s "The Were-Wolf" Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:09 Textual History and Contemporary Reception of Clemence Housman’s The Were-Wolf Read more about Textual History and Contemporary Reception of Clemence Housman’s "The Were-Wolf"Log in to post comments
Editorial Introduction to The Were-Wolf Submitted by Lorraine Janzen... on Tue, 05/15/2018 - 11:07 Editorial Introduction to The Were-Wolf “…the mode of existence of a literary work of art is fundamentally social.”(McGann, A Critique of Modern Textual Criticism, 8) Read more about Editorial Introduction to The Were-WolfLog in to post comments
Teaching Time Submitted by Dino Franco Felluga on Wed, 05/09/2018 - 10:40 Although I am a Victorianist, I started my graduate studies as a student of the Renaissance, working under A. C. Read more about Teaching Time
Editorial Introduction to the COVE Goblin Market Edition Submitted by Lorraine Janzen... on Tue, 05/08/2018 - 11:39 Editorial Introduction to Goblin Market Read more about Editorial Introduction to the COVE Goblin Market EditionLog in to post comments
The Were-Wolf Submitted by Lorraine Janzen... on Tue, 02/27/2018 - 16:15 January, 1896Tags: supernaturalscience fictionfolklorewomen writersillustrated bookswood engravingdecadenceaestheticismfeminismsuffragequeer Read more about The Were-WolfLog in to post comments
Editorial Introduction to "The Harlot's House" Submitted by David Rettenmaier on Wed, 01/24/2018 - 11:06 Editorial Introduction to "The Harlot's House" Read more about Editorial Introduction to "The Harlot's House"Log in to post comments
Introduction to the Omnibus Critical Edition of Elizabeth Barrett Browning’s “On a Portrait of Wordsworth” Submitted by David Rettenmaier on Tue, 11/07/2017 - 14:48 Introduction to the Omnibus Critical Edition of Elizabeth Barrett Browning’s “On a Portrait of Wordsworth” Dino Franco Felluga, The Omnibus and COVE Christopher Rovee, Portrait and Poem Marjorie Stone, Evolving Sonnet: Composition, Contexts, and Textual History Joshua King, Genre and Form Read more about Introduction to the Omnibus Critical Edition of Elizabeth Barrett Browning’s “On a Portrait of Wordsworth”Log in to post comments