John Perreault was a queer man born in Manhattan and raised in new jersey. He started his less than illustrious creative career as a poet and an artist, releasing poetry book after poetry book. That was before he moved on to become an art critic. His work was accessible and respected. He even had a hand in predicting the term minimalism to describe certain art. He climbed the metaphorical ladder and landed a high up position in the publishing, the Village Voice. Perreault used his position as chief art critic for The Village Voice to promote fringe artists and concepts. He was ever so supportive of feminist art when it gained popularity in the 70s, and he made cases for Judy Chicago, queer art, and more. He also fought for AIDS representation. He had a vast appreciation of all different types of art, and his reviews and attention were necessary for artists trying to make it in the 70s. His work was a vital part of understanding the art movements of the 70s. He wasn’t just a critique and poet, he was a curator as well. He was curating a show on male nudes when he approached Neel to request to exhibit one of her racier paintings. She declined, and suggested she paint him instead. And he accepted. This wasn’t a one time adventure either, seeing as how he wasn’t painted only by Neel either, as his nude form graces other artists canvases as well.

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