<p>&nbsp;This timeline will analyze the history of the pinup, the role of women in society, and the overall gender dynamics of the 1950s while exploring Willem de Kooning's 1952 Woman, I.

The main reason I wanted to explore these themes of sexuality and women in the 50’s is because, to me, it helps give background to Willem de Kooning’s Woman, I, and explains the social events that were taking place behind it. In all of these events, the main idea has been that women were beginning to have a new image put upon them. Not only did the women of the 50s have to be the caretaker of the house, but they had to look attractive to men while doing it. This image of the ideal woman (who was usually thin, white and with fair hair) not only influenced advertising and art, but would influence Playboy, and in turn commercialize nude photographs of women.
With this background, Willem de Kooning’s Woman, I has more meaning than just a frightening image of a woman. One can see how de Kooning was not trying to attack women, but to support them by painting them as a strong, even frightening creature rather than the idealized object meant for male eyes. By embracing all aspects of the woman; combining the archetypes of the fertility goddess while also giving the woman the pose and dimensions of a magazine cover typical of the time, de Kooning’s Woman, I is meant to defy the gaze imposed on women at the time, and to show that they are more complex than just objects for one’s lust. I hope that by exploring these themes, I will have brought light to how the social issues of the early 50s influenced Willem de Kooning’s Woman, I.
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Timeline


Table of Events


Date Event Created by
1940 to 1970

The End of WWII, and The Beginning of Consumerism

With World War 2 ending across the world, America itself began to have a social shift. Due to the great increase in wealth from the war, many Americans found themselves enjoying the benefits of new innovative technology and white collar jobs. This would in turn lead to a new wave of consumerism to take place across the country; people could spend more on luxuries and other nice things than they could before.

Out of the new technology manufactured, some of the most notable examples were househood appliances. New freezers, fridges and ovens were being developed, and to sell this idea of improved kitchenware, a new form of advertisement was manufactured. Women were encouraged to get these new appliances in a post-war world, and to shift from factory work to being devoted housewives. This drive to have women return to being submissive, family caretakers, while also maintaining a desirable image for men, would continue during the 50’s, and prove to influence much more than just the world of advertisements as time went on. Movies, music, and other forms of media would sell this idea of the idealized woman, and begin to set the standard for what was considered the norm for a woman to achieve, even if it was unrealistic.

https://americanhistory.si.edu/highlights-guide-consumer

Lydia Gottshall
1940 to 1950

Rise of the Pinup Girl

Originating from WWII, the pinup girl would go on to become more prevalent in 1950’s art and culture over time. While the original pinup was intended for soldiers and other war-stricken people as a boost in morale, the pinup girl would go on to gain a more sexualized reputation in the 50s. Appearing in everything from advertisements, to magazines, and to movies. These art pieces and photographs commonly featured a woman of average weight and height with an hourglass figure, posing in a way that, while not explicit, was meant to be sexual. In many cases, ‘pin ups’ were not considered traditional art, and in the minds of the art critics of the time these illustrations were considered cliché.
With this in mind, one can see how the popularity of pinups might have influenced Willem de Kooning’s Woman I. Whereas it was considered overdone to portray a nude woman as the center of one’s art piece, de Kooning subverts the standard expected by the viewer of the time period by picturing a woman as anything but dainty and desirable. For this reason, one could argue that de Kooning may have been both trying to reimagine the pinup, while also defending them by creating fine art of a woman during a time when doing such was considered overdone.

https://www.kingandmcgaw.com/inspiration/post/history-of-the-pin-up

Lydia Gottshall
Winter 1953

Birth of Playboy

In 1953, the first issue of Playboy would be created and distributed. Focusing on nude photographs of women, the magazine viewed sex as a recreational activity. Playboy would go on to become incredibly popular, with many supporters and critics on both sides. Out of the first issue, one of the most iconic photograph sets were those of Marilyn Monroe’s nude images.
As the culture of America changed to become more sex-positive, and to drop the more rigid views on abstinence. On the other hand, the image of women was still very much influenced by the male gaze, and this in turn, combined with the societal norms expected of women, created an ‘ideal’ look aimed at women in the 50’s. By looking at Willem de Kooning’s piece, one can see the influence of this culture greatly.
Woman, I is posed as if on a magazine cover, though her hulking form and frightening face is meant to be a critique on the new culture of the time. Her smile resembles those of the women in advertisements of the 50s, and in truth de Kooning combines archetypical elements of pinup girls, paleolithic fertility goddesses and more. This piece celebrates the grotesque nature of humanity, rather than presenting an idealized object of a woman for the viewer.\

https://blog.singulart.com/en/2019/12/11/action-painting-and-willem-de-…

Lydia Gottshall

Part of Group