Attended Trinity College in Dublin

Wilde went from Portora Royal School to Trinity by using the Royal School Scholarship. He won other awards and scholarships for his outstanding academic achievments. One of his awards was the Berkely Gold Medalthat he later pawned off multiple times. 

There he met John Ruskin and Walter Pater. They influenced his eduction with Ruskin's moral medievalism views and Pater's Renaissance beuty views.

https://worldhistoryproject.org/1871/oscar-wilde-attends-trinity-college...

https://victorianweb.org/authors/wilde/wildebio.html#2 

Awarded the Newdigate Prize

In Wilde’s final year as a student at Magdalen College at Oxford, he was awarded the Newdigate Prize for his poem “Ravenna”. Established in 1806 as a memorial for Sir Roger Newdigate, The Newdigate Prize is awarded to an Oxford undergraduate for the Best Composition of English verse. Wilde’s seven-part poem is an ode to the titular Italian city, describing a young man’s recollection of experiences. At the start of the poem, the protagonist is excited to view the titular Italian city that was “Where Dante sleeps, where Byron loved to dwell”. Throughout, we follow his observations as he realizes that the city has lost some of its vibrance, yet still retains its beauty as a “poet’s city”. Reciting the poem to an audience upon his reception of the Newdigate Prize was his first introduction to the world outside of Oxford and from here, he began to receive public notoriety.

Sources

Vernier, Peter. “‘NEWDIGATE’ PHOTOGRAPHS OF OSCAR WILDE.” The Wildean, no. 10, Oscar Wilde Society, 1997, pp. 49–61, http://www.jstor.org/stable/45270277.

https://worldhistoryproject.org/1878/oscar-wilde-is-awarded-the-newdigat...

The Irish Land League

The Irish Famine of 1879, while at a smaller scale than the Great Famine’s of 1740 and 1845, had dire effects on tenant farmers, especially in western districts. Heavy rains, low crop yields, and few opportunities for outside income made rent unaffordable and eviction a looming threat. The Irish Land League, a land agitation and tenants rights movement, was thus founded and led by Charles Steward Parnell, Michael Davitt, Andrew Kettle and Thomas Brennan. The movement sought to achieve for tenant farmers the security of tenure, fair rents, freedom to sell property, and ultimately, for peasants to have sole ownership of the land. Oscar Wilde would have already settled into London by Autumn of 1879, taking a room with painter and Oxford friend Frank Miles. 

The Wilde’s origins in western Ireland are rooted in the late 1740s, when Ralph Wilde, Oscar’s great-grandfather, landed in Castlerea, which is a small town in the County Roscommon (Hanberry, 1). Following the death in 1876 of Oscar’s father, Sir William Wilde, the family was virtually bankrupt; what few properties were left (one being their holiday home in Illaunroe) would be made unprofitable amidst the early developments of the Land League. In a letter to Oscar, Lady Wilde wrote, ‘How are we all to live? It is all a muddle. My opinion is that all that is coming to us will be swallowed up in our borrowings before we are paid.’ Despite spending the majority of his adult life outside of Ireland, he and his family remained strong proponents of both the Land League and the greater cause of Irish Nationalism. In an interview with The Pall Mall Budget, at the time when his play Salomé, was being reviewed by the London theatre censor, Wilde stated, “I am not English; I’m Irish — which is quite another thing.”  

Sources: 

HANBERRY, GERARD. “Discovering Oscar Wilde in the Heart of Galway.” The Wildean, no. 44, Oscar Wilde Society, 2014, pp. 96–103, https://www.jstor.org/stable/48569044.

Tóibín, Colm. “‘The Road to Reading Gaol." London Review of Books, London Review of Books, 27 Nov. 2019, https://www.lrb.co.uk/the-paper/v39/n23/colm-toibin/the-road-to-reading-....

“Wilde, Oscar Fingal O'Flahertie Wills (1854–1900).” Oxford Dictionary of National Biography, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/o....

“The Censure and Salomé: An Interview with Mr Oscar Wilde,” Pall Mall Budget, 30 June 1892, p. 947.

Publishing of Poems

In mid-1881 at age twenty-seven, Wilde published his first collection of poems, simply entitled Poems. The collection was not received well at first, earning him a caricature in Punch, a satire and humor magazine in the 1800s. It was not only judged by critics, but readers as well, "Most readers were eager to denounce Wilde on the grounds of imitation of various writers and his ornate language" (Kelly 363).

Following the publication of Poems, Punch released a review of the collection as well, in which they stated, "Mr. Wilde may be aesthetic, but he is not original." Most criticism readers agreed with Punch's statements. 

(Citations: Kelly, Jennifer. "Oscar Wilde (16 October 1854-30 November 1900)." British Reform Writers, 1832-1914, edited by Gary Kelly and Edd Applegate, vol. 190, Gale, 1998, pp. 360-370. Dictionary of Literary Biography Vol. 190. Gale Literature: Dictionary of Literary Biography, link.gale.com/apps/doc/MALMFA511353148/DLBC?u=uiuc_columbia&sid=bookmark-DLBC&xid=77f38bf7. Accessed 20 Oct. 2021.

Internet Archive. 1881. Punch Vol -lxxxi: The Office London: Free Download, Borrow, and Streaming: Internet Archive. [online] Available at: <https://archive.org/details/in.ernet.dli.2015.207182/page/n33/mode/2up> )  

Marriage to Constance Lloyd

On May 29th, 1884 Oscar Wilde married Constance Lloyd, the daughter of Horace Lloyd, a Queen's Council member. The two had two children together, Cyril (1885) and Vyvyan (1886). Wilde's family did not necessarily approve of Constance, as she only got an allowance of £250 a year, which would later increase to £900 after her grandfather died. Oscar lived an extravagant life, and the financial strain was one of many problems in their relationship. Wilde was reportedly "disgusted" with Constance's body after her pregnancies. Despite all of this, Wilde continued to support Constance in her endeavors. 

Nobody knows when Constance found out about her husband's homosexual extramarital activities, but in 1891 she met Wilde's lover Lord Alfred Douglas. She visited him in prison, paid his fees, and planned for a reunion later. However, after the scandal, she fled to Switzerland with her sons and changed their last names to Holland. 

(Citation: Kelly, Jennifer. "Oscar Wilde (16 October 1854-30 November 1900)." British Reform Writers, 1832-1914, edited by Gary Kelly and Edd Applegate, vol. 190, Gale, 1998, pp. 360-370. Dictionary of Literary Biography Vol. 190. Gale Literature: Dictionary of Literary Biography, link.gale.com/apps/doc/MALMFA511353148/DLBC?u=uiuc_columbia&sid=bookmark-DLBC&xid=77f38bf7. Accessed 20 Oct. 2021.

https://www.theguardian.com/books/2011/jun/24/constance-mrs-wilde-franny...) 

New Editor of "The Women's World"

In April of 1887, Oscar Wilde became the edition of "The Lady's World," which later became titled "The Woman's World." The original print, "The Lady's World," was "a very vulgar, trivial and stupid production' in Wilde's world. When he became an edition, his first matter on the agenda was to change it to what it is known today of "The Woman's World." Wilde promised that he would work during the duration of his editorship to have the magazine "take a wider range as well as a high standpoint and deal with merely with what women wear but with what they think and feel'. And that is what Wilde did. Wilde noticed him primarily due to the need to have a regular income. He was, in a sense living out of his reasonable means, so he took on the role as a way to fund it. Another modification is that he believed that women have an entire identity outside the patriarchal society, which he held as an individualist.  According to the Oxford dictionary, individualism is defined as advocating for people's free and independent actions in both economic and social affairs. Wanting to correct the mistakes of the past editors of the magazine, he worked to bring forth bring the narrative of what women were dealing with, education and employment, politics, and literature. Commission different woman authors for the magazine written for women and others to consume made by women. This was, during its time, a scarce thing to find within magazine culture.

Sources: https://worldhistoryproject.org/1887/oscar-wilde-is-appointed-editor-of-...  Entering "The Woman's World": Oscar Wilde as Editor of a Woman's Magazine (victorianweb.org)  

"The Picture of Dorian Gray" Context & Background

Oscar Wilde wrote his only novel, The Picture of Dorian Gray, at the invitation of the American publisher, J. M. Stoddart, managing editor of the Lippincott’s Monthly Magazine, who on 30 August 1889 gave a dinner in London at the Langham Hotel for Wilde and Arthur Conan Doyle. When Stoddart asked for a piece twice as long as Wilde’s fairy tale ‘The Fisherman and his Soul’, Wilde began working on The Picture of Dorian Gray. Stoddart's offer was attractive to a comparatively unknown author such as Wilde, whose literary career was not overwhelmingly successful at that time. J.B. Lippincott & Co. was one of the largest book publishing firms in Philadelphia and Lippincott’s Monthly Magazine a well-established American literary periodical that wished to increase its share of an expanding transatlantic market. Lippincott published their literary magazine from 1868 to 1915, and it included literary reviews, poetry, and short stories. In addition to Wilde, works by authors such as Rudyard Kipling, and Arthur Conan Doyle were published as well.  In the summer of 1890, when the first edition of the novel was published in Lippincott's Monthly Magazine, the novel contained 13 chapters, and was criticized as scandalous and immoral (with detractors condemning its homosexual undertones and seeming embrace of hedonistic values.) Disappointed with its reception, Wilde revised the novel in 1891 and published it as a single volume, issued by Ward, Lock & Co (the London publisher which circulated the British edition of Lippincott's), adding a preface and six new chapters. This Preface was written as a response to those unkind critics of the first edition. It also succinctly sets forth the tenets of Wilde's philosophy of art. Devoted to a school of thought and mode of sensibility known as aestheticism, Wilde believed that art possesses an intrinsic value - that it is beautiful and therefore has worth, and thus needs serve no other purpose, be it moral or political. This attitude was revolutionary in Victorian England, where popular belief held that art was not only a function of morality but also a means of enforcing it.

Articles:

Lippincott's Magazine

Lippincott’s Monthly Magazine

"The Picture of Dorian Gray" Historical Context

"The Picture of Dorian Gray" Context

Punch Article

The satirical magazine Punch publishes an article entitled "Our Booking Office" lampooning Dorian Gray. Wilde is very offended. Animosity between Wilde and the Punch staff is born.

Relationship with Lord Alfred Bruce Douglas

Oscar Wilde and Lord Alfred Bruce Douglas photographed together on May 1893

In June of 1891, Wilde met Lord Alfred Bruce Douglas. Lord Douglas was the third son of the 9th Marquess of Queensberry and an undergraduate student at Oxford at their first meeting. As both were literary talents, they were drawn to each other and started an affair.

Despite Lord Douglas's position as a noble, Wilde would indulge in his lover, eventually outspending the amount that he made. The two would often meet up together and would even go on trips. In January 1895, they went to Algiers together. Wilde began writing more frequently to try and make up his debt due to the expensive relationship. One of the products of this time would eventually become The Importance of Being Earnest.

The 9th Marquess of Queensberry knew of Wilde and his son's closeness and repeatedly sent threats. When he sent Wilde a note calling Wilde a "posing Somdomite," which is a misspelling of Sodomite. Wilde responded to Queensberry's words by accusing the Marquess of libel and sparking legal trials.

Oscar Wilde's trials in 1895 caused a rift in their relationship as Wilde was imprisoned and spent a few years abroad after he was released. Yet, Wilde continued to write letters to Lord Douglas throughout the years. The two reunited in August 1897 in Rouen, but parted ways for good a few months later.

Articles and Sources:

Harris, Frank. Oscar Wilde: His Life and Confessions. United States, Brentano's, 1916.

Wilde, Oscar, and Merlin Holland. Oscar Wilde: A Life in Letters. Carroll & Graf, 2007.

"The Importance of Being Earnest"

St. James's Theatre programme for The Importance of Being Earnest

Known as Wilde's most famous play, The Importance of Being Earnest premiered at St. James's Theatre in London on 14 February 1895. Wilde began meticulously outlining and drafting the comedy in July 1894. He continued revising the play over the course of six months. The most notable change is when George Alexander, the manager of St. James’s Theatre, advised Wilde to cut the four-act play down to three acts. Thus, the satirical tale of double lives in Victorian society was born.

The comedy’s success was disrupted by the trials of Oscar Wilde. The night of the first production served as the catalyst to the trials thanks to the appearance of the Marquess of Queensberry, as Wilde was in a relationship with the Marquess's son. Wilde heard of the Marquess' intention to present him a bouquet of rotten vegetables, so he refused to take a bow. Although Wilde managed to avoid the Marquess that night, the Marquess' continuous threats lead to a legal feud. Due to the publicity about Wilde’s homosexuality, his name was omitted from the programme starting 6 April 1895, and the play was officially closed by 8 May 1895 after 83 performances.

In February 1899, the first edition of The Importance of Being Earnest was published by Leonard Smithers and Co.

Articles and Sources:

Raby, Peter. The Cambridge Companion to Oscar Wilde. Cambridge, U.K.; Cambridge University Press, 1998. Print.

Victoria and Albert Museum

Peter Harrington

University College Oxford

Oscar Wilde's Gross Indecency Trial

On May 25th, 1895, Oscar Wilde was put in prison for gross indecency. Queensberry (Sir John Sholto Douglas) accused him of having homosexual relationships with other men and Wilde tried to deny these claims by accusing Douglas of libel. When this backfired, he refrained from leaving England, stayed for his gross indecency trials, and ended up getting sentenced to two years in prison with hard labor. Before the trial began there were several events that familiarized England with acts of homosexuality. For example, as stated in source 5, the Cleveland street scandal revealed an event where aristocrats engaged in sexual activities with male brothels (Source 5). This event would be covered up by the English police department because of the aristocratic powerful men who were involved in the scandal. This event would also be referenced by the Scots Observer in their review of a Picture of Dorian Gray, which in the review subtly suggested that Oscar Wilde committed acts of gross indecency. 

Before the trial began, it is believed Wilde got romantically involved with Alfred Douglas, whose father, Sir John Sholto Douglas, found out and accused Wilde of sodomy. Queensberry told his son Alfred to stop all contact with Wilde or he’d “disown… and stop all money supplies” (Source 2). Queensberry provoked Wilde first by slipping him a note that said “For Oscar Wilde, posing sodomite” (Source 6). As a way to defend himself, he went on to convict Sir Douglas of libel. However, Douglas argued that Wilde solicited twelve men to commit sodomy with him between the years of 1892 and 1894, which the court seemed to sympathize with in the first trial. On the third day of the proceedings, Wilde's Lawyer found there was “abundant evidence of clients guilt” and he chose to withdraw from the case (Source 1).

After the libel drama with Queensberry, Sir Edward Clarke, Wilde’s lawyer, “urged Wilde to drop the case” and flee to France until the drama over his public image dies down (Source 2). After failing to accuse Queensberry of libel, Wilde was accused of gross indecency, a very serious charge up until the late 1960s when England decriminalized same sex relationships. Wilde remained in England throughout the gross indecency trials. During this time, the lines from A Picture of Dorian Grey and Two Loves, such as  “love that dare not speak its name,” were cross examined extensively (Source 1). While Oscar Wilde secured a mistrial on his first trial, during the second trial, beginning on May 21st, Oscar Wilde was convicted of gross indecency. Despite many potential witnesses not betraying Wilde, the jury found Wilde guilty and the judge punished Wilde to the greatest degree he could; two years in prison with hard labor and no bail. What Source five argues however, is that the court didn’t have adequate evidence to charge Oscar Wilde. The source argues that Wilde was found guilty upon speculation that he committed gross indecency, while in actuality writing about homosexual desires inside a novel isn’t conclusive proof that one actually committed sodomy upon another person (Source 5). By the time Oscar Wilde got out of prison on May 19th of 1897 he was exiled to France and died there three years later at age 45 in poverty. 

Sources: 

1. https://www.history.com/this-day-in-history/oscar-wilde-is-sent-to-prison-for-indecency (Source 1)
2. https://www.biography.com/news/oscar-wilde-trials-downfall-gross-indecency (Source 2)
3. https://time.com/3890539/oscar-wilde-trial-history/ (Source 3)
4. ​​https://www.youtube.com/watch?v=XXbpox7l8r0 (Source 4) 
5. https://www.branchcollective.org/?ps_articles=andrew-elfenbein-on-the-trials-of-oscar-wilde-myths-and-realities (Source 5) 
6. https://www.biography.com/news/oscar-wilde-trials-downfall-gross-indecency (Source 6).

The Ballad of Reading Gaol

Wilde wrote what ended up being his final published poem during his lifetime, titled “The Ballad of Reading Gaol”, while in exile in Berneval-Le-Grand, France, after his expulsion from prominent British society. The poem documented the ghastly conditions of his experience in prison at Reading Gaol, located in Reading, Berkshire, England, which was the popular name of a former prison, known officially as HM Prison Reading. Wilde was imprisoned here from 23 November 1895 until 18 May 1897 after being moved three other times following his conviction of gross indecency on 25 May 1895. During his imprisonment, a man named Charles Thomas Woolridge was hung for the murder of his wife, a scene which Wilde describes throughout the poem. Leading up to the release of the poem, Wilde understood that he was no longer attempting to impress the upper classes of society, and instead wished for it to be published in Reynolds Magazine, where he claimed that then it would be “read by his peers” who were now among “the criminal classes.” The poem, which was published by Leonard Smithers on 13 February 1898 under the name “C.3.3.”, which stood for cell block C, landing 3, cell 3, sold enough to give him some income until he died just over two years later. The epitaph on Wilde’s tomb was excerpted from the poem: 

“And alien tears will fill for him,

Pity’s long-broken urn,

For his mourners will be outcast men,

And outcasts always mourn”

Sources:

Ellmann, Richard (1988). Oscar Wilde. New York: Vintage Books.

Mason, Stuart, Bibliography of Oscar Wilde (1914, London)

Mason, Stuart, Bibliography of the Poems of Oscar Wilde (1907, London)

https://www.bl.uk/collection-items/the-ballad-of-reading-gaol-by-oscar-wilde

Death of Wilde

30 November 1900 was the day Oscar Wilde died (in the Latin Quarter, Paris). Image: Photograph of Oscar Wilde. This image is in the public domain in the United States because its copyright has expired.

Articles

Ellen Crowell, “Oscar Wilde’s Tomb: Silence and the Aesthetics of Queer Memorial”

Related Articles

Andrew Elfenbein, “On the Trials of Oscar Wilde: Myths and Realities”

Tomb for Wilde commission

On December 1908, a commission to create a tomb for Wilde was announced; Jacob Epstein was designated sculptor. Image: Detail, The Tomb of Oscar Wilde, c. 1912. Photograph by E.O. Hoppe, courtesy of the University of Reading.

Articles

Ellen Crowell, “Oscar Wilde’s Tomb: Silence and the Aesthetics of Queer Memorial”