Exhibit:

Rosenbach Manuscript of Oscar Wilde's extended "The Portrait of Mr W.H."

Preview of images

Folio 1 is a loose leaf of the July 1889 printing of the first page of Blackwood's Edinburgh Magazine. There are no markings on this page except for a number "1" in square brackets in the upper right corner which does not seem to be in Wilde's handwriting. This page is not affixed into notebook in the same manner as other pages from Blackwood's in the manuscript. There is a brown stain on the top center of the page that may resemble the color of the stain on the cutout in folio 15.
Back side of Folio 1, page 2 of Wilde's Blackwood's July 1889 publication. No markings other than a penciled call number in the top left hand corner.
Folio 2, full page of Blackwood's p.2 with annotations in Wilde's handwriting, some going into the margins of the notebook page which it is glued on.
Folio 3 with Wilde's handwritten annotations in the margins of the page.
Folio 4 contains a full page 4 from Blackwood's printing annotated in Wilde's hand.
Folio 5 contains
Folio 6 contains a full page from Blackwood's p.6 with annotations in Wilde's hand
Folio 7 contains a full page (p.7) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and an addition in the upper margin of the notebook.
Folio 8 contains a full page (p.8) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are only on the Blackwood's page except for the folio number in the upper right corner. There is also a penciled in "2" in the upper left corner which does not seem to match Wilde's handwriting.
Folio 9 contains a full page (p.9) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and additions in the top and bottom margins of the notebook page.
Folio 10 contains a full page (p.2) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and run off into the margins of the notebook page.
Folio 11 contains two cutouts from the upper portion of p. 11 of the Blackwood's 1889 printing glued down into a single column onto a notebook page. Wilde makes annotations on the Blackwood's cutouts and a lengthy addition below.
Folio 12 is a handwritten notebook (Wilde's handwriting) page with no cutouts.
Folio 13 is a handwritten notebook page with no cutouts.
Folio 14 is a handwritten notebook page with no cutouts.
Folio 16 contains a cutout from one column of the upper left portion of p. 12 of the Blackwood's 1889 printing glued down onto the notebook page. Wilde makes annotations on the Blackwood's cutout and a lengthy addition below it.
Folio 17 contains a brief continuation of the handwriting from folio 16 followed by a cutout from one column of the upper right portion of p. 12 of the Blackwood's 1889 printing glued down onto the notebook page. Wilde makes annotations on the Blackwood's cutout. Wilde's addition below the cutout is nearly the same text as that in the Blackwood's version.
Folio 18 continues from folio 17 in Wilde's handwriting and then includes a full page of text from p. 13 of Blackwood's 1889 version glued into the notebook page with annotations within the page. This page is cropped on the top margin which removes the heading with year, title, and page number. The bottom is also cropped to remove the bottom margin.
Folio 19 is a handwritten notebook page with no cutouts.
Folio 20 is a handwritten notebook page with no cutouts.
Folio 21 is a handwritten notebook page with no cutouts.
Folio 22 is a handwritten notebook page with no cutouts. There is space at the bottom for Wilde to continue, but he ends with "To" seemingly in order to have the Blackwood's page on Folio 23 pick up where this page leaves off.
Folio 23 contains a full page (p. 14) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are on the Blackwood's page but not on the margins of the page except for the folio number. There is a pencil marking (4/9/4?) in the left hand margin which may not be in Wilde's hand and it is unclear what this marking might refer to.
Folio 24 contains a full page (p. 15) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are on the Blackwood's page as well as into the margins of the noetbook page. Lengthier additions are annotated in the bottom margin. There is also a partly visible circled "INS" written on the notebook page that is mostly covered with the Blackwood's page. This annotation seems to refer to Wilde's insertion at the bottom of the page.
Folio 25 contains a full page (p. 16) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are on the Blackwood's page but not on the margins of the page except for the folio number.
Folio 26 is a handwritten notebook page with no cutouts.
Folio 27 is a handwritten notebook page with no cutouts.
Folio 28 is a handwritten notebook page with no cutouts.
Folio 29 is a handwritten notebook page with no cutouts.
Folio 30 is a handwritten notebook page with no cutouts.
Folio 31 is a handwritten notebook page with no cutouts.
Folio 32 is a handwritten notebook page with no cutouts.
Folio 33 is a handwritten notebook page with no cutouts.
Folio 34 is a handwritten notebook page with no cutouts.
Folio 35 is a handwritten notebook page with no cutouts.
Folio 36 is a handwritten notebook page with no cutouts.
Folio 37 is a handwritten notebook page with no cutouts.
Folio 38 is a handwritten notebook page with no cutouts.
Folio 39 is a handwritten notebook page with no cutouts.
Folio 40 is a handwritten notebook page with no cutouts.
Folio 41 is a handwritten notebook page with no cutouts.
Folio 42 is a handwritten notebook page with no cutouts. The handwriting stops after only 5 lines and leaves the rest blank. The is the end of Chapter 2.
Folio 43 begins with the Roman numeral III to indicate the beginning of Chapter 3. After a revised introduction in Wilde's handwriting, Wilde pastes in the left hand column of p.17 from Blackwood's 1889 printing. Wilde makes annotations on the Blackwood's cutout and on the notebook page, and he adds a lengthy addition beside and below the cutout.
Folio 44 is a handwritten notebook page with no cutouts. The original folio number which seems to be "43" is scrawled out and "44" is written beside it in Wilde's hand.
Folio 45 is a handwritten notebook page with no cutouts.
Folio 46 is a handwritten notebook page with no cutouts.
Folio 47 is a handwritten notebook page with no cutouts. Folio 47 stops mid-page and Wilde crosses out the last line seemingly to match up with the next folio.
Folio 48 is a handwritten notebook page with no cutouts.
Folio 49 is a handwritten notebook page with no cutouts.
Folio 50 is a handwritten notebook page with no cutouts.
Folio 51 is a handwritten notebook page with no cutouts.
Folio 52 is a handwritten notebook page with no cutouts.
Folio 53 is a handwritten notebook page with no cutouts.
Folio 54 is a handwritten notebook page with no cutouts.
Folio 55 is a handwritten notebook page with no cutouts.
Folio 56 is a handwritten notebook page with no cutouts.
Folio 57 is a handwritten notebook page with no cutouts.
Folio 58 is a handwritten notebook page with no cutouts. Wilde stops halfway down the page, seemingly to align with the following folio 59.
Folio 59 is a handwritten notebook page with no cutouts. There are a number of inkblots or drippings on this page.
Folio 60 is a handwritten notebook page with no cutouts.
Folio 61 is a handwritten notebook page with no cutouts.
Folio 62 is a handwritten notebook page with no cutouts. In the top right corner an "E" is scribbled out and there is a circled "d" which typically indicates deletion in Wilde's work. Both markings are make in pencil. A heavy line separates the sonnet that ends Chapter 3 and Chapter 4, marked with the roman numeral "IV."
Folio 63 is a handwritten notebook page with no cutouts.
Folio 64 is a handwritten notebook page with no cutouts.
Folio 65 is a handwritten notebook page with no cutouts.
Folio 66 is a handwritten notebook page with no cutouts.
Folio 67 is a handwritten notebook page with no cutouts.
Folio 68 is a handwritten notebook page with no cutouts.
Folio 69 is a handwritten notebook page with no cutouts.
Folio 70 is a handwritten notebook page with no cutouts.
Folio 71 is a handwritten notebook page with no cutouts. There are a number of inkblots on this page. The deleted passage at the end of the page appears on folio 80.
Folio 72 is a handwritten notebook page with no cutouts. Wilde leaves a large blank at the end of this page, perhaps to better connect it with the following folio 73, which begins with deleted material that appears on this page.
Folio 73 is a handwritten notebook page with no cutouts. There is a mostly-erased "E" next to the folio number. This "E" resembles the crossed out one on folio 62. Folio 73 begins with a deleted passage, a version of which is on the preceding folio 72.
Folio 74 is a handwritten notebook page with no cutouts.
Folio 76 is a handwritten notebook page with no cutouts. In the top righthand corner the folio number 76 seems to be corrected in Wilde's hand from "75."
Folio 77 is a handwritten notebook page with no cutouts. There is an inkblot on the right side of the page.
The recto side of folio 78 is a handwritten notebook page with no cutouts.
The verso side of folio 78 contains a copy (or original) of the beginning of folio 53. The text is scribbled out in pencil. This page is a handwritten notebook page with no cutouts.
Folio 79 is a handwritten notebook page with no cutouts.
Folio 80 is a handwritten notebook page with no cutouts. Wilde leaves a blank space at the end of the page, perhaps to better connect it with the following folio page.
Folio 81 is a handwritten notebook page with no cutouts. Wilde leaves a blank after the word "Sonnets" on the tenth line, presumably to fill in later.
Folio 82 is a handwritten notebook page with no cutouts.
Folio 83 is a handwritten notebook page with no cutouts.
Folio 84 is a handwritten notebook page with no cutouts. Wilde leaves blank space at the bottom of the page, perhaps to better connect it with the following folio 85, which begins with a cut out from Blackwood's.
Folio 85 contains a cutout from the righthand column of p. 17 of the Blackwood's 1889 printing glued down onto a notebook page. Wilde makes annotations on the Blackwood's cutout and on the notebook page.
Folio 86 contains two cutouts from the upper portion of p. 18 of the Blackwood's 1889 printing glued down into a single column onto a notebook page. Wilde makes annotations on the Blackwood's cutouts and on the notebook page.
Folio 87 is a handwritten notebook page with no cutouts. After the folio number, it begins with the Roman numeral "V" to indicate the beginning of Chapter 5.
Folio 88 is a handwritten notebook page with no cutouts.
Folio 89 is a handwritten notebook page with no cutouts.
Folio 90 is a handwritten notebook page with no cutouts.
Folio 91 is a handwritten notebook page with no cutouts.
Folio 92 is a handwritten notebook page with no cutouts.
Folio 93 begins with handwriting and contains a cutout from the bottom of p. 18 (beginning of Chapter 3) of the Blackwood's 1889 printing glued dow at the bottom of this notebook page with annotations and an inkblot on the cutout.
Folio 94 begins and ends with handwriting on the notebook page, and contains a small cutout from the lefthand column of p. 19 of the 1889 Blackwood's printing glued down into the notebook about mid-page without annotations.
Folio 95 is a handwritten notebook page with no cutouts.
Folio 96 begins with handwriting and contains a cutout from the lefthand column of p. 19 of the 1889 Blackwood's printing glued down into the notebook and annotated on the cutout and on the notebook page.
Folio 97 contains two cutouts from the Blackwood's 1889 printing glued down into a single column onto a notebook page and annotated on the cutout and onto the notebookpage. The first cutout is from the righthand column of p.19. The second cutout, which is glued directly under end of the printed text on the first cutout (but glued over the bottom margin of the page), is from the lefthand column of p.20.
Folio 98 is a handwritten notebook page with no cutouts.
Folio 99 is a handwritten notebook page with no cutouts.
Folio 100 is a handwritten notebook page with no cutouts. Wilde leaves blank space at the bottom of the page, perhaps to better connect it with the following folio 101, which consists of a cutout from Blackwood's.
Folio 101 contains an irregular cutout from p. 20 of the Blackwood's 1889 printing glued down onto a notebook page. Annotations are on the cutout as well as the notebook page. The folio number 101 is written beside a scribbled out "100." The alignment of the cutout and ink line at the top of the lefthand side column matches the second cutout on Folio 97, indicating that these cutouts are likely from the same copy of Blackwood's.
Folio 102 contains two cutouts from p. 21 of the Blackwood's 1889 printing glued down into a single column onto a notebook page. Wilde makes annotations on the Blackwood's cutouts and on the notebook page.
Folio 103 is a handwritten notebook page with no cutouts.
Folio 104 is a handwritten notebook page with no cutouts.
Folio 105 is a handwritten notebook page with no cutouts. The text ends with Wilde's signature and the notebook page is torn off mid-page.

Parent Resource

The Portrait of Mr. W.H.

Oscar Wilde's "The Portrait of Mr W.H" was first published as a short story in the July 1889 issue of Blackwood's Edinburgh Magazine. Some time afterwards, Wilde began an extended version of the story, which was lost after his bankruptcy sale in 1895 and never published in his lifetime. However, in 1921 publisher and president of Anderson Galleries Mitchell Kennerley brought to light the manuscript contained in this gallery. This manuscript contains annotated pages from the Blackwood's publication, marginal notations, and handwritten pages. It is the only known manuscript draft of Wilde's expanded version of "The Portrait of Mr W.H".

After its discovery, Mitchell Kennerley published The Portrait of Mr W.H. in 1921 under his own imprint and conducted the sale of this manuscript from the estate of Frederic Chapman to Dr. Abraham Simon Wolf Rosenbach. Frederic Chapman was the office manager of publisher John Lane, who had agreed to publish the story prior to Wilde's imprisonment. It is unknown why the manuscript was withheld for so long or exactly how it came to be in Chapman's possession. A limited edition of this expanded version was also published in London by Duckworth & Co in 1921. 

This manuscript is currently held by the Rosenbach Library and Museum in Philadelphia, cataloged as EL3 .W672p 921 MS. Photography of images were funded by a grant from Kutztown University.

This manuscript is reproduced with permission from the Wilde estate. Previously unpublished parts of the MS may still be subject to copyright protection depending on the usage and the geographical location in which such parts are reproduced. Please do not copy without permission.

Images in this Exhibit

Folio 1 (Recto)
Folio 1 is a loose leaf of the July 1889 printing of the first page of Blackwood's Edinburgh Magazine. There are no markings on this page except for a number "1" in square brackets in the upper right corner which does not seem to be in Wilde's handwriting. This page is not affixed into notebook in the same manner as other pages from Blackwood's in the manuscript. There is a brown stain on the top center of the page that may resemble the color of the stain on the cutout in folio 15.

Folio 1 is a loose leaf of the July 1889 printing of the first page of Blackwood's Edinburgh Magazine.  There are no markings on this page except for a number "1" in square brackets in the upper right corner that does not seem to be in Wilde's handwriting. This page is not affixed into notebook in the same manner as other pages from Blackwood's in the manuscript. There is a brown stain on the top center of the page that resembles the color of the stain on the cutout in folio 15.
Folio 1 (Verso)
Back side of Folio 1, page 2 of Wilde's Blackwood's July 1889 publication. No markings other than a penciled call number in the top left hand corner.

This is the verso (back) side of Folio 1. There are no markings on this page other than a call number matching the Rosenbach number marked in pencil in the top left corner. 
Folio 2
Folio 2, full page of Blackwood's p.2 with annotations in Wilde's handwriting, some going into the margins of the notebook page which it is glued on.

Folio 2 is the first page of the Rosenbach manuscript that is numbered in Wilde's hand. It contains a full page (p.2) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and run off into the margins of the notebook.
Folio 3
Folio 3 with Wilde's handwritten annotations in the margins of the page.

Folio 3 contains a full page (p.3) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and run off into the margins of the notebook. Note that because Blackwood's printed on both recto and verso sides, Wilde would have had to have used at least two copies of Blackwood's in order to paste the next full page (p. 4) into his notebook face-up.
Folio 4
Folio 4 contains a full page 4 from Blackwood's printing annotated in Wilde's hand.

Folio 4 contains a full page (p.4) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and run off into the margins of the notebook.
Folio 5
Folio 5 contains

Folio 5 contains a full page (p.5) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and run off into the margins of the notebook. Some of the annotations are lengthier than those in the preceeding pages. The bottom of the notebook page is crumbling and with some care the bottom right corner can be read as "that Mr W. H. stands for Mr Henry Willobie, the young Oxford poet, with the initials of his name reversed;"
Folio 6
Folio 6 contains a full page from Blackwood's p.6 with annotations in Wilde's hand

Folio 6 contains a full page (p.6) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and in the margins of the notebook.
Folio 7
Folio 7 contains a full page (p.7) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and an addition in the upper margin of the notebook.

Folio 7 contains a full page (p.7) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and an addition in the upper margin of the notebook.
Folio 8
Folio 8 contains a full page (p.8) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are only on the Blackwood's page except for the folio number in the upper right corner. There is also a penciled in "2" in the upper left corner which does not seem to match Wilde's handwriting.

Folio 8 contains a full page (p.8) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are only on the Blackwood's page except for the folio number in the upper right corner.  There is also a penciled in "2" in the upper left corner that does not seem to match Wilde's handwriting.
Folio 9
Folio 9 contains a full page (p.9) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and additions in the top and bottom margins of the notebook page.

Folio 9 contains a full page (p.9) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and additions in the top and bottom margins of the notebook page.
Folio 10
Folio 10 contains a full page (p.2) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and run off into the margins of the notebook page.

Folio 10 contains a full page (p.10) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and run off into the margins of the notebook page.
Folio 11
Folio 11 contains two cutouts from the upper portion of p. 11 of the Blackwood's 1889 printing glued down into a single column onto a notebook page. Wilde makes annotations on the Blackwood's cutouts and a lengthy addition below.

Folio 11 contains two cutouts from the upper portion of p. 11 of the Blackwood's 1889 printing glued down into a single column onto a notebook page. Wilde makes annotations on the Blackwood's cutouts and a lengthy addition below them.
Folio 12
Folio 12 is a handwritten notebook (Wilde's handwriting) page with no cutouts.

Folio 12 is a handwritten notebook page with no cutouts. 
Folio 13
Folio 13 is a handwritten notebook page with no cutouts.

Folio 13 is a handwritten notebook page with no cutouts. Chapter 2 begins on this page marked with the Roman numeral II.
Folio 14
Folio 14 is a handwritten notebook page with no cutouts.

Folio 14 is a handwritten notebook page with no cutouts.
Folio 15

Folio 15 contains a handwritten passage continued from Folio 14 and a cutout from the bottom of p.11 from the Blackwood's 1889 printing glued down onto the notebook page. There are annotations directly on this cutout and an addition in the lower margin of the notebook page. A circular brown stain of unknown origin on the right side of the Blackwood's cutout resembles the color of the stain on Folio 1.
Folio 16
Folio 16 contains a cutout from one column of the upper left portion of p. 12 of the Blackwood's 1889 printing glued down onto the notebook page. Wilde makes annotations on the Blackwood's cutout and a lengthy addition below it.

Folio 16 contains a cutout from one column of the upper left portion of p. 12 of the Blackwood's 1889 printing glued down onto the notebook page. Wilde makes annotations on the Blackwood's cutout and a lengthy addition below it.
Folio 17
Folio 17 contains a brief continuation of the handwriting from folio 16 followed by a cutout from one column of the upper right portion of p. 12 of the Blackwood's 1889 printing glued down onto the notebook page. Wilde makes annotations on the Blackwood's cutout. Wilde's addition below the cutout is nearly the same text as that in the Blackwood's version.

Folio 17 contains a brief continuation of the handwriting from folio 16 followed by a cutout from one column of the upper right portion of p. 12 of the Blackwood's 1889 printing glued down onto the notebook page. Wilde makes annotations on the Blackwood's cutout. The writing below the cutout is nearly the same text as in the Blackwood's version.
Folio 18
Folio 18 continues from folio 17 in Wilde's handwriting and then includes a full page of text from p. 13 of Blackwood's 1889 version glued into the notebook page with annotations within the page. This page is cropped on the top margin which removes the heading with year, title, and page number. The bottom is also cropped to remove the bottom margin.

Folio 18 continues from folio 17 in Wilde's handwriting and then includes p. 13 of Blackwood's 1889 version glued into the notebook page with annotations within the page. This cutout has the top margin cropped off, which removes the heading with year, title, and page number.  The bottom margin has also been cropped. 
Folio 19
Folio 19 is a handwritten notebook page with no cutouts.

Folio 19 is a handwritten notebook page with no cutouts. 
Folio 20
Folio 20 is a handwritten notebook page with no cutouts.

Folio 20 is a handwritten notebook page with no cutouts. 
Folio 21
Folio 21 is a handwritten notebook page with no cutouts.

Folio 21 is a handwritten notebook page with no cutouts. 
Folio 22
Folio 22 is a handwritten notebook page with no cutouts. There is space at the bottom for Wilde to continue, but he ends with "To" seemingly in order to have the Blackwood's page on Folio 23 pick up where this page leaves off.

Folio 22 is a handwritten notebook page with no cutouts. There is space at the bottom for Wilde to continue, but he ends with "To" seemingly in order to have the Blackwood's page on Folio 23 pick up where this page leaves off.
Folio 23
Folio 23 contains a full page (p. 14) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are on the Blackwood's page but not on the margins of the page except for the folio number. There is a pencil marking (4/9/4?) in the left hand margin which may not be in Wilde's hand and it is unclear what this marking might refer to.

Folio 23 contains a full page (p. 14) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are on the Blackwood's page but not on the margins of the notebook page except for the folio number. There is a pencil marking (4/9/4?) in the left hand margin which may not be in Wilde's hand, and it is unclear what this marking might refer to.
Folio 24
Folio 24 contains a full page (p. 15) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are on the Blackwood's page as well as into the margins of the noetbook page. Lengthier additions are annotated in the bottom margin. There is also a partly visible circled "INS" written on the notebook page that is mostly covered with the Blackwood's page. This annotation seems to refer to Wilde's insertion at the bottom of the page.

Folio 24 contains a full page (p. 15) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are on the Blackwood's page  as well as into the margins of the notebook page. Lengthier additions are annotated in the bottom margin. There is also a partly visible circled "INS" written on the notebook page that is mostly covered with the Blackwood's page. This annotation seems to refer to Wilde's insertion at the bottom of the page. 
Folio 25
Folio 25 contains a full page (p. 16) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are on the Blackwood's page but not on the margins of the page except for the folio number.

Folio 25 contains a full page (p. 16) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are on the Blackwood's page but not on the margins of the page except for the folio number.
Folio 26
Folio 26 is a handwritten notebook page with no cutouts.

Folio 26 is a handwritten notebook page with no cutouts. 
Folio 27
Folio 27 is a handwritten notebook page with no cutouts.

Folio 27 is a handwritten notebook page with no cutouts. 
Folio 28
Folio 28 is a handwritten notebook page with no cutouts.

Folio 28 is a handwritten notebook page with no cutouts. 
Folio 29
Folio 29 is a handwritten notebook page with no cutouts.

Folio 29 is a handwritten notebook page with no cutouts. 
Folio 30
Folio 30 is a handwritten notebook page with no cutouts.

Folio 30 is a handwritten notebook page with no cutouts. 
Folio 31
Folio 31 is a handwritten notebook page with no cutouts.

Folio 31 is a handwritten notebook page with no cutouts. 
Folio 32
Folio 32 is a handwritten notebook page with no cutouts.

Folio 32 is a handwritten notebook page with no cutouts. 
Folio 33
Folio 33 is a handwritten notebook page with no cutouts.

Folio 33 is a handwritten notebook page with no cutouts. 
Folio 34
Folio 34 is a handwritten notebook page with no cutouts.

Folio 34 is a handwritten notebook page with no cutouts. 
Folio 35
Folio 35 is a handwritten notebook page with no cutouts.

Folio 35 is a handwritten notebook page with no cutouts. 
Folio 36
Folio 36 is a handwritten notebook page with no cutouts.

Folio 36 is a handwritten notebook page with no cutouts. 
Folio 37
Folio 37 is a handwritten notebook page with no cutouts.

Folio 37 is a handwritten notebook page with no cutouts. 
Folio 38
Folio 38 is a handwritten notebook page with no cutouts.

Folio 38 is a handwritten notebook page with no cutouts. 
Folio 39
Folio 39 is a handwritten notebook page with no cutouts.

Folio 39 is a handwritten notebook page with no cutouts. 
Folio 40
Folio 40 is a handwritten notebook page with no cutouts.

Folio 40 is a handwritten notebook page with no cutouts. 
Folio 41
Folio 41 is a handwritten notebook page with no cutouts.

Folio 41 is a handwritten notebook page with no cutouts. 
Folio 42
Folio 42 is a handwritten notebook page with no cutouts. The handwriting stops after only 5 lines and leaves the rest blank. The is the end of Chapter 2.

Folio 42 is a handwritten notebook page with no cutouts. The handwriting stops after only 5 lines and leaves the rest of the page blank. The is the end of Chapter 2 in this version.
Folio 43
Folio 43 begins with the Roman numeral III to indicate the beginning of Chapter 3. After a revised introduction in Wilde's handwriting, Wilde pastes in the left hand column of p.17 from Blackwood's 1889 printing. Wilde makes annotations on the Blackwood's cutout and on the notebook page, and he adds a lengthy addition beside and below the cutout.

Folio 43 begins with the Roman numeral III to indicate the beginning of Chapter 3. After a revised introduction in Wilde's handwriting, Wilde pastes in the left hand column of p.17 from Blackwood's 1889 printing. Wilde makes annotations on the Blackwood's cutout and on the notebook page, and he adds a lengthy addition beside and below the cutout.
Folio 44
Folio 44 is a handwritten notebook page with no cutouts. The original folio number which seems to be "43" is scrawled out and "44" is written beside it in Wilde's hand.

Folio 44 is a handwritten notebook page with no cutouts. The original folio number, which seems to be "43," is scrawled out and "44" is written beside it in Wilde's hand. 
Folio 45
Folio 45 is a handwritten notebook page with no cutouts.

 Folio 45 is a handwritten notebook page with no cutouts.
Folio 46
Folio 46 is a handwritten notebook page with no cutouts.

Folio 46 is a handwritten notebook page with no cutouts.
Folio 47
Folio 47 is a handwritten notebook page with no cutouts. Folio 47 stops mid-page and Wilde crosses out the last line seemingly to match up with the next folio.

Folio 47 is a handwritten notebook page with no cutouts. Wilde leaves a blank after "Betterton said that" presumably to fill in at a later point.  In the Kennerley edition, Kennerley/Hooley supplies a quotation "it has been disputed among the judicious, whether any woman could have more sensibly touched the passions,” but this quotation is actually from John Downes. For more detail on this, see Ian Small, “‘The Portrait of Mr W. H.,’ Textual Identity, and Oscar Wilde’s ‘Incalculable Injury.’” English Literature in Transition, 1880-1920, vol. 63, no. 4, 2020, pp. 509-532.

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Folio 48
Folio 48 is a handwritten notebook page with no cutouts.

Folio 48 is a handwritten notebook page with no cutouts.
Folio 49
Folio 49 is a handwritten notebook page with no cutouts.

Folio 49 is a handwritten notebook page with no cutouts.
Folio 50
Folio 50 is a handwritten notebook page with no cutouts.

Folio 50 is a handwritten notebook page with no cutouts.
Folio 51
Folio 51 is a handwritten notebook page with no cutouts.

Folio 51 is a handwritten notebook page with no cutouts.
Folio 52
Folio 52 is a handwritten notebook page with no cutouts.

Folio 52 is a handwritten notebook page with no cutouts.
Folio 53
Folio 53 is a handwritten notebook page with no cutouts.

Folio 53 is a handwritten notebook page with no cutouts. The first line and a half is crossed out, seemingly to avoid repeating the final words of the preceeding folio 52. The deleted section at the end of the page appears later in the manuscript on folio 56. Additionally, there is another seemingly abandoned attempt at folio 53 on the verso side of folio 78.
Folio 54
Folio 54 is a handwritten notebook page with no cutouts.

Folio 54 is a handwritten notebook page with no cutouts.
Folio 55
Folio 55 is a handwritten notebook page with no cutouts.

Folio 55 is a handwritten notebook page with no cutouts.
Folio 56
Folio 56 is a handwritten notebook page with no cutouts.

Folio 56 is a handwritten notebook page with no cutouts.
Folio 57
Folio 57 is a handwritten notebook page with no cutouts.

Folio 57 is a handwritten notebook page with no cutouts.
Folio 58
Folio 58 is a handwritten notebook page with no cutouts. Wilde stops halfway down the page, seemingly to align with the following folio 59.

Folio 58 is a handwritten notebook page with no cutouts. Wilde stops halfway down the page, seemingly to align with the following folio 59.
Folio 59
Folio 59 is a handwritten notebook page with no cutouts. There are a number of inkblots or drippings on this page.

Folio 59 is a handwritten notebook page with no cutouts. There are a number of inkblots on this page.
Folio 60
Folio 60 is a handwritten notebook page with no cutouts.

Folio 60 is a handwritten notebook page with no cutouts.
Folio 61
Folio 61 is a handwritten notebook page with no cutouts.

Folio 61 is a handwritten notebook page with no cutouts.
Folio 62
Folio 62 is a handwritten notebook page with no cutouts. In the top right corner an "E" is scribbled out and there is a circled "d" which typically indicates deletion in Wilde's work. Both markings are make in pencil. A heavy line separates the sonnet that ends Chapter 3 and Chapter 4, marked with the roman numeral "IV."

Folio 62 is a handwritten notebook page with no cutouts. In the top right corner an "E" is scribbled out and there is a circled "d" which typically indicates deletion in Wilde's work. Both markings are made in pencil. A heavy line separates the sonnet that ends Chapter 3 and Chapter 4, marked with the Roman numeral "IV."
Folio 63
Folio 63 is a handwritten notebook page with no cutouts.

Folio 63 is a handwritten notebook page with no cutouts. 
Folio 64
Folio 64 is a handwritten notebook page with no cutouts.

Folio 64 is a handwritten notebook page with no cutouts. 
Folio 65
Folio 65 is a handwritten notebook page with no cutouts.

Folio 65 is a handwritten notebook page with no cutouts. 
Folio 66
Folio 66 is a handwritten notebook page with no cutouts.

Folio 66 is a handwritten notebook page with no cutouts. 
Folio 67
Folio 67 is a handwritten notebook page with no cutouts.

Folio 67 is a handwritten notebook page with no cutouts. 
Folio 68
Folio 68 is a handwritten notebook page with no cutouts.

Folio 68 is a handwritten notebook page with no cutouts. 
Folio 69
Folio 69 is a handwritten notebook page with no cutouts.

Folio 69 is a handwritten notebook page with no cutouts. 
Folio 70
Folio 70 is a handwritten notebook page with no cutouts.

Folio 70 is a handwritten notebook page with no cutouts. 
Folio 71
Folio 71 is a handwritten notebook page with no cutouts. There are a number of inkblots on this page. The deleted passage at the end of the page appears on folio 80.

Folio 71 is a handwritten notebook page with no cutouts. There are a number of inkblots on this page. The deleted passage at the end of the page appears on folio 80.
Folio 72
Folio 72 is a handwritten notebook page with no cutouts. Wilde leaves a large blank at the end of this page, perhaps to better connect it with the following folio 73, which begins with deleted material that appears on this page.

Folio 72 is a handwritten notebook page with no cutouts. Wilde leaves a large blank at the end of this page, perhaps to better connect it with the following folio 73, which begins with deleted material that appears on this page. 
Folio 73
Folio 73 is a handwritten notebook page with no cutouts. There is a mostly-erased "E" next to the folio number. This "E" resembles the crossed out one on folio 62. Folio 73 begins with a deleted passage, a version of which is on the preceding folio 72.

Folio 73 is a handwritten notebook page with no cutouts. There is a mostly-erased "E" next to the folio number. This "E" resembles the crossed out one on folio 62. Folio 73 begins with a deleted passage, a version of which is on the preceding folio 72.  
Folio 74
Folio 74 is a handwritten notebook page with no cutouts.

Folio 74 is a handwritten notebook page with no cutouts. 
Folio 75

Folio 75 is a handwritten notebook page with no cutouts. In the top right corner there is a scribbled out number next the folio number which may have read "74."
Folio 76
Folio 76 is a handwritten notebook page with no cutouts. In the top righthand corner the folio number 76 seems to be corrected in Wilde's hand from "75."

Folio 76 is a handwritten notebook page with no cutouts. In the top righthand corner the folio number 76 seems to be corrected in Wilde's hand from "75."
Folio 77
Folio 77 is a handwritten notebook page with no cutouts. There is an inkblot on the right side of the page.

Folio 77 is a handwritten notebook page with no cutouts. There is an inkblot on the right side of the page.
Folio 78 (Recto)
The recto side of folio 78 is a handwritten notebook page with no cutouts.

The recto side of folio 78 is a handwritten notebook page with no cutouts. 
Folio 78 (Verso)
The verso side of folio 78 contains a copy (or original) of the beginning of folio 53. The text is scribbled out in pencil. This page is a handwritten notebook page with no cutouts.

The verso side of folio 78 contains a copy (or original) of the beginning of folio 53.  The text is scribbled out in pencil. This page is a handwritten notebook page with no cutouts. 
Folio 79
Folio 79 is a handwritten notebook page with no cutouts.

Folio 79 is a handwritten notebook page with no cutouts.
Folio 80
Folio 80 is a handwritten notebook page with no cutouts. Wilde leaves a blank space at the end of the page, perhaps to better connect it with the following folio page.

Folio 80 is a handwritten notebook page with no cutouts. Wilde leaves a blank space at the end of the page, perhaps to better connect it with the following folio page.
Folio 81
Folio 81 is a handwritten notebook page with no cutouts. Wilde leaves a blank after the word "Sonnets" on the tenth line, presumably to fill in later.

Folio 81 is a handwritten notebook page with no cutouts. Wilde leaves a blank after the word "Sonnets" on the tenth line, presumably to fill in later.  Kennerley's edition and, as a result, many subsuquent editions print "Sonnets XXXIII-LII, LXI, and CXXVII-CLII." See Ian Small's Oxford University Press Edition, Vol. 8, Complete Works, for an alternate interpretation.
Folio 82
Folio 82 is a handwritten notebook page with no cutouts.

Folio 82 is a handwritten notebook page with no cutouts. Wilde leaves a blank after the word "Sonnets" on the tenth line, presumably to fill in later.  Kennerley's edition and, as a result, many subsuquent editions print "Sonnets C-CXXVI."
Folio 83
Folio 83 is a handwritten notebook page with no cutouts.

Folio 83 is a handwritten notebook page with no cutouts. 
Folio 84
Folio 84 is a handwritten notebook page with no cutouts. Wilde leaves blank space at the bottom of the page, perhaps to better connect it with the following folio 85, which begins with a cut out from Blackwood's.

Folio 84 is a handwritten notebook page with no cutouts. Wilde leaves blank space at the bottom of the page, perhaps to better connect it with the following folio 85, which begins with a cutout from Blackwood's.
Folio 85
Folio 85 contains a cutout from the righthand column of p. 17 of the Blackwood's 1889 printing glued down onto a notebook page. Wilde makes annotations on the Blackwood's cutout and on the notebook page.

Folio 85 contains a cutout from the righthand column of p. 17 of the Blackwood's 1889 printing glued down onto a notebook page. Wilde makes annotations on the Blackwood's cutout and on the notebook page.
Folio 86
Folio 86 contains two cutouts from the upper portion of p. 18 of the Blackwood's 1889 printing glued down into a single column onto a notebook page. Wilde makes annotations on the Blackwood's cutouts and on the notebook page.

Folio 86 contains two cutouts from the upper portion of p. 18 of the Blackwood's 1889 printing glued down into a single column onto a notebook page. Wilde makes annotations on the Blackwood's cutouts and on the notebook page. These cutouts are at the end of Chapter 2 in the Blackwood's printing.  They are the end of Chapter 5 in this version.
Folio 87
Folio 87 is a handwritten notebook page with no cutouts. After the folio number, it begins with the Roman numeral "V" to indicate the beginning of Chapter 5.

Folio 87 is a handwritten notebook page with no cutouts. After the folio number, it begins with the Roman numeral "V" to indicate the beginning of Chapter 5.
Folio 88
Folio 88 is a handwritten notebook page with no cutouts.

Folio 88 is a handwritten notebook page with no cutouts. The number "88" in the top righthand corner is next to a scrawled out folio number which is illegible (perhaps "81").
Folio 89
Folio 89 is a handwritten notebook page with no cutouts.

Folio 89 is a handwritten notebook page with no cutouts. 
Folio 90
Folio 90 is a handwritten notebook page with no cutouts.

Folio 90 is a handwritten notebook page with no cutouts.
Folio 91
Folio 91 is a handwritten notebook page with no cutouts.

Folio 91 is a handwritten notebook page with no cutouts.
Folio 92
Folio 92 is a handwritten notebook page with no cutouts.

Folio 92 is a handwritten notebook page with no cutouts.
Folio 93
Folio 93 begins with handwriting and contains a cutout from the bottom of p. 18 (beginning of Chapter 3) of the Blackwood's 1889 printing glued dow at the bottom of this notebook page with annotations and an inkblot on the cutout.

Folio 93 begins with handwriting and contains a cutout from the bottom of p. 18 (beginning of Chapter 3) of the Blackwood's 1889 printing glued dow at the bottom of this notebook page with annotations and an inkblot on the cutout.
Folio 94
Folio 94 begins and ends with handwriting on the notebook page, and contains a small cutout from the lefthand column of p. 19 of the 1889 Blackwood's printing glued down into the notebook about mid-page without annotations.

Folio 94 begins and ends with handwriting on the notebook page, and contains a small cutout from the lefthand column of p. 19 of the 1889 Blackwood's printing glued down into the notebook about mid-page without annotations.
Folio 95
Folio 95 is a handwritten notebook page with no cutouts.

Folio 95  is a handwritten notebook page with no cutouts.
Folio 96
Folio 96 begins with handwriting and contains a cutout from the lefthand column of p. 19 of the 1889 Blackwood's printing glued down into the notebook and annotated on the cutout and on the notebook page.

Folio 96 begins with handwriting and contains a cutout from the lefthand column of p. 19 of the 1889 Blackwood's printing glued down into the notebook and annotated on the cutout and on the notebook page. 
Folio 97
Folio 97 contains two cutouts from the Blackwood's 1889 printing glued down into a single column onto a notebook page and annotated on the cutout and onto the notebookpage. The first cutout is from the righthand column of p.19. The second cutout, which is glued directly under end of the printed text on the first cutout (but glued over the bottom margin of the page), is from the lefthand column of p.20.

Folio 97 contains two cutouts from the Blackwood's 1889 printing glued down into a single column onto a notebook page and annotated on the cutout and onto the notebook page. The first cutout is from the righthand column of p.19. The second cutout, which is glued directly under end of the printed text on the first cutout (but glued over the bottom margin of the page), is from the lefthand column of p.20. Note that since p.20 is printed on the verso side of p.19 and the columns are aligned, these cutouts must be from two different copies of Blackwood's.
Folio 98
Folio 98 is a handwritten notebook page with no cutouts.

Folio 98 is a handwritten notebook page with no cutouts.
Folio 99
Folio 99 is a handwritten notebook page with no cutouts.

Folio 99 is a handwritten notebook page with no cutouts.
Folio 100
Folio 100 is a handwritten notebook page with no cutouts. Wilde leaves blank space at the bottom of the page, perhaps to better connect it with the following folio 101, which consists of a cutout from Blackwood's.

Folio 100 is a handwritten notebook page with no cutouts. Wilde leaves blank space at the bottom of the page, perhaps to better connect it with the following folio 101, which consists of a cutout from Blackwood's.
Folio 101
Folio 101 contains an irregular cutout from p. 20 of the Blackwood's 1889 printing glued down onto a notebook page. Annotations are on the cutout as well as the notebook page. The folio number 101 is written beside a scribbled out "100." The alignment of the cutout and ink line at the top of the lefthand side column matches the second cutout on Folio 97, indicating that these cutouts are likely from the same copy of Blackwood's.

Folio 101 contains an irregular cutout from p. 20 of the Blackwood's 1889 printing glued down onto a notebook page. Annotations are on the cutout as well as the notebook page. The folio number 101 is written beside a scribbled out "100."  The alignment of the cutout and ink line at the top of the lefthand side column matches the second cutout on Folio 97, indicating that these cutouts are likely from the same copy of Blackwood's.
Folio 102
Folio 102 contains two cutouts from p. 21 of the Blackwood's 1889 printing glued down into a single column onto a notebook page. Wilde makes annotations on the Blackwood's cutouts and on the notebook page.

Folio 102 contains two cutouts from p. 21 of the Blackwood's 1889 printing glued down into a single column onto a notebook page. Wilde makes annotations on the Blackwood's cutouts and on the notebook page.
Folio 103
Folio 103 is a handwritten notebook page with no cutouts.

Folio 103 is a handwritten notebook page with no cutouts. 
Folio 104
Folio 104 is a handwritten notebook page with no cutouts.

Folio 104 is a handwritten notebook page with no cutouts. 
Folio 105
Folio 105 is a handwritten notebook page with no cutouts. The text ends with Wilde's signature and the notebook page is torn off mid-page.

Folio 105 is a handwritten notebook page with no cutouts. The text ends with Wilde's signature and the notebook page is torn off mid-page.