A Windmill near Norwich and the Year Without a Summer

Description: 

The year of 1816, the year that Mary Shelley, Percy Bysshe Shelley and Lord Byron spent their time in Geneva together, was known in Europe as "the year without a summer". This was due to the eruption of Mount Tambora in present-day Indonesia (then the Dutch East Indies), quite possibly the most powerful eruption in recorded history (University Corporation for Atmospheric Research [UCAR], 2012). The amount of ash sent into the atmosphere caused cooler temperatures by nearly three degrees Celsius (UCAR, 2012) around the world, causing many crops to fail.  Beyond the temperature, the weather also was affected with large amount of rainfall as also described by Mary Shelley in her preface to Frankenstein. The people of the day did not know the cause, and as such were unable to prepare themselves.

The adverse weather and famine caused many desolate, bleak works of art to come out of the time period. Apart from the works of literature that were spawned in the Villa Diodati, artists found themselves painting many more red-tinted, dark sunsets. It became such a common theme of 1816 and the affected years to follow that present-day scientists have looked towards the artwork to study how the eruption affected the world.

One such painting is John Chrome's A Windmill Near Norwich from 1816. The dark and dusty sky is full of volcanic ash (that the people did not know of) that is causing the problems on the ground. The land near the windmill looks brown and dying while patches of dying grass occur elsewhere in the painting. The horse walks with its head low, but the animals near the small pond are the only ones with anything to eat. Cold and rainy days were ahead, or had already occurred by the time that Chrome finished the work. Life was going to be very difficult, and paintings of the time recognized that. Landscape painting itself was a Renaissance and Romantic thought, allowing then for artists to create the tone of their surroundings through nature. 

Work retrieved from: https://www.tate.org.uk/art/artworks/crome-a-windmill-near-norwich-n00926

*Used through Creative Commons CC-BY-ND 3.0 (Unported)

References:

University Corporation for Atmospheric Research [UCAR]. (2012). Mount Tambora and the Year Without a Summer. Retrieved from https://scied.ucar.edu/shortcontent/mount-tambora-and-year-without-summer.

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Timeline of Events Associated with A Windmill near Norwich and the Year Without a Summer

Frankenstein; or, The Modern Prometheus

1 Jan 1818

Mary Shelley releases the first edition of Frankenstein. The more popular modern version was released on October 31, 1831, which includes the introduction that explains the novel's origins at Villa Diodati. Frankenstein follows many tenets of Romanticism and takes much influence from Milton's Paradise Lost, which is quoted to open to novel and is read by Frankenstein's monster during the events that take place. The novel focuses on a number of themes, one of the most prominent of which is the idea of "nature against nurture" (itself a key idea of Shelley's mother Mary Wollstonecraft's Vindication of the Rights of Women). Contrary to thinking in oral or even medieval societies, Romanticism, where characters are unchanging, readers are encouraged to ask the question on what would have happened to the monster had Frankenstein not screamed and ran away from it. The monster shows the ability to be a monster, but it also shows the ability to show empathy and care. The scientist Frankenstein himself worries constantly about the wholly unnatural creature that he has brought into the natural world and what should happen if he gives the monster what it wants - someone to love. Much like the thought of Romanticism that perhaps Satan was the party in the right during Paradise Lost, the monster's growth mentally and emotionally with his own deeply flawed Maker in Frankenstein invites to question the rights of the individual. The vivid descriptions of nature and the thought-provoking themes of the novel make it a standout of the Romantic era and a phenomenal story to this day.

Frankenstein; or, The Modern Prometheus

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Artist: 

  • John Chrome

Image Date: 

1816