da Vinci and the Renaissance 2019 (Italy) Dashboard

Description

Leonardo da Vinci drawingsLed by Prof. Dino Franco Felluga (felluga@purdue.edu), da Vinci and the Renaissance is a fully cross-disciplinary study-abroad program that explores the transition from the medieval period to the Renaissance across multiple subjects (art, architecture, engineering, science), thus laying out how much of what we take for granted today about technology or about the human subject were implemented in this rich period, especially in Italy.  The focus for the course will be that most famous “Renaissance man,” Leonardo da Vinci.  The course’s interdisciplinary approach asks students to think about the constructed nature of the things we take for granted as “natural” (e.g., time, space, human subjectivity, meaning, sight, knowledge, and law), thus opening our eyes to the significance of cultural differences.

We finish in the last days of the course by flash-forwarding to our present century so we can consider not only how Renaissance thinking made possible a number of present-day developments (robotics and computing, for example), but also the myriad ways that we are now seeing a cultural, ontological, and epistemological shift that is as far-reaching as the one between the medieval period and the Renaissance. The Peggy Guggenheim Museum and the Venice Biennale will provide us with our artistic examples of so-called “postmodernism.”

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Individual Entries

Chronology Entry
Posted by Juliana Sarisky on Friday, May 17, 2019 - 18:16
Chronology Entry
Posted by Juliana Sarisky on Friday, May 17, 2019 - 18:04
Chronology Entry
Posted by Juliana Sarisky on Friday, May 17, 2019 - 16:16
Chronology Entry
Posted by Juliana Sarisky on Friday, May 17, 2019 - 16:06
Chronology Entry
Posted by Juliana Sarisky on Friday, May 17, 2019 - 16:00
Posted by Juliana Sarisky on Friday, May 17, 2019 - 15:54
Posted by Juliana Sarisky on Friday, May 17, 2019 - 15:38
Chronology Entry
Posted by Juliana Sarisky on Friday, May 17, 2019 - 14:55
Place
Posted by Garrett Mulcahy on Friday, May 17, 2019 - 09:37

Venice (along with Florence) was a publishing giant throughout the Renaissance. Thus, it is the site to which Pacioli traveled to publish both of his works: Summa de arithmetica, geometria, proportioni et proportionalita (in 1494) and De Divina Proportione (1509). De Divina Proportione included sixty illustrations by da Vinci, and these sixty sketches would constitute the only work of da Vinci that would be published during his lifetime. An interesting fact about both texts is that they were published in Italian (the vernacular) rather than Latin.

 

Sources

Isaacson, Walter. Leonardo Da Vinci. Simon & Schuster Paperbacks, 2018.

“Luca Pacioli.” Luca Pacioli (1445-1517), School of Mathematics and Statistics, University of St. Andrews, Scotland, www-history.mcs.st-and.ac.uk/Biographies/Pacioli.html.

 

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