da Vinci and the Renaissance 2019 (Italy) Dashboard

Description

Leonardo da Vinci drawingsLed by Prof. Dino Franco Felluga (felluga@purdue.edu), da Vinci and the Renaissance is a fully cross-disciplinary study-abroad program that explores the transition from the medieval period to the Renaissance across multiple subjects (art, architecture, engineering, science), thus laying out how much of what we take for granted today about technology or about the human subject were implemented in this rich period, especially in Italy.  The focus for the course will be that most famous “Renaissance man,” Leonardo da Vinci.  The course’s interdisciplinary approach asks students to think about the constructed nature of the things we take for granted as “natural” (e.g., time, space, human subjectivity, meaning, sight, knowledge, and law), thus opening our eyes to the significance of cultural differences.

We finish in the last days of the course by flash-forwarding to our present century so we can consider not only how Renaissance thinking made possible a number of present-day developments (robotics and computing, for example), but also the myriad ways that we are now seeing a cultural, ontological, and epistemological shift that is as far-reaching as the one between the medieval period and the Renaissance. The Peggy Guggenheim Museum and the Venice Biennale will provide us with our artistic examples of so-called “postmodernism.”

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Individual Entries

Place
Posted by Juliana Sarisky on Saturday, May 18, 2019 - 12:21

Even though Da Vinci's placed so much importance and time into his creation of the Sforza monument horse, he never had an intended location for it. Due to the immensity of the statue and the political message it would send, he chose to place it in the Corte Vecchia, the Castello Sforzesco (Hanson, 2012). There, its colossal height would represent and directly point to the power of the Sforza family. The clay model of the horse stood there until 1499 when the French army destroyed by using it as target practice (Grierson, 1959).

Sources:
Grierson, P. (1959). ERCOLE D'ESTE AND LEONARDO DA VINCI'S EQUESTRIAN STATUE OF FRANCESCO SFORZA. Italian Studies, 14(1), 40-48.
 

Hanson, E. J. (2012). Inventing the sculptor: Leonardo da Vinci and the persistence of myth (Doctoral dissertation, Washington University). All Theses and Dissertations (ETDs),765. doi: https://doi.org/10.7936/...

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Place
Posted by Juliana Sarisky on Saturday, May 18, 2019 - 12:16

At the completion of the Colleoni equestrian monument in 1496, it was placed in front of the San Giovanni e Paolo church. Today, the statue with realistic dimensions and one suspended horse leg still stands as a great feat of the combination of art and engineering. However, this was not its intended location. In his will, Bartolomeo Colleoni stated that his statue should stand in front of the Piazza San Marco (Hanson, 2012).

Sources:
Hanson, E. J. (2012). Inventing the sculptor: Leonardo da Vinci and the persistence of myth (Doctoral dissertation, Washington University). All Theses and Dissertations (ETDs),765. doi: https://doi.org/10.7936/K7PN93MQ
Chronology Entry
Posted by Chloe Romero on Saturday, May 18, 2019 - 11:32
Chronology Entry
Posted by Chloe Romero on Saturday, May 18, 2019 - 11:30
Chronology Entry
Posted by Chloe Romero on Saturday, May 18, 2019 - 11:25
Posted by Chloe Romero on Saturday, May 18, 2019 - 11:20
Posted by Chloe Romero on Saturday, May 18, 2019 - 11:17
Posted by Chloe Romero on Saturday, May 18, 2019 - 11:07
Posted by Leila Yanni on Saturday, May 18, 2019 - 05:03
Posted by Juliana Sarisky on Saturday, May 18, 2019 - 02:09

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