The Victorian illustrated book as it came into being, flourished, and evolved during the long nineteenth century. Developments in politics, industry, history, and culture impacted this hybrid art form. Our timeline will juxtapose key moments in British history and cultural with the publication of memorable illustrated books to demonstrate how this art form is a product of its age.
"The Victorian Illustrated Book," EN 222W, Skidmore College Dashboard
Description
An exploration of the Victorian illustrated book as it came into being, flourished, and evolved during the long nineteenth century. This writing-intensive Honors Forum course examines how a genre designed for adults found a home in children’s literature at the end of the nineteenth century and gains new expression in our time through the graphic classics, a prescient form of material culture. Students will learn how to evaluate and interpret an illustrated text by “reading” illustrations to decipher meaning, engaging in creative practice to become author-illustrators, and mounting an exhibition of Victorian illustrated books.
This course provides you with an exciting opportunity to design and install an exhibition on COVE, which entails the following: reading about designing an exhibition; choosing illustrated books to develop an exhibit on Victorian illustrators; coordinating images to display in a virtual case; writing and revising brief write-ups called captions; creating an introduction to the exhibit and your case. You may choose an illustrator from this list, which includes the illustrators we have already studied this semester (e.g. Cruikshank, Tenniel, Carroll, Doyle, Potter): https://victorianweb.org/art/illustration/index.html. Images must be in the public domain, so I encourage students to explore The Victorian Web, the British Library, Wikipedia, and The Fox-Adler Collection, which is fully digitized.
Galleries, Timelines, and Maps
"The Fireside Plate," by George Cruikshank for Oliver Twist (1838) by Charles Dickens
This course provides you with the exciting opportunity to engage in primary research by putting together an exhibition on Victorian illustrators. To recall a term from Beverly Serrell’s Exhibit Labels, our “big idea” is an exploration of a range of Victorian illustrators. You may choose an illustrator from the following list, which includes those we have studied this semester (https://victorianweb.org/art/illustration/index.html). Images must be in the public domain, so I encourage students to explore The Victorian Web, the British Library, Wikipedia, and The Fox-Adler Collection from our own... more