ENG 272 LogoBritish Literature II: Revolution, Reaction, Reform examines British literature from the late eighteenth century to the present, a period that witnessed the American and French Revolutions, slave revolts such as the Haitian Revolution, a “revolution in female manners,” the Industrial Revolution, the twentieth-century revolutionary wave in Europe, as well as World War I and World War II, and, of course, artistic revolutions. We will consider how the authors and literary works of this period might be reacting to change, advocating for reform, or participating in literary revolutions—whether revolution is understood in the sense of “revolving” or of “revolting,” going full circle to return to a previous (more perfect?) time or experiencing/effecting a great alteration or rupture.

Access the works for annotations assignments in COVE Studio here: ENG 272, Spring 2026

Timelines, Galleries, and Maps


Death of Self, Society, and Scale | Gallery Exhibit

These images will help visualize the changing attitudes and conceptions of death in British society as its worldview broadened.

Posted by Chase Shirk on

Death of Self, Society, and Scale | Timeline

Death is a constant occupation of the human mind, and this timeline will show how British conceptions of death have evolved alongside conceptions of British society.

Posted by Chase Shirk on

Fate and Endings Gallery Exhibit | Gallery Exhibit

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Posted by Evelyn Watson on

Fate and Endings Map | Map

I chose the theme of fate because throughout the 18th century every character has a fate of what the end of their story looks like. I also noticed that the fate of those stories can be good and bad. In the Romantic period many fates are obvious and not hard to know before the story is over and these stories often end predictable. In the Victorian period authors start to get creative with the…

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Posted by Evelyn Watson on

Fate and Endings | Timeline

I chose the theme of fate because throughout the 18th century every character has a fate of what the end of their story looks like. I also noticed that the fate of those stories can be good and bad. In the Romantic period many fates are obvious and not hard to know before the story is over and these stories often end predictable. In the Victorian period authors start to get creative with the…

more
Posted by Evelyn Watson on

Identity and Belonging | Map

This map will be a collection of locations that surround the theme of identity and belonging within the 18th century to the present in British Literature. The events below are either directly related to or closely related to a few of the literature works from the Romantic period, Victorian period, and 20th and 21st centuries

Posted by Alea Allman on

Identity and Belonging | Timeline

This timeline will be a collection of events that surrounds the theme of identity and belonging within the 18th century to the present in British Literature. The events below are either directly related to or closely related to a few of the literature works from the Romantic period, Victorian period, and 20th and 21st centuries.

Posted by Alea Allman on

Tracking "Otherness" in 18th Century - Present British Literature | Gallery Exhibit

Looking across the Romantic era, Victorian period,… more

Posted by Megan Meeker on

Tracking "Otherness" in 18th Century - Present British Literature | Map

Looking across the Romantic era, Victorian period, and the modern era in British literature, the theme of “otherness” has consistently been present, but portrayed in different ways. At times, it aims to establish a social hierarchy and deem one group as superior and the other as inferior. Other times, it just generates an us-versus-them mentality that large groups adopt. While both may be true…

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Posted by Megan Meeker on

Identity and Belonging | Gallery Exhibit

This gallery is a collection of photos that surrounds the theme of identity and belonging within the 18th century to the present in British Literature. The images below are either directly related to or closely related to a few of the literature works from the Romantic period, Victorian period, and 20th and 21st centuries.

Posted by Alea Allman on

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Submitted by Amy Gates on