Reading Rhythm: Exploring Auditory Possibilities in Clough’s Amours de Voyage

Submitted by Yao Ong on Mon, 05/10/2021 - 17:56

Reading Rhythm: Exploring Auditory Possibilities in Clough’s Amours de Voyage

Alex Anderson, Allyn Pearson, and Marybeth Perdomo

Editorial Introduction

Submitted by Yao Ong on Mon, 05/10/2021 - 17:50

Why Clough? Why COVE?

By Alex Anderson, Dino Franco Felluga, Alyssa Fernandez, Gwénaël Jouin, Matt Morgenstern, Allyn Pearson, Emily Pearson, Marybeth Perdomo, Stacey Smythe, Ayla Wilder, and Monica Wolfe

Robert Turnball MacPherson: Maker of Photos, Maker of Myth

Submitted by Yao Ong on Mon, 05/10/2021 - 17:07

Robert Turnball MacPherson: Maker of Photos, Maker of Myth

S. Alleyn Smythe

Photograph of Tiber and St. Peter's Basilica

Arthur Clough’s Amours de Voyage and the Revolutions of 1848

Submitted by Yao Ong on Mon, 05/10/2021 - 16:52

Arthur Clough’s Amours de Voyage and the Revolutions of 1848

Gwénaël Jouin

Oscar Wilde and the Evolution of the Gothic in an Age of Epistemological Upheaval

Submitted by David Rettenmaier on Thu, 02/25/2021 - 12:34

Oscar Wilde and the Evolution of the Gothic in an Age of Epistemological Upheaval

A Life Lived as Art

Submitted by David Rettenmaier on Thu, 02/25/2021 - 12:17

A Life Lived as Art

“Lord Arthur Savile’s Crime”; Or, an Anti-Morality Tale about Murder and Public Image

Submitted by David Rettenmaier on Thu, 02/25/2021 - 12:13

“Lord Arthur Savile’s Crime”; Or, an Anti-Morality Tale about Murder and Public Image

Wilde Meant that Letterally: An Analysis of the Correspondence of Oscar Wilde

Submitted by David Rettenmaier on Thu, 02/25/2021 - 11:50

Wilde Meant that Letterally: An Analysis of the Correspondence of Oscar Wilde

Killing the New Woman – Defining “Self” in Wilde’s “The Sphinx Without a Secret”

Submitted by David Rettenmaier on Thu, 02/25/2021 - 11:15

Killing the New Woman – Defining “Self” in Wilde’s “The Sphinx Without a Secret”

Editorial Introduction to Lord Arthur Savile’s Crime and Other Stories (1891)

Submitted by David Rettenmaier on Tue, 02/23/2021 - 11:00

Editorial Introduction to Lord Arthur Savile’s Crime and Other Stories (1891) by Oscar Wilde

[Because brief biographies of Oscar Wilde are so readily available—including in the COVE edition of Wilde’s poem “The Harlot’s House—this introduction will forgo discussion of Wilde’s life beyond those elements specifically pertinent to this COVE edition.]

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Reading Rhythm: Exploring Auditory Possibilities in Clough’s Amours de Voyage

Reading Rhythm: Exploring Auditory Possibilities in Clough’s Amours de Voyage

Editorial Introduction

Why Clough? Why COVE?

Robert Turnball MacPherson: Maker of Photos, Maker of Myth

Robert Turnball MacPherson: Maker of Photos, Maker of Myth

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Arthur Clough’s Amours de Voyage and the Revolutions of 1848

Arthur Clough’s Amours de Voyage and the Revolutions of 1848

Tags:

Oscar Wilde and the Evolution of the Gothic in an Age of Epistemological Upheaval

Oscar Wilde and the Evolution of the Gothic in an Age of Epistemological Upheaval

A Life Lived as Art

A Life Lived as Art

“Lord Arthur Savile’s Crime”; Or, an Anti-Morality Tale about Murder and Public Image

“Lord Arthur Savile’s Crime”; Or, an Anti-Morality Tale about Murder and Public Image

Wilde Meant that Letterally: An Analysis of the Correspondence of Oscar Wilde

Wilde Meant that Letterally: An Analysis of the Correspondence of Oscar Wilde

Killing the New Woman – Defining “Self” in Wilde’s “The Sphinx Without a Secret”

Killing the New Woman – Defining “Self” in Wilde’s “The Sphinx Without a Secret”

Editorial Introduction to Lord Arthur Savile’s Crime and Other Stories (1891)

Editorial Introduction to Lord Arthur Savile’s Crime and Other Stories (1891) by Oscar Wilde

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Reading Rhythm: Exploring Auditory Possibilities in Clough’s Amours de Voyage

Why Clough? Why COVE?

Robert Turnball MacPherson: Maker of Photos, Maker of Myth

Tags:

Arthur Clough’s Amours de Voyage and the Revolutions of 1848

Tags:

Oscar Wilde and the Evolution of the Gothic in an Age of Epistemological Upheaval

A Life Lived as Art

“Lord Arthur Savile’s Crime”; Or, an Anti-Morality Tale about Murder and Public Image

Wilde Meant that Letterally: An Analysis of the Correspondence of Oscar Wilde

Killing the New Woman – Defining “Self” in Wilde’s “The Sphinx Without a Secret”

Editorial Introduction to Lord Arthur Savile’s Crime and Other Stories (1891) by Oscar Wilde

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