Heart of Darkness, Part I

.annotator-hl { background: rgba(255, 255, 10, 0.3) } .annotator-hl-active { background: rgba(255, 255, 10, 0.8) }.annotator-hl-filtered { background-color: transparent }.annotation_category-3 { background-color: #d5adfd; } .annotation_category-6 { background-color: #d5fdad; } .annotation_category-6 .annotation_category-3 { background-color: #d9ddd5; } .annotation_category-6 .annotation_category-4 { background-color: #d9edd5; } .annotation_category-6 .annotation_category-4 .annotation_category-3 { background-color: #dadee2; } .annotation_category-4 { background-color: #d

The Were-Wolf

/*Line numbers for everything marked div class="poem" and with div class="lineno"*/ #textcontent div.poem { margin: auto; padding: 0.5em; line-height: 0; counter-reset: line; .castList {text-align:center;} .stage {text-align:center; line-height:initial;} .sp {text-align:center; line-height:initial;} p { text-align:center; line-height:initial; } a[name].note { top:0; margin: 10px 0; } .stanza { margin-top: 0.75em; margin-bottom: 0.75em; div[class^="lineno"] { line-heig

The Were-Wolf

Clemence Housman invented her gothic story to entertain the women in her wood-engraving class in London in 1884. She first published "The Were-Wolf" in the 1890 Christmas number of Atalanta, where it was illustrated by Everard Hopkins. In 1896 she collaborated with her brother, Laurence Housman, to produce an illustrated edition of The Were-Wolf for John Lane at The Bodley Head. In addition to authoring the text, Clemence Housman wood-engraved the 6 illustrations, decorated title page, and illuminated initial designed by her brother, Laurence Housman.

Sartor Resartus

Thomas Carlyle once described Sartor Resartus as “a Satirical Extravaganza on Things in General,” and the book has both inspired and confounded readers since its initial publication in 1833-34.  Engaging with philosophy, theology, political economy, aesthetics, history, and science, Sartor Resartus in many ways defies classification.

Heart of Darkness, Part III

.annotator-hl { background: rgba(255, 255, 10, 0.3) } .annotator-hl-active { background: rgba(255, 255, 10, 0.8) }.annotator-hl-filtered { background-color: transparent }.annotation_category-6 { background-color: #d5fdad; } .annotation_category-4 { background-color: #d5d5fd; } .annotation_category-4.annotation_category-5 { background-color: #c5c5e9; } .annotation_category-5 { background-color: #adadd5; } .annotation_category-7 { background-color: #fdd5ad; } .annotation_category-3.annotation_category-4 { background-color: #d9c9fd; } .annotation_category-3.annotation_categ

Heart of Darkness, Part II

.annotator-hl { background: rgba(255, 255, 10, 0.3) } .annotator-hl-active { background: rgba(255, 255, 10, 0.8) }.annotator-hl-filtered { background-color: transparent }.annotation_category-3 { background-color: #d5adfd; } .annotation_category-4 { background-color: #d5d5fd; } .annotation_category-5 { background-color: #adadd5; } .annotation_category-7 { background-color: #fdd5ad; } .annotation_category-6 { background-color: #d5fdad; } .annotation_category-4.annotation_category-7 { background-color: #edd9d5; } .annotation_category-3.annotation_category-5 { background-col

Heart of Darkness, Part I

.annotator-hl { background: rgba(255, 255, 10, 0.3) } .annotator-hl-active { background: rgba(255, 255, 10, 0.8) }.annotator-hl-filtered { background-color: transparent }.annotation_category-7 { background-color: #fdd5ad; } .annotation_category-5 { background-color: #adadd5; } .annotation_category-4 { background-color: #d5d5fd; } .annotation_category-6 { background-color: #d5fdad; } .annotation_category-3 { background-color: #d5adfd; } .annotation_category-4.annotation_category-5 { background-color: #c5c5e9; } .annotation_category-5 .annotation_category-5 { background-co

Heart of Darkness

Joseph Conrad’s Heart of Darkness, first published serially in 1899 and then in book form in 1902, explores with unparalleled intensity the enormity of European imperialism in Africa. A prescient instance of what would become the literary movement known as modernism, the novella also experiments with frame narration and features a complex, highly figurative style.

Subscribe to Codex