[ornament]
“For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both. Let him, therefore, take his rod away from me, and let not his fear terrify me.”
This critical introduction was originally published at the Rossetti Archive: http://www.rossettiarchive.org/racs/doubleworks.rac.html
|
A Sonnet is a moment's monument,— Memorial from the soul's eternity To one dead deathless hour. Look that it be, Whether for lustral rite or dire portent, Of its own intricate fulness reverent: Carve it in ivory or in ebony, As Day or Night prevail; and let Time see Its flowering crest impearled and orient. A Sonnet is a coin: its face reveals |
Rossetti's “Sonnet on the Sonnet” served not only as a gift for his mother's birthday and a reflection on a favorite poetic form. Placed at the head of The House of Life, a sonnet sequence on which Rossetti had been working for more than a dozen years, it also introduced the best known and most complete version of that work when it was published in 1881.
Dante Gabriel Rossetti's poem, "The Sonnet," is a testament to the ideals of the aesthetic movement; wedding form and content, it makes a statement about the idealizing purposes of art while illustrating the best way to achieve that purpose in the very stylistic features of a poem. The poem also betrays a number of concerns about the relation of a given aesthetic production to its reader. Is this poem a personal gift (pro Matre fecit) made for the occasion of DGR’s mother’s eightieth birthday?
Dino Franco Felluga, A Momentous Edition
Kenneth Crowell, Sonnet: Genre and Intertext
Herbert F. Tucker, Sonnet: Structure and Inner Form
Dino Franco Felluga
