Rotunno and Page Sexuality and Modern Visual Culture PSU Altoona Spring 2025 Dashboard

Description

Jamie McCartney *Great Wall of Vulva*Jamie McCartney *Great Wall of Vulva*Jamie McCartney *Great Wall of Vulva*

 

2024 “Face of the Course”: Portion of the Great Wall of Vulva, 2006-11, Jamie McCartney.

Courtesy of https://www.thegreatwallofvulva.com/image-galleries/

 

SEX SELLS . . . SO, WHAT EXACTLY, ARE WE BUYING? SEXUALITY AND MODERN VISUAL CULTURE ENGL/WMNST 225N, SECTIONS 001 // SPRING 2025 9:05 – 9:55 a.m., HAWTHORN 146

Drs. Rotunno & Page

 

COURSE DESCRIPTION Our world bombards us with images, and we contribute to that barrage each time we post a picture. This class will engage you in vital discussions about those images as well as those that came before us and continue to shape what we see and create today. At its core, this class will be driven by our discussion of visual presentations that use “sex” to “sell” us a story; that story might be about what family is or should be, about what political activism looks like, about how a society thinks about love, beauty, hate, even its future hopes or its present fears. To spur those discussions, we’ll offer you a rich, diverse historical background in visual representations that reflect how Western society, from the mid-19thcentury to today, has viewed itself through the lens of sexuality, which always intersects with race, gender, gender identity, and class. For example, the terms “feminist” and “homosexual” were invented by the Victorians and reflect profound shifts in conceptions of identity. Another 19th-century invention was the idea of the literary and artistic “avant-garde” as a minority contingent with politically and/or aesthetically advanced views. These ideas of minority culture were deeply enmeshed with one another and still have effects on our world today. Discussions of these ideas then, hopefully, can help us all navigate the flood of images that today’s media presents as well as the self-images we cast into the world.

Because of this course’s interdisciplinary exploration of the relationship of art to the history of modern ideas of sexuality and gender—a study that engages us with complex social and ethical issues relevant to our current lives—it offers you the opportunity to heighten your critical, analytical, and integrative thinking skills in a space where all issues will be considered in thoughtful, mutually respectful ways. The assignments for the class will exercise those skills, asking you to communicate effectively, not only through writing, but also through speaking and incorporating visual materials into projects effectively.

One bonus of this course is that it can be "attached" to a one-week trip to London. This trip will occur late-May/early June 2025. If you are interested in this course and have not yet applied, you NEED TO talk to us during the FIRST WEEK OF CLASSES.

Galleries, Timelines, and Maps

Chronology
Posted by Audrey Wawrynovic on Monday, April 28, 2025 - 09:37

“This timeline provides a sociohistorical context for Luciano Castellis 1974 art peice Spiegalsaal.

 

“Luciano Castelli | Spiegelsaal (1973) | Available for Sale | Artsy.” Artsy.net, 2016, ...

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Chronology
Posted by Aeryal Palazzi on Saturday, April 12, 2025 - 13:53

This timeline provides a sociohistorical context for Edward Hopper 1961 A Women in the Sun.

Hopper, Edward. A Women in the Sun.1961. https://uploads1.wikiart.org/images/edward-hopper/woman-in-the-sun.jpg 

Chronology
Posted by Naisha Tandon on Friday, April 11, 2025 - 20:24

This timeline provides a sociohistorical context for Annie Leibovitz’s 1980 John and Yoko, New York.

Leibovitz, Annie. John and Yoko, New York. 1980. Museum of Fine Arts, Houston. https://emuseum.mfah.org/objects/64828/john-and-yoko-new-york. Accessed 11 Apr. 2025.

Chronology
Posted by Sophia Girol on Friday, April 11, 2025 - 11:45

This timeline provides a sociohistorical context for Robert Mapplethorpe's 1985 Ken Moody 

Mapplethorpe, Robert. Ken Moody, 1985. 1985. https://www.artsy.net/artwork/robert-mapplethorpe-ken-moody-16. Accessed 24 Mar. 2025.

Mapplethorpe, Robert. Ken Moody, 1985. 1985. https://www.artsy.net/artwork/robert-mapplethorpe-ken-moody-16. Accessed 24 Mar. 2025

Chronology
Posted by Raegen Smeigh on Wednesday, April 9, 2025 - 21:18

This timeline provides a sociohistorical context for Joe Shere's 1957 Jayne Mansfield and Sophia Loren

Shere, Joe. Photograph of Sophia Loren and Jayne Mansfield. 1957. https://2.bp.blogspot.com/-D7d8IzMOfB4/XvZjy3LLo3I/AAAAAAAAYik/rBAsiuBZA... eQT4rfkfENZyGEjM_gCLcBGAsYHQ/s1600/Sophia-Loren-Jayne-Mansfield%2B%25282%2529.jpg. Accessed 24 Mar. 2025

Chronology
Posted by Tehya Dibert on Wednesday, April 9, 2025 - 20:29

This timeline provides a sociohistorical context for Alice Neel's 1972 John Perreault. 


 

“Alice Neel | John Perreault | the Metropolitan Museum of Art.” The Metropolitan Museum of Art, 2021, www.metmuseum.org/art/collection/search/827311. Accessed 9 Apr. 2025.

Chronology
Posted by Khloe Hanlon on Wednesday, April 9, 2025 - 20:19

This timeline provides a sociohistorical context for Richard Avedon's 1969 photograph Andy Warhol and members of The Factory.  

 

Avedon, Richard. Photo of Andy Warhol and members of The Factory. 1969. https://www.avedonfoundation.org/the-work. Accessed 23 Feb. 2023 

Chronology
Posted by Xandria Hernandez on Wednesday, April 9, 2025 - 19:22

This timeline provides a sociohistorical context for Bert Sterns Marilyn Cruxifix II. 1962

 

Artsy. "Marilyn Crucifix II." Artsy, https://www.artsy.net/artwork/bert-stern-marilyn-crucifix-ii. Accessed 9 Apr. 2025.

Chronology
Posted by Hailey Burchfield on Wednesday, April 9, 2025 - 18:22

This timeline provides a sociohistorical context for Frida Kahlo’s 1944 The Broken Column.

Kahlo, Frida. The Broken Column. 1944, Museo Dolores Olmedo, Mexico City. Frida Kahlo: The Complete Works, www.fridakahlo.org/the-broken-column.jsp. Accessed 9 Apr. 2025.

Chronology
Posted by Abigail Anguiano on Wednesday, April 9, 2025 - 18:11

This timeline provides a sociohistorical context for Alice Neel, 1976, Lucille Rhodes.

Alice Neel, Lucille Rhodes

From the Vaults: Alice Neel, 'Lucille Rhodes,' Margaret Murphy." The Metropolitan Museum of Art, The Met, 2020, https://www.metmuseum.org/perspectives/from-the-vaults-alice-neel-lucille-rhodes-margaret-murphy

Pages

Individual Entries

Posted by Chelsea Napper on Wednesday, April 30, 2025 - 08:11
Posted by Laura Rotunno on Tuesday, April 29, 2025 - 17:29
Posted by Adria Schmidt on Tuesday, April 29, 2025 - 12:27
Chronology Entry
Posted by Audrey Wawrynovic on Monday, April 28, 2025 - 23:08
Chronology Entry
Posted by Audrey Wawrynovic on Monday, April 28, 2025 - 20:43
Chronology Entry
Posted by Audrey Wawrynovic on Monday, April 28, 2025 - 20:35
Chronology Entry
Posted by Audrey Wawrynovic on Monday, April 28, 2025 - 09:47
Posted by Caitlyn Nelson on Sunday, April 27, 2025 - 16:32
Posted by Khloe Hanlon on Sunday, April 27, 2025 - 15:56
Posted by Nathan Colyer on Sunday, April 27, 2025 - 10:14

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