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COURSE DESCRIPTION Our world bombards us with images, and we contribute to that barrage each time we post a picture. This class will engage you in vital discussions about those images as well as those that came before us and continue to shape what we see and create today. At its core, this class will be driven by our discussion of visual presentations that use “sex” to “sell” us a story; that story might be about what family is or should be, about what political activism looks like, about how a society thinks about love, beauty, hate, even its future hopes or its present fears. To spur those discussions, we’ll offer you a rich, diverse historical background in visual representations that reflect how Western society, from the mid-19th-century to today, has viewed itself through the lens of sexuality, which always intersects with race, gender, gender identity, and class. For example, the terms “feminist” and “homosexual” were invented by the Victorians and reflect profound shifts in conceptions of identity. Another 19th-century invention was the idea of the literary and artistic “avant-garde” as a minority contingent with politically and/or aesthetically advanced views. These ideas of minority culture were deeply enmeshed with one another and still have effects on our world today. Discussions of these ideas then, hopefully, can help us all navigate the flood of images that today’s media presents as well as the self-images we cast into the world.

Because of this course’s interdisciplinary exploration of the relationship of art to the history of modern ideas of sexuality and gender—a study that engages us with complex social and ethical issues relevant to our current lives—it offers you the opportunity to heighten your critical, analytical, and integrative thinking skills in a space where all issues will be considered in thoughtful, mutually respectful ways. The assignments for the class will exercise those skills, asking you to communicate effectively, not only through writing, but also through speaking and incorporating visual materials into projects effectively.

One bonus of this course is that it can be "attached" to a one-week trip to London. This trip will occur late-May 2022 and appears as English 299 (Foreign Studies, subtitled "London Calling: Ordering the World") on the class schedule. If you are interested in this course and have not yet applied, you NEED TO talk to us during the FIRST WEEK OF CLASSES. 

Timelines, Galleries, and Maps


Historically Naked | Timeline

This timeline provides a sociohistorical context for Lucian Freud's 1966 Naked Girl. 

Posted by Grace Frey on

Class Example | Timeline

This timeline provides a sociohistorical . . . . for artist's name, Year, and Title of Work

Insert image here 

Posted by Doug Page on

400-level Students’ Final Project Gallery | Gallery Exhibit

This Gallery will contain the 400-level Students’ Final Project exhibits!

Posted by Laura Rotunno on

WEEKLY CLASS IMAGES 2023 | Gallery Exhibit

You'll find the images for each week of our course here (there will be some supplement ones found on Canvas; see the course schedule for details).

Posted by Laura Rotunno on

Imagine the Installation | Gallery Exhibit

This exhibit will include your Installations!

Posted by Laura Rotunno on

Face of this Course | Gallery Exhibit

This Exhibit will include your chosen "Face"s!

Posted by Laura Rotunno on

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