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Not vetted

Folio 9 contains a full page (p.9) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and additions in the top and bottom margins of the notebook page.

Folio 9

Folio 8 contains a full page (p.8) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are only on the Blackwood's page except for the folio number in the upper right corner. There is also a penciled in "2" in the upper left corner which does not seem to match Wilde's handwriting.

Folio 8

Folio 7 contains a full page (p.7) from the Blackwood's 1889 printing glued down onto a notebook page. Wilde's annotations are both on the Blackwood's page and an addition in the upper margin of the notebook.

Folio 7

Folio 6 contains a full page from Blackwood's p.6 with annotations in Wilde's hand

Folio 6

Folio 5 contains

Folio 5

Folio 4 contains a full page 4 from Blackwood's printing annotated in Wilde's hand.

Folio 4

Folio 3 with Wilde's handwritten annotations in the margins of the page.

Folio 3

Folio 2, full page of Blackwood's p.2 with annotations in Wilde's handwriting, some going into the margins of the notebook page which it is glued on.

Folio 2

Back side of Folio 1, page 2 of Wilde's Blackwood's July 1889 publication. No markings other than a penciled call number in the top left hand corner.

Folio 1 (Verso)

Folio 1 is a loose leaf of the July 1889 printing of the first page of Blackwood's Edinburgh Magazine. There are no markings on this page except for a number "1" in square brackets in the upper right corner which does not seem to be in Wilde's handwriting. This page is not affixed into notebook in the same manner as other pages from Blackwood's in the manuscript. There is a brown stain on the top center of the page that may resemble the color of the stain on the cutout in folio 15.

Folio 1 (Recto)

SAMPLE: Picturing Disability in Dickens's A Christmas Carol

Finden's Tableaux Sample

Sample from Finden's Tableaux

'Portrait of Thomas Combe’ by William Holman Hunt - 1860.

1860

‘Jane Morris in traditional Icelandic costume’ by Dante Gabriel Rossetti - 1873

circa. 1873

The protagonist of John Keats' Eve of St Agnes Madeline stands in the middle of a bedroom in her bodice with her dress around her knees. She is lit with a lattice effect from a stained glass window which bathes her in a teal light. She is at the foot of a four poster bed.

John Everett Millais - The Eve of St Agnes

1863

A scene from John Keats' poem 'Isabella', painted in medieval inspired style. Isabella sits at the dining table beside her lover Lorenzo, who looks on her intensely, and opposite her brothers. A lurcher stands with its head in her lap. The brothers wear red while Isabella wears silver. The brother who sits opposite has his leg outstretched across the foreground of the painting with his toes touching the lurcher.

John Everett Millais - Lorenzo and Isabella

circa. 1848

Hunt's painting shows Keats' Isabella leaning toward her pot of basil, with her long dark hair draped over the pot

William Holman Hunt - Isabella and the Pot of Basil

1866

The painting depicts Tennyson's 'The Lady of Shalott' sitting upright in a boat with a solemn expression. She is surrounded by red and brown vegetation

John William Waterhouse - The Lady of Shalott

1888

Alternate Text: A woman in a green dress sits in front of an open window with a blue curtain behind her. She is look into the distance, not at the viewer, or out of the window but off to the left hand side of the image

Marie Spartali Stillman - Mariana

1867

The painting depicts Shakespeare's 'Ophelia' in Hamlet advancing from a log towards water, in the centre of the painting

Arthur Hughes - Ophelia

1852

A painting depicting Shakespeare's 'Ophelia' who lay in a lake after dying, surrounded by green vegetation

John Everett Millais - Ophelia

circa. 1851

A long green dress, with large sleeves and a gold belt. The dress, a Lady Macbeth costume made with beetles’ wings, is on a mannequin that is holding a crown above its head.

Lady Macbeth Costume

1889

Mariana by John Everett Millais - 1851

1851

Ophelia by John Everett Millais - 1851

1851

Proserpine (1880), coloured chalk

Proserpine 1874 - Oil on canvas

Proserpine (1871), Pen and brown ink

Pre-Raphaelites

Proserpine (1882): Jane Morris or Elizabeth Siddal?

19th century

Pre-Raphaelites

Proserpine, sixth version (1877), oil on canvas

19th century

Pre-Raphaelites

Composition Study - Proserpine, 1871

19th century

Folio 19

1890

Proserpine DGR - Watercolour

Proserpine (1878), watercolour

1878

Sketch of Jane Morris by Rossetti

Mrs Morris, or Study for Proserpine (1873)

Jan 1873

Found – Gabriel Rossetti – Completed 1881

1881

Autumn Leaves – John Everrett Millais – 1856

1856

'Snakeshead' Fabric Design - William Morris - 1876

1886

The Woodpecker Tapestry by William Morris - 1885

1885

La Belle Iseult - Painting by William Morris - 1858

1858

A Kingfisher Brooch Designed by Edward Burne-Jones - 1884

1884

Decorative Tile by W. B. Simpson & Sons - 1870 - 1885

circa. 1870

"Roger Fenton," by Hugh Welch Diamond (photogalvanograph, 1868)

"Roger Fenton," by Hugh Welch Diamond (photogalvanograph, 1868)

1868

"The Artist's Van," by Roger Fenton (c. 1855)

"The Artist's Van," by Roger Fenton (c. 1855)

circa. 1855

“A View of Balaklava from the Top of Guards Hill," Photograph by Roger Fenton (c. 1855)

“A View of Balaklava from the Top of Guards Hill," Photograph by Roger Fenton (c. 1855)

circa. 1855

Photograph of Cornet Henry John Wilkin, by Roger Fenton (1855)

Photograph of Cornet Henry John Wilkin, by Roger Fenton (1855)

circa. 1855

“The Valley of the Shadow of Death,” by Roger Fenton

“The Valley of the Shadow of Death,” by Roger Fenton

circa. 1855

. “The Council of War," Crimean War Photograph by Roger Fenton

“The Council of War held at Lord Raglan’s Headquarters on the Morning of the Successful Attack on the Mamelon"

circa. 1855

Title page, Roger Fenton collection of photographs

Title Page, Photographs Taken Under the Patronage of Her Majesty the Queen in Crimea by Roger Fenton, Esq.

1855

The Circulating: Social Acceptance of the Blind and Deaf

Lady Windermere's Fan (1892)

20 Feb 1892

Burmese Days

Oct 1934