Literature

Bibliography of Resources for Clemence Housman's The Were-Wolf

Submitted by Lorraine Janzen... on

WORKS CITED in the Annotations and Essays for the COVE Were-Wolf Edition

“Atalanta.” Victorian Poetry, Poetics and Contexts. Edited by Alison Chapman, 2018.

Avis, Paul D. L. The Anglican Understanding of the Church: An Introduction. SPCK, 2013.

Barney, Stephen A, et.al. The Etymologies of Isidore of Seville. Cambridge UP, 2006, p. 225.

Goblin Market

Submitted by Amanda Visconti on

The Were-Wolf

Submitted by Lorraine Janzen... on

Clemence Housman invented her gothic story to entertain the women in her wood-engraving class in London in 1884. She first published "The Were-Wolf" in the 1890 Christmas number of Atalanta, where it was illustrated by Everard Hopkins. In 1896 she collaborated with her brother, Laurence Housman, to produce an illustrated edition of The Were-Wolf for John Lane at The Bodley Head. In addition to authoring the text, Clemence Housman wood-engraved the 6 illustrations, decorated title page, and illuminated initial designed by her brother, Laurence Housman.

The Harlot's House

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Sartor Resartus

Submitted by David Rettenmaier on
January, 2021
Thomas Carlyle once described Sartor Resartus as “a Satirical Extravaganza on Things in General,” and the book has both inspired and confounded readers since its initial publication in 1833-34.  Engaging with philosophy, theology, political economy, aesthetics, history, and science, Sartor Resartus in many ways defies classification.

Introduction to the Omnibus Critical Edition of Elizabeth Barrett Browning’s “On a Portrait of Wordsworth”

Submitted by David Rettenmaier on

Introduction to the Omnibus Critical Edition of Elizabeth Barrett Browning’s “On a Portrait of Wordsworth”

Dino Franco Felluga, The Omnibus and COVE
 Christopher Rovee, Portrait and Poem
 Marjorie Stone, Evolving Sonnet: Composition, Contexts, and Textual History
 Joshua King, Genre and Form

Pages

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