This week's seminar was about Laurence Houseman's 'House of Joy', a series of short stories or fairytales published in 1895, with illustrations that were wood-engraved by his sister, Clemence Houseman. The text is filled with many beautiful yet tragic stories accompanied by equally beautiful yet tragic illustrations. Fairytales in the Victorian era were known for being a method of educating young children, by teaching them social mores and customs. Some fairytale authors who accomplished this through their writing include Charles Perrault and the Brothers Grimm.

The incredible weaving and intricate artwork of Laurence Housman’s House of Joy was truly a sight to behold for this week’s reading. I was familiar with his art from beforehand through Goblin Market, but seeing him illustrate his own writing here is wonderful. A writer who can illustrate his own work truly encapsulates a vision well realized. The sweeping detail and fluid use of languid poses and compositional elements sets his illustrations apart, along with the vivid allusions to women’s rights and same-sex love. 

I found the discussions this week some of the most interesting of the course thusfar, especially in the case of discussing Laurence Housman's The House of Joy. What made this novel and this discussion stand out to me was that through viewing and analyzing the different images that are included in the book for various fairytales, it was easy to recognize imagery that had the same thematic implications throughout the entire book.