Oscar Wilde’s Salome: A Tragedy in One Act, illustrated by Aubrey Beardsley was censored when it was first published in French in 1892.  It wasn’t until 1907 that it was republished with all the illustrations now uncensored.  Because of the nudity and sexuality depicted in the illustrations, the play was viewed as inappropriate during the fin de siècle.  Now, we know Salome to be progressive; a work that was ahead of its time and provided great commentary on female sexuality and the male gaze.  Beardsl

For this week's work on Salome I was tasked with presenting my discussion leading question to the class. The process of researching that discussion question posed a number of interesting challenges and opportunities to research the text in greater depth. The process of taking a single image and analyzing it in depth and in a way it can be communicated to the rest of the class in the form of productive discussion was difficult but the practice we have accumulated over our time in this course made the process much easier.

The images of Oscar Wilde's Salome illustrated by Aubrey Beardsley are interesting and quite different from many other illustrations in books, poems, and plays we've seen thus far. These images seem to almost contrast with the texts but definitely make a commentary. I felt that, in the images, there was a lot of sexism and homophobia seemingly shown as a way for Beardsley to comment on Wilde's sexuality. There was a lot of play on the male gaze within the illustrations.

This week we looked at Oscar Wild's 1893 play Salomé which was illustrated by Aubrey Beardsley in the English edition. This text was definitely the most challenging text to analyze especially when it came to its illustrations as Beardsley strangely and most definitely deliberately avoided merely reflecting Wild's text.

The analyzing of Salome by Oscar Wilde was extremely interesting to be a part of. Throughout the course of the meeting today we came to a pretty general conclusion that the images by Aubrey Beardsley and the text by Oscar Wilde we're working in two different directions but simultaneously creating a very successful text. With this being said it was apparent that Aubrey Beardsley definitely took his own approach in illustrating for Oscar Wilde's playwright. Aubrey Beardsley’s illustrations really take a play on sexuality and gender throughout the entire T of the book.

I was interested to learn about the scholarship on Salome that suggests that the woman's face in the moon is possibly Beardsley's depiction of Wilde. References of this kind seem to add another dimension of meaning-making beyond how illustrations interact with the texts to which they are set. Since the author-illustrator relationship is often collaboarative, it is natural that illustrations shuld sometimes contain signs of communication between the author and illustrator, over and above any relation to the text itself.

This week, when analyzing Oscar Wilde's Salome, illustrated by Aubrey Beardsley, I was very drawn into the representation of woman and the incorporation of the moon. When looking at the image that Patricia had presented, "The Woman in the Moon", it provided me with some initial insight on the meaning behind the two figures. While it is clear to see that one of the figures is a man because is he presented nude, the other figure is fully clothed, which can cause room for speculation that perhaps this is a woman.

This week's seminar focused on Salome: A Tragedy in One Act, a play written by Oscar Wilde. The play was originally published in French in 1892, however, it was censored from being performed as it depicted Biblical figures. The English translation was published in 1894 with ten censored accompanying illustrations by Aubrey Beardsley. It was later republished in 1907 with all sixteen uncensored illustrations.