Pamela Colman Smith's home, The Bolton's, 14 Millborne Grover, Chelsea, was the location of her studio and workplace. Here she produced The Green Sheaf (1903-1904), a self-published little magazine that included hand-coloured illustrations, possibly made with the assistance of students in The Green Sheaf School of Hand Colouring, which she conducted on the premises.. As Arthur Ransome recalls in Bohemia in London, her flat was also the gathering place for an ecclectic group of actors, musicians, artists and writers, who attended her "at homes." 

Laurence and Clemence Housman's shared home at 1 Pembroke Cottage Edwardes Square, just off Kensington High Street, had previously been the residence of artist William Rothenstein, who was also a member of the little magazine community. Here the Housman siblings worked on a number of collaborative projects, including both creating wood-engraved illustrations cut by Clemence and designed by Laurence, and contributing to the contemporary  movement for women's siuffrage.

In 1888, Charles Ricketts and Charles Shannon moved into No. 2 The Vale, Chelsea, previously the home of painter James MacNeil Whistler. Their shared home became a social hub for artists and writers as well as the domestic making space of their self-published and co-edited little magazine, The Dial (1889-1905). 

St. Oswald's Church is the parish church of Grasmere, Rydal, and Langdale in the Lake District, Cumbria, England.

St. Oswald's Church is the parish church of Grasmere, Rydal, and Langdale in the Lake District, Cumbria, England.