"Vindication of the Rights of Woman" is Published

Mary Wollstonecraft's A Vindication of the Rights of Woman is considered a “trailblazing” work for feminism (Britannica). In the piece, Wollstonecraft addresses womanhood of the middle class and criticizes what was considered a female education at the time. While men receive an education of the mind and body, women are taught to act weak, to dedicate their time to finery and fashion. Neglecting to teach women anything other than how to be attractive on the “marriage market”, will only leave them without profession, without money, and without honor or promise of redemption if they are left or divorced by their husbands. Wollstonecraft believed that women could contribute more to society than just a wife and mother. 

She writes, “I attribute to a false system of education, gathered from the books written on this subject by men who, considering females rather as women than human creatures ...are only anxious to inspire love, when they ought to cherish a nobler ambition, and by their abilities and virtues exact respect”. The thinking at this time was that women’s obsession with marriage and delicacy was natural, but Wollstonecraft uses her work to demonstrate that this is a result of women’s artificial education. She argues that if men and women are raised with the same aspirations, than the differences between them will/can be considered more natural. She suggests a total education — one that shapes the whole person —  of both sexes. This, she argues, will benefit all of society. 

Although Wollstonecraft’s work was well-received within within her own intellectual circle, the rest of society’s reaction was negative. The ideas expressed in A Vindication of the Rights of Woman were very radical for her time, but would later provide a solid platform for Romantic feminists who worked to improve the lives of women. 

To learn more about the reactions to Wollstonecraft’s work, click here.

To learn more about Romantic Feminism, click here.

To learn more about Mary Wollstonecraft, click here.

Sources:

https://www.britannica.com/biography/Mary-Wollstonecraft

http://web.utk.edu/~gerard/romanticpolitics/feminism.html

https://www.bl.uk/collection-items/mary-wollstonecraft-a-vindication-of-the-rights-of-woman

http://www.josephpriestleyhouse.org/wp-content/uploads/Joseph-Johnson-Priestleys-Publisher-and-Bookseller.pdf

http://shelleysghost.bodleian.ox.ac.uk/godwin-meets-mary-wollstonecraft#Description

Death of Wollstonecraft

Death of Mary Wollstonecraft on 10 September 1797. Mary Shelley, Wollstonecraft’s second daughter, was born on August 30th, after which complications from childbirth set in. Wollstonecraft developed a fever, and died on September 10th. She was buried at St. Pancras Churchyard. Image: William Blake's frontispiece to the 1791 edition of Mary Wollstonecraft's Original Stories from Real Life. This image is in the public domain in the United States because its copyright has expired.

Articles

Ghislaine McDayter, "On the Publication of William Godwin’s Memoirs of the Author of A Vindication of the Rights of Woman, 1798"

Anne K. Mellor, "On the Publication of A Vindication of the Rights of Woman"

Napoleon exiled to Elba

Benjamin Robert Haydon, Napoleon Musing at St Helena

Napoleon was exiled to Elba, an island in the Meditteranean, after he abdicated on 6 April 1814. He spent nine months and 21 days on the island, then attempted to retake his empire, leaving the island on 26 February 1815.  Napoleon was definitively defeated at the Battle of Waterloo on 18 June 1815.

Mary Shelley Writes and Publishes "Frankenstein"

Locked indoors due to a rainstorm in 1816, Mary Shelley, along with her husband, Percy, and their friend, Lord Byron, had a ghost story competition. Impressed by the story Mary told based off a dream she had had, Lord Byron and Percy encouraged her to write it down. Shelley finished writing in summer of 1817, and published Frankenstein or The Modern Prometheus on January 1, 1818 anonymously due to fear of how the public would receive a novel written by a woman as well as the philosophical ideas contained therein that challenged Romantic ideals of beauty and nature. It wasn't until the second edition of the novel in 1823 that Shelley revealed herself as the true author, however, despite scholars' admissions to the contrary, rumors spread that Percy had written Frankenstein instead of Mary, and some of these rumors persist even still today. This is due in part to Percy's involvement in the writing by offering corrections and revisions in her notebooks, though that is all they were. Indeed, much of the ongoing conversation regarding Mary Shelley refuses to discuss Shelley in her own right and instead focuses on her relationship with Percy, or her mother's or father's literary accomplishments, or even stories critics claim to have inspired her iconic monster (such as the Greek myth of Pygmalion). The fact remains that Mary Shelley authored Frankenstein and is (at least in part) responsible for the birth of modern science fiction as we know it today.

Mary Shelley, Frankenstein (1818)

Frankenstein, Mary Shelley 1818

Summary:

Initially, the novel begins with a captain who wishes to be the first to go to the North Pole. However during such pursuit, he stumbles upon Victor Frankenstein, who, when asked how he got to such a place, begins to tell his tale as he speaks on his childhood and curiosity with science. He then goes on to explain how he went to an university with his best friend, Henry, where he pursues the same knowledge he learned from the books he read when he was young. It is here does he first gets the idea to build his creature. He explains he has done so successfully, yet terrified by his creation, and ran away back to Geneva to continue his life.

From that point on, the creature, saddened due to his abandonment and constant beratement, pursued Victor and his family in order to learn why his master and creator has made him only to abandon him. The creature first attacks and kills William, Victor’s brother, which he plants on Justine leading to her death. This causes Victor to confront him. It is then that the creature tells his tale, and threatens Victor to make him a companion, or he will be with Victor on his wedding night. Victor complies only for a moment before he is madden about wasting his time, and destroys his project before he even finishes. With that, he goes to marry his fiance, Elizabeth, and as predicted, he is visited by the creature who kills his wife. The novel then comes full circle back to the beginning as The Captain now knows Victor and the creature are pursuing each other across the North pole. Victor then dies, and the captain watches as the creature cries over his body.

Humanness:

Frankenstein’s monster was inorganically created using human body parts, making him primitive form of Artificial Intelligence. Frankenstein “worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body” (Shelley, 35). He created life where life seemingly could not be created, and was so horrified by his creation that he abandoned it and fled. The scientific assembly of his body makes the creature “artificial,” and the creature was created in such a way that gives him the capacity to imitate and gain intelligence. Like modern day representations of A.I., Frankenstein’s monster learns through observation and imitation. When the creature is hiding, he observes the occupants of the neighboring cottage through a crack in the wall. He notices they communicate through language, and mimics their mouths and the sounds, developing an understanding of their language and a means to communicate. Frankenstein’s monster is not human, but it closely resembles humans: it is beautifully built yet terribly ugly. Because of its horribly close resemblance to humans, its flaws reveal problems of our human society.

Fear: 

Fear itself can distance the human from numerous negative associations that are actually exclusively connected to humanness. Frankenstein’s creature is a monster; “monster” in itself is a word that seems to lie on the opposite of human, the human’s enemy by design. Yet, the creature’s origins lie in the human desire to create; his teachings in morals strictly coming from the way humans around him treat him and themselves. Even the pieces that make up his physical composition are human body parts. Yet he is the ‘unknown’ or must remain that way to in order to stop the real fear of self-reflection amongst society and the questioning what humanness actually is. That is to say, it can be seen as quite a human trait to be affected by corruptive environments; to manipulate and lie much like the creature did for Justine when he framed her for William's death. To seek revenge for mistreatment and abandonment. This is true fear: to see monstrous traits as human. 

Sources:

Frankenstein, Mary Shelley 1818

Image 

-Hannah and Kayla

Percy Byshee Shelley writes "Mask of Anarchy."

"Mask of Anarchy" is written in 1819 by Shelley following the Peterloo Massacre. It is a call for freefom and a nonviolent resistance. 

Percy Shelley's Death - 1822

Percy Shelley Burned at the Pyre after his Death

Percy Bysshe Shelley died on July 8th, 1822 at the age of 29. He died off the coast of the Gulf of Spezia, which is on the north-western coast of Italy and in the northern part of the Tyrrhenian Sea. His boat was overturned during a storm that is described as happening suddenly. Shelley and his wife, Mary Shelley, had a house on this Ligurian coast, and Percy was inspired by the views and began a poem called "The Triumph of Life" -- a bit ironic, isn't it? It seems that although Percy enjoyed the location at first, Mary did not enjoy it, and suffered a miscarriage that caused both of the parents some strife. Percy apparently was struggling and was seeing apparitions and having what could be described as hallucinations. He also attempted to get prussic acid -- enough for a lethal dose, but it is unclear if he meant to kill himself. He sailed down the coast on July 1st, and on July 8th made plans to return home -- still choosing to travel despite knowing the weather was not going to be good. Their boat was spotted during a storm flying too much sail -- the sailors who found them offered to help and advised them to lower sails, but Shelley refused. Their bodies were found days later -- Shelleys' hands and face had been decomposed. His body was buried and then later dug up to be burned on a pyre -- his heart "refused to burn" and Mary Shelley kept it until her death, wrapped in a cloth. 

Mary Shelley's Frankenstein