Skip to main content


Access and Info for Institutional Subscribers

Home
Toggle menu

  • Home
  • Editions
  • Images
    • Exhibits
    • Images
  • Teaching
    • Articles
    • Teacher Resources
  • How To
  • About COVE
    • Constitution
    • Board
    • Supporting Institutions
    • Talks / Articles
    • FAQ
    • Testimonials


COVE Gallery


Displaying 151 - 200 of 3308 images
Search for all or part of a title
View vetted and/or unvetted images
Search for an artist, photographer, etc. Not all images have artist information.

Not vetted

Figure VII

Figure VI

Figure V

Figure IV

Figure III

Figure II

Helen, Lota, and the lawyer sit in a circle inside.

Figure I

Wordsworth's Grave, wood engraving

Wordsworth's Grave (Hine)

Silhouette of Reverand George Austen , I began this process by using two different acrylic markers and mixing them a bit attempting to create a marble affect, Jane Austen's Writting Desk, Jane Austen's Writing slope (normally atop her writing desk), Letter from RGA to publisher

A Father First: Reverend George Austen, The Man Who Proudly Stood With His Daughter

, , ,

Elizabeth Bennet and the Pressure of Appearance

, , , ,

Harriet Smith and Emma Woodhouse Portraits

, ,

Fanny Price Silhouette

, , , ,

The Material World of Jane Austen

Letter

Fanny Price Silhouette

, , , ,

Wayward Lydia: The Usefulness of Lydia Bennet

, , , 1996 versus 2020, 1996 versus 2020

"Only Harriet": Harriet Smith From Silhouette to Cinema

, , ,

Harriet Smith in the Style of Emma Woodhouse: Harriet Smith Silhouette

, , , ,

Harriet Smith and Emma's Influence

, , , , ,

Emma is Clueless: The Journey from Regency England to Nineties Beverly Hills

, , , , , Mr. Darcy walking in the field (2005 Pride and Prejudice)

"What could or ought to be revealed": The Importance of Mr. Darcy's Words and Actions

, , , , ,

Harriet's Silhouette vs Emma's Cameo: A Difference of Wealth

, Adding the lace to my Silhouette!, , ,

Attachment Controlled By Objects

, , , ,

"I am the happiest creature in the world": The Happy and Joyful Ending of Pride and Prejudice - Kara Duffy

Austen's Ancestry: Silhouettes and Issues of Gender in Regency England

Printing Dedication

How This Edition Was Made

Stanza 95

Stanza Analysis

Archival Speculation

, ,

Archival Speculation

, ,

How This Edition Was Made

image of stanza one used in archival speculation , This is the cover of the edition used in archival speculation , The last stanza used in archival speculation, Frontispiece used in archival speculation, dedication page used in archival speculation, Epigraph used in archival speculation, image used in archival speculation

Archival Speculation

Archival Speculation

,

Archival Speculation - Kenneth Teter's Gift in Memoriam of Dr. Peterson

, ,

Archival Speculation

Archival Speculation

,

Archival Speculation

, , ,

Archival Speculation: Letter to a Little Artist

, , , , , ,

Archival Speculation

Archival Speculation

Archival Speculation

Man drinking wine in paradise, Man thumping clay

Archival Speculation

Archival Speculation

,

How This Edition Was Made

Archival Speculation

How This Edition Was Made

Archival Speculation

, ,

Close Reading of Image and Text

,

How This Edition Was Made

Slipcover

How This Edition Was Made

How This Edition Was Made

Pagination

  • First page « First
  • Previous page ‹‹
  • Page 1
  • Page 2
  • Page 3
  • Current page 4
  • Page 5
  • Page 6
  • Page 7
  • Page 8
  • Page 9
  • …
  • Next page ››
  • Last page Last »

Webform: Contact

About COVE

  • Constitution
  • Board
  • What's New
  • Talks / Articles
  • Testimonials

What is COVE?

COVE is Collaborative Organization for Virtual Education, a scholar-driven open-access platform that publishes both peer-reviewed material and "flipped classroom" student projects built with our online tools.

Visit our 'How To' page

sfy39587stp18