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Figure VII
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Wordsworth's Grave (Hine)
A Father First: Reverend George Austen, The Man Who Proudly Stood With His Daughter
Elizabeth Bennet and the Pressure of Appearance
Harriet Smith and Emma Woodhouse Portraits
Fanny Price Silhouette
The Material World of Jane Austen
Letter
Fanny Price Silhouette
Wayward Lydia: The Usefulness of Lydia Bennet
"Only Harriet": Harriet Smith From Silhouette to Cinema
Harriet Smith in the Style of Emma Woodhouse: Harriet Smith Silhouette
Harriet Smith and Emma's Influence
Emma is Clueless: The Journey from Regency England to Nineties Beverly Hills
"What could or ought to be revealed": The Importance of Mr. Darcy's Words and Actions
Harriet's Silhouette vs Emma's Cameo: A Difference of Wealth
Attachment Controlled By Objects
"I am the happiest creature in the world": The Happy and Joyful Ending of Pride and Prejudice - Kara Duffy
Austen's Ancestry: Silhouettes and Issues of Gender in Regency England
How This Edition Was Made
Stanza Analysis
Archival Speculation
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How This Edition Was Made
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Archival Speculation - Kenneth Teter's Gift in Memoriam of Dr. Peterson
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Archival Speculation: Letter to a Little Artist
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How This Edition Was Made
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How This Edition Was Made
Archival Speculation
Close Reading of Image and Text
How This Edition Was Made
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