Scandinavian Myths and Grimm's Tales in Clemence Housman's The Were-Wolf
Scandinavian Myths and Grimm's Tales in Clemence Housman’s The Were-Wolf
Lycanthropic Women and Victorian Sexual Dissidence
Lycanthropic Women and Victorian Sexual Dissidence
Wood-Engraving as an Art and a Trade
Wood Engraving as an Art and a Trade
1890s Print Revival and the Book Beautiful
The 1890s Print Revival and the Book Beautiful
Representing the Fin-de-Siècle New Woman and Aesthete
Representing the Fin-de-Siècle New Woman and Aesthete
Clemence Housman and Feminism in the 1890s
Clemence Housman and Feminism in the 1890s
Clemence Housman's Works
Brief Biographies of Clemence and Laurence Housman
Brief Biographies of Clemence and Laurence Housman
Clemence Annie Housman (1861-1955)
Textual History and Contemporary Reception of Clemence Housman’s "The Were-Wolf"
Textual History and Contemporary Reception of Clemence Housman’s The Were-Wolf
Editorial Introduction to The Were-Wolf
Editorial Introduction to The Were-Wolf
“…the mode of existence of a literary work of art is fundamentally social.”
(McGann, A Critique of Modern Textual Criticism, 8)