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(Victorian engraving) A group of women working on machinery in a flax spinning mill owned by the industrial pioneer John Marshall in Leeds, Yorkshire.

Bessy's Reality

19th century

Romanticism and its relation to Barbauld’s ‘The Rights of Women’

The Effects of the Teaser

27 Oct 2021

North and South (2004)

2004

Illustration of chimney stack and tools sued by chimney sweepers.

Blake’s The Chimney Sweeper and Images of Industrialization Aiding in Child Abuse

Workhouses in England

https://www.bl.uk/collection-items/advertisement-for-beechams-pills

Beecham's Pills

1842

Drawings by Ernest Jones

1843

Victorian Guide to Beauty

19th century

Porphyria's Lover

circa. 21st century

A darkened landscape reflecting nature having unrelenting power over humanity.

Perspectives of the Sublime in Romanticism

The Madwoman

Newpaper Ads for Governesses, 1845-1847

Portrait of Johann Christian Reil and the Psychoanalytic Theory of Jane Eyre

1811

The Role of the Governess in Victorian England

25 Mar 1837

Peterloo Massacre

1 Oct 1819

The Railway in the Fiction of Elizabeth Gaskell, Margaret Oliphant, and Kate Chopin

19th century

robert browing

Gates of the Palace of Versailles

The middle of the month Spring 21st century

White Cliffs of Dover

Dover Beach

The end of the month Summer 20th century

Frankenstein Based on a True Story?

Autumn 20th century

Robert Burn's Tombstone

Summer 21st century

Darwin's Finches

1830s

Jean-Jacques Dessalines

Jean-Jacques Dessalines

circa. Early 19th century

Mont Blanc - a Picture of Romanticism

circa. 19th century

A 1818 expedition ship stuck in the ice. The sailers are feeling from the vessel because it is stuck frozen.

Long-Lost Sir John Franklin Expedition Ship

circa. 18th century

Black and White photograph of Albert and Victoria. Victoria is covered in lace from head to toe. Albert is wearing formal military dress.

Queen Victoria's Wedding Dress

circa. 19th century

The London Miscellany, no. 1-18 (1866). Complete, bound copy.

Complete, bound copy of The London Miscellany, no. 1-18 (1866).

1866

The Hireling Shepherd

circa. 19th century

The Awakening Conscience

The Awakening Conscience

circa. 1853

Bob Cratchit and Tiny Tim on the streets of London, surrounded by onlooking adults and children

SAMPLE: Picturing Disability in Dickens's A Christmas Carol

Folio 105 is a handwritten notebook page with no cutouts. The text ends with Wilde's signature and the notebook page is torn off mid-page.

Folio 105

Folio 104 is a handwritten notebook page with no cutouts.

Folio 104

Folio 103 is a handwritten notebook page with no cutouts.

Folio 103

Folio 102 contains two cutouts from p. 21 of the Blackwood's 1889 printing glued down into a single column onto a notebook page. Wilde makes annotations on the Blackwood's cutouts and on the notebook page.

Folio 102

Folio 101 contains an irregular cutout from p. 20 of the Blackwood's 1889 printing glued down onto a notebook page. Annotations are on the cutout as well as the notebook page. The folio number 101 is written beside a scribbled out "100." The alignment of the cutout and ink line at the top of the lefthand side column matches the second cutout on Folio 97, indicating that these cutouts are likely from the same copy of Blackwood's.

Folio 101

Folio 100 is a handwritten notebook page with no cutouts. Wilde leaves blank space at the bottom of the page, perhaps to better connect it with the following folio 101, which consists of a cutout from Blackwood's.

Folio 100

Folio 99 is a handwritten notebook page with no cutouts.

Folio 99

Folio 98 is a handwritten notebook page with no cutouts.

Folio 98

Folio 97 contains two cutouts from the Blackwood's 1889 printing glued down into a single column onto a notebook page and annotated on the cutout and onto the notebookpage. The first cutout is from the righthand column of p.19. The second cutout, which is glued directly under end of the printed text on the first cutout (but glued over the bottom margin of the page), is from the lefthand column of p.20.

Folio 97

Folio 96 begins with handwriting and contains a cutout from the lefthand column of p. 19 of the 1889 Blackwood's printing glued down into the notebook and annotated on the cutout and on the notebook page.

Folio 96

Folio 95 is a handwritten notebook page with no cutouts.

Folio 95

Folio 94 begins and ends with handwriting on the notebook page, and contains a small cutout from the lefthand column of p. 19 of the 1889 Blackwood's printing glued down into the notebook about mid-page without annotations.

Folio 94

Folio 93 begins with handwriting and contains a cutout from the bottom of p. 18 (beginning of Chapter 3) of the Blackwood's 1889 printing glued dow at the bottom of this notebook page with annotations and an inkblot on the cutout.

Folio 93

Folio 92 is a handwritten notebook page with no cutouts.

Folio 92

Folio 91 is a handwritten notebook page with no cutouts.

Folio 91

Folio 90 is a handwritten notebook page with no cutouts.

Folio 90

Folio 89 is a handwritten notebook page with no cutouts.

Folio 89