In Vicotrian era Britain, people were coming to recognize the importance of science and psychology. Though England at the time was filled with deep thinkers, writers, and philosophers, only a few pioneers began to dedcate themselves to the study and observation of the sciences.George Henry Lewes was one such man who began as a philosopher who developed theorys regarding people's health, specifically, thier mental health. Throughout the early part of the Nineteenth-Century, Lewesbegan tests and studies using live animals to experiment nervous systems and refelxes.

This painting was inspired by the story of the slave ship Zong, which in 1781 ordered 133 slaves thrown overboard so the captain could collect insurance payments for them. This was common practice in the slave trade, as insurance could only be collected for those who drowned at sea, but not any who died on board, so any slave that was dead or dying would be hurled into the ocean to increase profits. The painting was originally titled “Slavers Throwing overboard the Dead and Dying--Typhoon coming on.”

In 1848, the first confirmed specimen of the melanistic, or darkened, form of the soot moth (biston betularia, or peppered moth) was found outside Manchester. Prior to 1800, this form of the soot moth was practically unrecognized in England, but by 1900, they made up 90% of recorded specimens around industrial and urban parts of Britain.

In 1885 the Pall Mall Gazette published a series of articles by editor William Thomas Stead exposing the widespread practice of child prostitution, which was particularly bad in London. Stead used new investigative journalism tactics, which included purchasing a thirteen-year-old girl from her parents for five pounds (which was around 500 pounds in 2012). Stead reported interviews with brothel-keepers, and described in detail how young girls would be manipulated, drugged, raped, and forced into prostitution.

In 1848, a group of artists who were inspired by the theories of John Ruskin banded together to create the Pre-Raphaelite Brotherhood. The name came about because the Royal Acadamy at the time was heavily interested in the work of Raphael. This meant that rather than a focus on balance and perfect artistry, the Pre-Raphaelites were interested in making art (and literature) with as heavy an emphasis on realism as they could. Originally, the principle members of the brotherhood included William Holman Hunt, John Everett Millais, and Dante Gabriel Rosetti.