COVE Gallery | COVE

Displaying 701 - 750 of 3324 images

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John Joel Glanton

circa. 19th century

Warhol’s depiction of Chairman Mao comments on political propaganda and the global tension of the Cold War. Though not explicitly anti-war, the series reflects the political consciousness of the time.

"Mao" by Andy Warhol (1972)

1972

A vibrant, bold image that reflects the counterculture movement of the late 1960s and early 1970s. The artwork features a large, bold peace symbol at its center, surrounded by swirling, vivid colors like neon pinks, blues, greens, and yellows. The swirling patterns and bright colors emphasize the peace symbol, which became synonymous with anti-war and civil rights activism. Blending elements of Pop Art and psychedelic art, Max captures the optimism, rebellion, and creative spirit of the youth’s movement. It

"Peace Sign" by Peter Max (1970)

1970

Visually bold and colorful serigraph, employing bright, graphic design techniques in the style of Pop Art. This piece displays large, expressive letters and vibrant colors, surrounded by vivid patterns that express optimism and energy. The central message of "LOVE" symbolizes not just romantic love but societal love advocating for social change, unity, and compassion. Created during the turbulent 1960s, with the Vietnam War and civil rights struggles, Kent's art strongly speaks to the time period’s politi

"love at the end" by Corita Kent (1969)

1969

This textile-based work, incorporating the American flag with imagery and text, critiques U.S. militarism and racial injustice during the Vietnam War era.

"The American People Series #18: The Flag is Bleeding" by Faith Ringgold (1967)

1967

"Love" by Robert Indiana (1966)

"Love" by Robert Indiana (1966)

1966

Part of Motherwell’s series mourning the Spanish Civil War, this painting features bold, black forms juxtaposed against white and color fields

"Elegy to the Spanish Republic No. 34" by Robert Motherwell (1949)

1949

One of Pollock's first iconic drip paintings, created by pouring and splattering paint onto the canvas. The piece has no central focus, inviting viewers to explore the entire surface.

"Number 1A, 1948" by Jackson Pollock (1948)

1948

A biomorphic abstraction filled with flowing, organic shapes and vivid colors, inspired by Gorky's personal memories and emotions.

"The Liver is the Cock’s Comb" by Arshile Gorky (1944)

1944

"Woman I" mixes aggressive brushstrokes with abstract and figurative elements, representing the tension between abstraction and representation.

"Woman I" by Willem de Kooning (1950)

circa. 1950

A massive, energetic work commissioned by Peggy Guggenheim, it marked Pollock's shift toward his iconic drip-painting style. The piece is a dynamic blend of swirling forms and colors, suggesting movement and chaos.

"Mural" by Jackson Pollock (1943)

1943

The Tales of Mother Goose: Timeless Tales

Beyond the Yellow Brick Road: Recovering the History of the Wonderful Wizard of Oz

17 May 1900

Charles Darwin

Charles Darwin

The Role of Chaperones

circa. 1810

Strict Gender Roles and Its Effects

1824

The Struggle Between Love and Marriage

1827

Marriage and Politics

1866

The Rules and Rituals of Courtship

1805

Treasure Island: A Boy's Adventure for Gold, Glory, and Manhood

Painting of John Amos Comenius

Orbis Sensualium Pictus: Reliving Comenius's Life in Pictures

The Christian Didacticism Of Animal Treatment in Anna Sewell’s Black Beauty

The Enduring Influence of Little Goody Two Shoes: From Didacticism to Female Empowerment

Rudyard Kipling’s The Jungle Book: An Examination of Human-Nature Relationships and the Intricacies of a Colonial and Imperial Allegory

Beatrix Potter’s The Tale of Peter Rabbit: Anthropomorphism in Children’s Literature

Anne of Green Gables: A Child Breaking Tradition

A.A. Milne's Winnie-the-Pooh: Growing Up and Staying Young

First Edition cover of Alices Adventures in Wonderland 1865

Alice's Adventures in Wonderland: Learning Through Wonder

1856

A Portrait of John Bunyan

Adventure as Puritan Allegory: John Bunyan's "The Pilgrim's Progress"

1813

Rudyard Kipling’s The Jungle Book: An examination of human-nature relationships and the intricacies of a colonial and imperial allegory

19th century

Peter Rabbit Squeezes Under Mr. McGregor's Garden Gate

Aesop's Fables: The Enduring Importance of Moral Teachings

Louisa May Alcott's Little Women: Intertwining Didacticism and Entertainment

1868

Jacob and Wilhelm Grimm’s Fairy Tales: Stories of Entertaining Folklore

Discovering the Magic of Neverland: Peter Pan

C. S. Lewis's The Lion, the Witch and the Wardrobe

C. S. Lewis's The Lion, the Witch and the Wardrobe: A Fantastical Tale of the Sons and Daughters of Adam and Eve

20th century

General Etiquette and Ballroom Culture

1813

Music and Professional Musicians

1821

Ball Dress and Appropriate Attire

Feb 1812

Dancing Styles

1811

Assemblies and Assembly Rooms

26 Jun 1790

Personal Bible of Thomas Scott

Examining the Holy Scripture Used in 19th Century Anglican Churches

The Accessories make the Dress

1799

The interior of St. Swithin's Church of Walcot in Bath, a church that Jane Austen attended.

The Reverence for Wealth in 19th Century English Churches

Documents of Jane Austen Imagining Herself Marrying A Multitude of Men (Image A).

Validity in Her Identity - Using Jane Austen's Documents to Understand the Administrative Workings of 19th Century Churches

2023

The Changing of Children's Clothes

1770

The Daily Wear of a Fashionable Man

1805

The Daily Wear of Ladies

1805

Proper Undergarments Equal Proper Dress

1810

St. Nicholas Church, Steventon, Hampshire

Detailing the Word of God in Stained Glass Windows