William Delisle Hay's The Doom of the Great City (1880) is relatively unknown today, even among scholars who specialize in Victorian literature. There is little scholarship on the novella, and it’s not commonly taught in high school or college classrooms. Our hope is that this critical edition will change that.

Catherine edition banner

A forgotten masterpiece, William Makepeace Thackeray’s first novel, Catherine, has languished in obscurity, in part due to its author’s own unhappiness with it.

A Mystery in Scarlet

Robert Louis Stevenson cherished the 1866 penny dreadful A Mystery in Scarlet, written by his "genuine influence" Malcolm J. Errym, the pseudonym of "Sweeney Todd" creator James Malcolm Rymer (1814-84) and illustrated by the celebrated "Phiz" (Hablot K. Browne, 1815-82).

Strange Event in the Life of Schalken the Painter

The short story originally published as “Strange Event in the Life of Schalken the Painter. Being a Seventh Extract from the Legacy of the Late Francis Purcell, P.P. of Drumcoolagh” in Dublin University Magazine (May 1839) is widely recognized as the earliest masterpiece by the Irish novelist, short story writer, and journalist Joseph Sheridan Le Fanu (1814-1873).

Sartor Resartus

Thomas Carlyle once described Sartor Resartus as “a Satirical Extravaganza on Things in General,” and the book has both inspired and confounded readers since its initial publication in 1833-34.  Engaging with philosophy, theology, political economy, aesthetics, history, and science, Sartor Resartus in many ways defies classification.

About COVE

Nota bene: If you have specific questions, you might consider consulting our how-to and frequently asked questions pages. For content, go to our Content Index.

COVE is Collaborative Organization for Virtual Education, a scholar-driven open-access platform that publishes both peer-reviewed material and "flipped classroom" student projects built with our online tools. It is maintained by a number of field groups and independent institutions. Although all peer-reviewed material is open access, we charge a modest amount for use of our tools (for more information, see the COVE Studio and COVE Editions documents below). Questions can be directed to: coveeditions@gmail.com.

Director

Dino Franco Felluga, Purdue University