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Not vetted

"Monna Brigida's Conversion," Chapter 51

Chapter 51

1863

Chapter 47

Chapter 47

1863

"A Dangerous Colleague," full plate, Chapter 44

Chapter 44

1863

"The Visible Madonna," full plate, Chapter 44

Chapter 44

1863

"Romola in her Place," Chapter 42

Chapter 42

1863

"Father, I will be guided," full plate, Chapter 40

Chapter 40

1863

"A Supper in the Rucellai Gardens," full plate, Chapter 39

Chapter 39

1863

"The Black Marks become Magic," Chapter 38

Chapter 38

1863

"Escaped," full plate, Chapter 37

Chapter 37

1863

"Baldassarre Makes an Acquaintance," Chapter 33

"Baldassarre Makes an Acquaintance," Chapter 33

1863

"You didn't think it was so pretty, did you?", full plate, Chapter 33

Chapter 33

1863

"The Painted Record," full plate, Chapter 28

Chapter 28

1863

"Coming Home," full plate, Chapter 27

"Coming Home," full plate, Chapter 27

1863

"The Young Wife," Chapter 27

Chapter 27

1863

"Niccolo at Work," full plate, Chapter 26

Chapter 26

1863

"The Escaped Prisoner," full plate, Chapter 22

Chapter 22

1863

"Florence Expects a Guest," Chapter 21

Chapter 21

1863

"A Florentine Joke," full plate, Chapter 16

Chapter 16

1863

"The Dying Message," full plate, Chapter 15

Chapter 15

1863

Illustration of Florence, Chapter 14

Illustration of Florence, Chapter 14

1863

"The Peasants' Fair," full plate, Chapter 14

Chapter 14

1863

"The First Kiss," full plate, Chapter 12

Chapter 12

1863

"Tito's Dilemma," Chapter 11

Chapter 11

1863

"Under the Plane-Tree," full plate, Chapter 10

Chapter 10

1863

"Dawning Hopes," Chapter 6

Chapter 6

1863

"The Blind Scholar and His Daughter," Chapter 5

Chapter 5

1863

Confrontation in the market

Untitled Illustration, Chapter 1

1863

"Shipwrecked Stranger" (Volume 1, Chapter 1)

Chapter 1

1863

Full Plate Illustration: "Suppose you let me look at myself"

Frontispiece

"Armgart, the Queen of Song" by Robert Lewis

"Armgart" (1871)

"The Legend of Jubal" by W. St. John Harper

"The Legend of Jubal" (1868)

"Lisa" by J. Wells Champney

"How Lisa Loved the King" (1869)

"Brother and Sister" by W.H. Shelton

"Brother and Sister" (1860)

"Fair Countess Linda" by W.L. Taylor

"Agatha" (1869)

"Fedalma" by George Fuller

"The Spanish Gypsy" (1878)

"Two Lovers" by W.L. Taylor

"Two Lovers" (1866)

"Gwendolen at the Gaming-Table" by H. Winthrop Pierce

"Daniel Deronda" (1876)

"Dorothea" by Frederic Dielman

"Middlemarch" (1871)

"Esther Lyon" by Frederic Dielman

"Felix Holt, The Radical" (1866)

"Romola" by W. St. John Harper

"Romola" (1862-1863)

"Maggie and Stephen" by W.L. Taylor

"The Mill on the Floss" (1860)

"Dinah Morris Preaching at Hayslope" by Will H. Low

"Adam Bede" (1859)

"Shepperton Church" by W.J. Mozart

"Scenes of Clerical Life" (1857)

George Eliot, Engraving by Thomas Johnson (1881)

George Eliot, Engraving by Thomas Johnson (1881)

1881

George Eliot, Engraving by Henry Davidson (1899)

George Eliot, Engraving by Henry Davidson (1899)

1899

George Eliot, Sketch by George du Maurier (circa 1800's)

George Eliot, Sketch by George du Maurier (ca. 1800's)

circa. 19th century

Work Pants: Size Youth Small

9 Jul 2020

"The Bridge of Sighs" (after) by Thomas Hood, illustrated by Gustave Doré

"The Bridge of Sighs" by Thomas Hood, illustrated by Gustave Doré

1872

"Bridge of Sighs," Thomas Hood, Illustrated by Gustave Doré

"Bridge of Sighs," Thomas Hood, Illustrated by Gustave Doré

1872

The Song of the Shirt, Thomas Hood, Punch Magazine

The Song of the Shirt, Thomas Hood, Punch Magazine

circa. 1843